it is 2026. we wonder what to say next, and the wind is still blowing.

eight.

fixed link mutable link
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.

seventeen.

fixed link mutable link
cereal casting color
onto surface, piled over
each some with and blindly
drawn paintings and an old ,
whatever those anywhere in ,
their strange rhythms ., eyes
glimmering fluorescent
flickerings or how's this different
and matter something or
something , own color surface,
papers scattered over each
other blindly drawn and some
from an old black and those
glass, the their melodies,
their strange rhythms
tinkling or looking right eyes
glimmering with the or fluorescent
for different? asking
between like something box of
cereal , reflects in its desk
surface, papers scattered,
some important so much , some
jet, whatever means, glass
bowl, anywhere birds get
their melodies or rubbing
cardboard . the looking right back
or water. how's this
different? asking between
colorshades something or
anothersong or casting shadows than
expected reflects in its own
papers scattered , some
important some not so much, some
out from an old black, glass
, to wonder where the
birds get their rubbing
glimmering so loudly flickerings
how's this different
something or something or or an of
cereal , casting shadows
longer light reflects in the
the scattered from other,
some important some so much,
some and white jet printer,
whatever glass bowl, not going
anywhere in particular their the
bottle with the sunlight or
fluorescent flickerings lithium
looking ? asking colorshades
and subject matter like or
anothersong thismomentingly

thirty.

fixed link mutable link
question to begin the
moment bad handwriting,
anything actually changed over
actually changed over these
years or reject that nothing
really ask and we in return
question “who. cry. cry, can't
laugh, laugh, can't these
questions these place when first
place when like it minute new
question comes ears which why we
think can't think of at bad. we
., and we laugh, and,
changes we reject. we years or
really changes. we reject the
idea that nothing really and
we ask and ask an
unexpected in: answer. we begin,
then. then we begin to laugh,
cry laugh laugh. see seems
like every a new our ears is so
, is so, so why to the of
good moment or how or how to
read bad and laugh, and we
laugh wonder what might be
next we we wonder what might
over these years or really
changes over really changes. we
reject that nothing really we
an unexpected question in
return: ?” you ?” unexpected
question in return in “who are ?”
and you and we are. and know
we begin, and. and laugh,
and laugh. can't why when
questions are so in the first
question, so more important at
begin moment or we able to at
the with at bad. we laugh we
laugh. what might be next, if
over these years or really
are you are and you ?” unable
to answer then and laugh
see why first comes
question,, why to question to we
to with begin with begin at
bad handwriting. laugh we.
we

three.

fixed link mutable link
, fists caring what's on
caring caught up with the idea
there being place there why
and first place if causing
the stove to the is try to to
remember kitchen, to with with us
harder on door while here is
wood on the pound harder and
our fingers fingers our
fingers and pound harder harder
is splintering here there
and there and is the door
while the wood is splintering
is splintering budge time
this and again get get here
again did we get making their
inside our mouths as if we
inside our as learn learn from
last more unhappy things
things the walls shouting with
a red face red and face and
against the door not side the
another another in the first
place first place there
another flicker to burning so we
had but done in, us the shout
with fewer with our our
fingers and harder and harder on
harder on the door while while
the wood appears to budge
budge this or time or this this
time or or time time or that
again this this time again and
and again again and again
and questions our inside
our from if we if never could
learn and began to throw
things at the and some
inexpressible anger screaming with
some walls with some with
again caring what's on other
side, too caught up the idea
of the first place causing
the to we all try to remember
last but we can't the
attempts to remember make us
shout with to remember
remember, make pound wood is the
while the and there and time
again this time get here? our
could learn never last never
our as their never couldn't
answer and only things some
inexpressible anger some red and
bulging veins veins, red face
and bulging veins, red
fists fists the door not even
not side, caught up with
caught , too caught with up in in
why and why and the stove the
stove like something is
remember what remember what we
can't remember make us make us

twenty seven.

fixed link mutable link
sensation in our hands
hands dents in the floorboard
floorboard from what what and
scrape along along freckle of
how in it of just close our
the incense it to now. we
breathe we notice small
floorboard and ourselves what
along the wooden panels and
and we the and scratch on
wires desk happened if
someone it on purpose purpose if
if these purpose if it of
someone did it if someone
happened behind the happened
purpose own somehow like that
our , that our foreheads,
that warm that outside to
open open be foreheads
foreheads, it might be warm warm
enough outside to breathe in
dents now we and groove and
scrape along the wooden
freckle and we face of how if
someone did it happened, the
desk happened if these
things just on close our eyes
for a moment and feel like we
floating bodies, it warm. hands
what caused groove and
scrape along

thirty one.

fixed link mutable link
thumpingly whyhow
thumpingly against the doors,
shapes in situations where
things situations expect in
situations where we some of things
don't have to sense make sense
make sense they happen
consistency that even could away
even mean allowing even make
not much difference the
between our difference so much
difference much tied off or on a
trashbag somewhere near by
bacteria and fungi the world also
having no control a beautiful
thing. this is. this okay and
that's completely if we if if we
watch its green speck in same
time together with together
with the crowd and
completely, goal and just falling
in supposedly some doing
some job being saying why
they are we ourselves are
saying or why the belly still
why they are shaped many
write ways to write a poem or
explain thought, so many ways to
build a chord when it seems a
new a color piece of,
probabilistic relationships
imitating and make toes make toes
up for their emptiness
think of to think it that way.
illusion breaking down again are

eighteen.

fixed link mutable link
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.

twenty three.

fixed link mutable link
quickly if in the turn
out to a, a last. these
bricks clinging to one the
smiles the hugs, paints and
violins the keep doing our best
notice ink going around on
themselves while we room the
temperature changing every moment
around us how sun is of is
glowing on we don't at all. we
know we care and that's
perfectly okay more more laughing
blood is glowing, the keeps,
we keep smiling in an
instant what doing. the some
kind of dust and makes
squirrels how cars turn their
wheels all out to be part
punchline,. these

ten.

fixed link mutable link
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.

twenty eight.

fixed link mutable link
prepare if anything
couldn't prepare us for could
couldn't prepare wonder if
anything could for of all people
we've never met laughter
people we've never met and
conversation , as they each how as each
. so many different the
other they so many different
hats. back without
permanent and dams and enormous
statues collapse and dams and
fade and fade and enormous
even do just anyway . were
going were going to we,
whether we all

fifteen.

fixed link mutable link
but isn't . there.
emails of them ever seem to,
into entire into some
incomprehensible impossible the going as
don't don't. all these
different calling for where we
different calling, different of
dealing ways. we because
gestures amplifying people who
don't know when because there
were, a different life a
single car car, a struggle if.
the isn't like just another
keep arriving and keep
arriving another. but piano
there was the isn't. and keep
arriving and keep arriving
another. and them ever all all,
possibilities some incomprehensible
tree, incomprehensible. we
end up just going with the
one we we saw first and that
the first, for now at least
as good we all these
different calling where where we
we go looking we don't
where we left where don't
remember where we remember

thirteen.

fixed link mutable link
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.

eleven.

fixed link mutable link
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.

zero.

fixed link mutable link
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.

twenty five.

fixed link mutable link
a accurate, a little
faster and a little faster,
with conversation outside
becoming heated while mistakes.
the faster repetition
getting a little little faster
fewer, a little with fewer
mistakes conversation going
becoming mistakes. the fewer and
with fewer faster and with
fewer mistakes. the
conversation going while we do our
best to our best to aren't
listening pretend heated while
outside going on outside
mistakes and mistakes on outside
becoming going while becoming
with faster and with
conversation a little with fewer
mistakes. the conversation
faster, a little with more a
little faster little
repetition getting,

two.

fixed link mutable link
because the longer we
stare at the details, the less
we are sure they even
matter.

twenty two.

fixed link mutable link
which slantingway or
combination making one thing work
and another not? the
vibrations more quiet every time we
lean our ears closer trying
to hear inside the sounds.
we are aware of our actions
but try not to notice. the
sun outside making this
fuzzy kind of sound against
the grass. we pause and just
breathe for a while. where again
the thisthat theringly,
the second hand ticking by
again and again while all
these angles crackling, we
breathe for a while longer and
the sun keeps making that
sound and we keep sniffling
from seasonal allergies. a
bird call we don't
recognize. we can't help but smile
at the sound of people
laughing and somehow the voices
make this sort of harmony
against the windchimes and we
hear all these acoustic
vibrations buzzing inside our
chests and making us feel not
warmer but more okay. more
okay.

seven.

fixed link mutable link
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.

twenty.

fixed link mutable link
the smell of damp sticks
from outside. a slowmoving
sound. we notice how
everything is so pink maybe we
remember why, but for now we
don't. “can it stay like this
for a while?” and, for once,
it does.

twenty six.

fixed link mutable link
point. and, watch with
it all just happens
outlines of into other behind
geometries geometries buttons and
dominoes other dominoes which
the geometries and
relationships pushing pushing
buttons and and and and
relationships dominoes to the
intended, way we expected could
way intended that could be
the. ideas and and colors
and and ideas permeating.
happens into shapes each and
each of and relationships
relationships pushing the wrong
direction. not going the intended
the way we. in the wrong
direction way. not we expected or
be. sneaking into the
thoughts again paints ideas
spray paints paints and while
we watch just happens
outlines outlines into shapes
trangles into making things,,
shapes sort of making
themselves up sort of making
themselves themselves up behind
relationships pushing to way we
expected expected or intended,
way. not in the wrong or
going the way we be again,
while we it all just things
other making themselves
themselves up buttons geometries
and relationships pushing
buttons fall in the not going the
way we expected or intended
, but maybe that that
could be the point.
interactions and ideas watch with a
smile. it all just happens
trangles into into behind each
other themselves
relationships fall relationships
pushing pushing buttons wrong
direction expected or going the
that could be the point again
. ideas ideas concrete,
watch with a smile. it all just
other things, themselves up
into behind each of behind
each other which wrong
direction fall in we expected or.
goals goals sneaking into..
ideas the thoughts again.
ideas ideas all ideas ideas
smile outlines of, trangles
into other things of

six.

fixed link mutable link
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.

twenty four.

fixed link mutable link
trying not okay it
happens that we go the and , and
sometimes they are okay sometimes
it trying and sometimes we
go from one to the other
trying. and they are , and
sometimes that we sometimes. and
sometimes things and sometimes
they happens are, we go . and
things are trying. and
sometimes things are not,
sometimes they not okay and and
things, and they are sometimes
it happens that we go from
to sometimes things
sometimes they are go from the we go
from and sometimes we other.
sometimes they are the other
without even and sometimes are
are that to the even one and
sometimes things are trying. and
sometimes things are okay, and
sometimes that we go sometimes it
and sometimes it we go
without sometimes they go . and ,
they are sometimes we one
okay,, they are, and
sometimes we go the trying. and
sometimes things are okay they are
it happens go other
without not are , it other
without even. and trying.. and
sometimes okay sometimes they and
sometimes it happens and not not
okay, sometimes they that we
go other without even
things okay it happens go from
one and trying. even trying
things are not okay and
sometimes it happens other not,
from even trying. and
sometimes sometimes things are,
and okay okay, and things,
other without even trying.
and sometimes, and
sometimes they,, and sometimes
they are we go that we go from
one to to other without
sometimes they, and sometimes it
one to trying. and and
sometimes and and sometimes we we
sometimes things are okay, and
sometimes sometimes they we even
trying are not and sometimes
they are, other without the
other even are, , and
sometimes they are

five.

fixed link mutable link
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.

sixteen.

fixed link mutable link
stick glowing and
somehow breathe. we to it how we
it! funny questions .
laughing!. we forget to ! forget
to smile when the coming of
these and lines. we remember
that lines and so many many
and so the and many lines.
still glowing in forget to
smile help but smile when sun
starts coming back cue names
colors whose names we can't
remember lines and lines many
lines. we remember and lines
many lines. we the of incense
stick lines lines. stick of in
our lungs our lungs breathe
and we breathe breathe
breathe . we forget to ask ask
laughing! help how we it funny how
starts coming on back right on
cue colors we whose names
remember that the of becoming in
our somehow of and somehow
becoming smoke in our lungs and we
breathe breathe. we forget to
ask questions breathe we
forget to it funny how starts
can't whose names can't
remember shades sun starts the
sun starts help sun starts
coming back right on whose
names can't remember lines
can't whose names we can't
remember lines can't lines and
lines and and and lines
remember that the

twenty nine.

fixed link mutable link
help but laugh at it is
that we think about things
like numbers, might sound
like if listen if suspect and
if they listened stop
about be for breakfast out
place writing another cross
one for breakfast why we
cross thing out in sense , just
lines one by one which to going
things. we suspect that things
and and at how absurd things
, what two things
happening at the week things like
days of like week, like to
listen nobody is listen (we
nobody and they were to write )
and if. about scheduling
and start ) about what might
be

one.

fixed link mutable link
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.

twelve.

fixed link mutable link
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.

twenty one.

fixed link mutable link
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.

fourteen.

fixed link mutable link
the to to care, and
underthere beforemaroon
questions and ideas how to color
color when moving so slowly
but the as usual working
usual with clunks and little
and woodenbits. and to
really really seems a a agains a
we or or or to the,, the eyes
again and ideas how ideas how
to see under a color when we
are stuck inside it these
these it these things slowly
but to as those and we
suggest and conversation stays
the same and

nine.

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we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.

nineteen.

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the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.

four.

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it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
,