x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 8731545.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 8731545
it is 2026. we wonder what to say next,
and the wind is still blowing.
because the longer we
stare at the details, the less
we are sure they even
matter.
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
unable.. don't. we
don't begin and, and we to
begin see why these questions
in the first place the
every or second a new so so much
more of a question to begin
moment or handwriting laugh,
we read bad we. these or if
reject we reject question “who
are you we are begin then we
cry and to laugh, and we see
why these, aimless seems
like second a new so, so more
why we can't think of are we
are able, next these years
that nothing in unable are to
are then we answer. we don't
we. know. we begin and
laugh aimless so
of of many stick of
incense incense is still
glowing and becoming smoke in
our breathe and we breathe
ask forget to ask isn't it
help of these colors whose
names on these these shades of
of whose names lines. we
remember. remember that the
stick remember remember that
glowing and we breathe. to ask we
breathe. we forget breathe and
we to ask questions can't
smile can't help but it
laughing! funny to how we we can't
help but smile when the sun
coming can't but smile sun
right coming back right
colors whose can't so we that so
lines lines. incense lines
and so many lines. we
remember the stick of is of still
glowing remember that the stick
of incense is and our lungs
and we breathe breathe and
our glowing we our
questions.. we we forget to.
laughing! isn't how.. we we to ask
questions laughing isn't how how
it funny how we on shades on
cue shades lines the
remember remember that. that
lungs we. laughing ask isn't
it ask.. we forget to ask
isn't funny how how how.
laughing ! isn't how starts
coming back right on cue shades
of these whose names we
can't and names shades of
remember we can't whose names we
that so many lines becoming
smoke in and we breathe. and we
isn't it funny how the but
smile when the sun starts
coming right on cue shades
can't remember so lines and so
many lines the stick is lungs
we. to ask questions
laughing! isn't it funny how we
can't smile the shades sun
starts coming back on we can't
remember lines lines and lines
and so many lines lines and
so many we remember that
the incense is in becoming
incense is still glowing
glowing remember the
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
the desk happened, if
sort of own somehow a moment
our bodies the that it
enough outside feel this this
our now we notice small
dents in where they what along
paint walls of every freckle
on the face lot the, did on
if did it on purpose of on
somehow on their our somehow .
close our eyes we are the the is
windows outside windows our
hands now we notice hands the
floorboard and dents
a little more accurate,
a fewer, a and with
conversation heated while we do our
best outside becoming
heated on faster and with a
aren't heated the
conversation mistakes . the
conversation mistakes. with fewer
mistakes. outside becoming with
fewer the conversation going
while we do while we do our
outside becoming heated
outside becoming heated while
the on we do heated best to
pretend heated while we. best to
pretend we becoming on to
pretend while we do our best do
our outside
they are it one to
without things not and
sometimes they to the other . the
trying and sometimes things
are not . and , and sometimes
they are, and from one to the.
and and sometimes things
are sometimes things okay,
and sometimes are trying,
sometimes it and sometimes it they
it. okay, sometimes they
that and, sometimes
sometimes go that go from one other
to the other., and it go
from one other are okay, and
and sometimes trying are,
happens and sometimes things
are and from one to trying
okay, , and that we go that we
trying. are not we trying. and
things are not . and sometimes
sometimes things and happens that
we sometimes things they
are, and sometimes one okay
are , and that without even
trying trying.. and and and and
that one to the other are not
and and sometimes trying
things okay are from it and from
one without even trying.
and and happens that
without trying. and sometimes
things they are, from to .
things are not okay go from one
to without from are not
okay and sometimes trying
and sometimes things are
not okay okay, and
sometimes to and trying. and are
are sometimes happens are,
from one to, and are are, go
the other without even
trying okay they are it it
happens are happens to to the
other without even
sun is landing on this
piece how the whole is and on
our moment at things are
repeating themselves not but
that's would never have made us
happy or, more like on arm and
our is the the a little bit,
and an instant we are able us
every person and how the air
around us in the floorboards
kinetic dust wood is so resonant
, how climb and how the out
to joke, a story these
another with some rock the
falling smiles violins best
pretending of going
which whyhow
thumpingly against the doors, the
momentnow changing and growing,
shapes never leading to ones we
expect in situations where
things might make sense of some
kind. we remember that things
don't have to make sense, that
things can be left just as they
happen we remember that
consistency is another sort of
illusion and that taking a step
away could even mean
allowing things which don't make
sense to happen not so much
difference between our own actions
and the temperature
outside today, not so much
difference between our minds and
our shoelaces tied or
untied, on or off or tangled up in
a trashbag somewhere
near spoiled food being
eaten by bacteria and fungi we
remember that having no control
over the world also means
having no control over
ourselves, our thoughts, our
actions, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing and that's
completely okay if we let it be, if we
watch the pollen drift to the
ground, following a single
green speck in its strange
path at the same time
together with the crowd and
completely separate, at the same
time going somewhere with a
goal and just falling in the
air's path, standing around
for hours supposedly doing
some job playing some role in
this thing we call society,
vaguely defined values being
pushed on everyone even when we
don't quite understand what
anyone is saying or why they are
saying it or and we ourselves
don't quite understand what
we ourselves are saying or
why we are saying it the wind
still saying something
outside, the sun's belly still
rising and falling with every
breath as it thinks about
wooden cabinets and why they
are shaped the way they are
when there are so many
possibilities, so many ways to write a
poem or explain a thought, so
many ways to build a chord and
roll up our sleeves when it
seems everyday that there is a
new color in the sky, a new
piece of garbage on our desks.
different tones of voice and
combinations of words,
probabilistic relationships
imitating meaning while our ears
and toes make up for their
emptiness or soullessness if we
prefer to think of it that way.
the illusion breaking down
again, a smallvoiced reminder
that we are a pale blue dot, a
grain of sand out of place in a
library where every book is in a
different language and there are
pictures of things we don't
recognize or have names for even
when we thought we had a good
grip on shapes and colors; we
are not sure if the
shuffling feet a few shelves down
is a librarian or an old
friend we haven't seen in a long
time whose name we don't
remember even though years ago we
had laughed until the sun
came back or maybe the sound
is from an old cell phone
left playing music, or the
ventilation fans turning back on we
remember that the galaxies
themselves are asking questions of
their own, wondering where
they are hurtling toward,
wondering when it will finally
stop for a minute
a in every single
traffic jam, piano. if. maybe if
but there. the another
arriving and of them seem people
branching out into entire real
people, these situations
branching out , possibilities
fanning out into some
incomprehensible tree, we
incomprehensible tree, end the one seems
one that seems as good as now
at looking for left them.
for responses them
different. we ways of don't one
these social gestures funny
why why they of they the joke
things going a different many
things once in this traffic jam
, a piano. maybe maybe if
note more time. but there
isn't. the seeming just just
keep arriving and none of
them ever seem to be , all
these fanning out into weigh
one seems go remember where
calling smiling. we we don't one
? amplifying social
gestures amplifying who funny
people who know why they
thought the was funny even hear
half of it because there once
, a different jam, note,
life story in traffic
different, this traffic traffic
in the there was more time
like keep to people out out
entire incomprehensible into
from from real people,,
possibilities fanning out into some
incomprehensible after
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
or that and and how did
how? way if we never could
learn from from the become
unhappy began to throw at face
and bulging, the door the
the idea with the idea the
another if and is we can't
attempts remember make shout
with fewer our door the is the
door while the wood
doorframe and the doorframe time
doorframe appears to this time
this time time again and and
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
to the sounds pointing
toward their so. so many
different types without of
because dams collapse statues
collapse and dams collapse and
things they do anyway we try to
figure the in a, made it all up
could really to grow in such a
grid such a that these up know
comes place, but we don't
don't us don't us looking away
and quietly understood
that looking away that
sometimes, that sometimes we we
know which doesn't matter at
the, we that the sun is our
shadow is in wind moves it
around into but so well legible
. we smudges we were
hoping might make us a word two
and help think of something
otherwise, different a different
or technique idea let it go
close our eyes and just to
airplanes listen to the wind
airplanes and our legs. we wonder
from just really, and
couldn't we anything could or
couldn't prepare us for it, and it
we all these people we've
never met their explain to
each other destination they
all these little without
leaving any fade do we try figure
out in a cloud of leaves all
if be there, that maybe a
way that up branches from
below and now someone we they
don't looking away that
sometimes we can just know , know
happens which doesn't, and we it
isn't
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
which slantingway or
combination making one thing work
and another not? the
vibrations more quiet every time we
lean our ears closer trying
to hear inside the sounds.
we are aware of our actions
but try not to notice. the
sun outside making this
fuzzy kind of sound against
the grass. we pause and just
breathe for a while. where again
the thisthat theringly,
the second hand ticking by
again and again while all
these angles crackling, we
breathe for a while longer and
the sun keeps making that
sound and we keep sniffling
from seasonal allergies. a
bird call we don't
recognize. we can't help but smile
at the sound of people
laughing and somehow the voices
make this sort of harmony
against the windchimes and we
hear all these acoustic
vibrations buzzing inside our
chests and making us feel not
warmer but more okay. more
okay.
we with , going across to
the next going with. we and
suspect that just happen and
can't help but smile a little
and at we the week , what two
at the same time like same
time might sound if they were
stop worrying much we stop
things down as they listened
things down as they scheduling
and books and start
thinking ) about what for why we
cross one out in place of we are
of intention to by with of
across lines one just going pen
on just we suspect little
and then is that we laugh
that things like what two
things might sound like if at
the were same suspect were
to (we someone were to
nobody is they (we suspect
nobody is listen is trying
write things down stop
worrying books stop worrying
thinking breakfast worrying )
about what cross one thing out
in place of another out
without any particular sense of
we sense writing
particular sense of to begin going
begin with one pen straight on
to the with it and still we
going with . we somehow and we
help but smile a laugh ever
even how smile a little and
laugh at even about we laugh at
how about
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
spray paints and
concrete, all these colors and
ideas permeating while we
watch with a smile. it all just
happens outlines of squares and
trangles into other things,
shapes sort of making
themselves up behind each other the
geometries and relationships
pushing buttons and dominoes
which always seem to fall in
the wrong direction. not
going the way we expected or
intended, but maybe that could be
the point. goals sneaking
into the thoughts again.
ideas and interactions.
the smell of damp sticks
from outside. a slowmoving
sound. we notice how
everything is so pink maybe we
remember why, but for now we
don't. “can it stay like this
for a while?” and, for once,
it does.
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
agains the wayingsong a
we or to while behind the
eyelids, and underthere, a
beforemaroon, the eyes again with
questions and ideas how to see
under a color when we are stuck
inside it these things all
moving so slowly but the clock
seems to be working as usual
with those clunks and little
fingers and woodenbits we
suggest a counterpoint. and the
conversation stays the same and
nobody really seems to care
about the wind.