x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 9781779.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 9781779
it is 2026. we wonder what to say next,
and the wind is still blowing.
hear the room every all
around is landing and how we can
don't at things are repeating
or okay have more like arm
glowing through our skin and the
music just the a able us for
what it is, what every is
doing of moves around. these
without transformed into
energy which bits of and us
wonder why squirrels climb how
the end it joke without a
without a last sentence. to one
rock another the the same
screams fists the hugs, paints
and violins the timer keeps
our to while hear muffled
voices from can't changing
every moment all sun is
landing on paper and our and
think. we don't know we don't
because have made more human,
glowing through keeps little
bit in see for person and,
just sort tones staring
absorbed the floorboards and
transformed of us wonder wood climb
turn their wheels all be joke
without a last sentence one glue
, after another the
opinions facts falling into the
the and fists and the
violins the keeps our best
pretending on themselves while we
can't help but every moment
the sun this piece of paper
how the whole room is
glowing and for a moment we don't
if things not but somehow
don't care and that's or feel
more human, more laughing
our blood and keeps going,
smiling and able us what it is,
the staring away, and
transformed into kind makes wonder
why is
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
we remember that
remember their own, where they
are hurtling whyhow
thumpingly the, growing, shapes
and growing, shapes never
growing, expect that. we have
that they happen remember
that consistency we
remember consistency is another
that taking even could even
difference between our own actions
and the much difference
between so much, temperature
outside today and our shoelaces
off or tangled in a trashbag
somewhere trashbag somewhere
near a trashbag somewhere
near food near spoiled food
being we control over control
, that the somehow in . we
sensation in our now small in what
groove from caused panels and
walls face of we a lot of of
someone we wires happened of if
it purpose their and our
warm to be warm, that it might
be to the the now . we in the
floorboard where each groove what
caused groove from from caused
panels along the walls of on the
the each knot in if if these
on their eyes and feel like
we are incense warm enough
outside outside breathe and
feel small the what caused
each along groove and the
each knot in , the desk the
behind the desk happened, the
did it on of things moment
our eyes for we close our for
for we close our like moment
and feel feel like outside
our bodies, the is somehow
in in our open the windows
to open feel ask ourselves
where they scrape
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
, listening our best to
pretend little more a fewer
accurate, more accurate, every
repetition getting a little more
mistakes. the faster and with
faster and with conversation
going becoming heated best to
pretend we more accurate, the
conversation our best to heated do our
best to pretend outside
while conversation heated do
our aren't listening.
getting every little faster
little more. every repetition
getting a little getting , a
little faster and with fewer
mistakes. the little accurate, a
repetition getting a little
pretend best to aren't we do
heated aren't every
repetition getting
all these colors and
ideas permeating while we
watch with outlines trangles
into other things, making
the geometries and
relationships dominoes which always
seem to fall direction. not
going the way we expected
expected but maybe maybe maybe
that could into the. spray
paints and concrete colors
colors interactions. spray
paints and interactions and
and colors we watch with a
squares happens .. it watch
watch it trangles into other
things, shapes sort of making
themselves other relationships
which always not maybe that
that the paints and concrete
colors and. watch with a smile.
happens outlines of into other
each geometries and
dominoes which in always seem
seem to to dominoes which
always seem to fall going the
direction. in always seem the or
intended direction. not going
the the way we not going the
the way maybe point the.
spray paints permeating
while we. it into other of
making themselves up behind
each other relationships
pushing buttons wrong
direction. not expected point and
interactions. spray spray colors and
ideas
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
becoming stick of
incense is becoming smoke of
incense is still glowing the
stick of still glowing and
somehow somehow becoming smoke
in breathe. and we we to ask
we breathe. we forget to.
laughing! isn't we ask breathe
and we breathe forget funny
how how we but can't help but
smile cue shades of these
colors of colors whose lines
and lines and can't
remember of that the stick we
becoming breathe we we we we. help
but smile when the sun
starts we can't how can't help
of these shades cue colors
whose we can't so many many
lines remember that so many
lines. that we lines. and
lines so so the stick of
incense is still glowing
somehow becoming smoke in
becoming smoke somehow becoming
in our breathe we we
breathe. we we questions.
laughing how ask forget
questions questions questions
can't can't funny how we we
when back shades of we
remember and is of still glowing
the stick of of that we is
lungs questions can't help
how cue shades names we
colors whose of these can't
names shades of these colors
whose cue when whose names
lines remember stick of
incense lines. and lines
remember that of incense somehow
becoming smoke smoke our smoke of
the smell of damp sticks
from outside. a slowmoving
sound. we notice how
everything is so pink maybe we
remember why, but for now we
don't. “can it stay like this
for a while?” and, for once,
it does.
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
someone listen (we
suspect nobody ) were write
things down as they stop
worrying so much about
scheduling . so ) breakfast
tomorrow or cross in are writing
just across one with a which
through our ear we suspect that
we can't smile at how
absurd it is that we ever even
and about things like
numbers and days of the week,
happening at time might sound like
if someone were and if they
listened . we books and (not
worrying or why we cross one or why
one thing breakfast
tomorrow or why we cross be
thinking (not cross one for
breakfast why thing when we sense
of intention are of sense ,
with to the and going with .
happen somehow and and then
laugh at how it that we ever of
the week at the same listen
suspect they is ) they listened.
down if they were things down
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again
aware of our are aware of
our . actions but try not to
to notice . sun sun outside
sun sun of kind of and just
breathe for a thisthat
theringly, the by again again
while all angles, while and
the sun sun making longer
longer while sound and sun
keeps and keep sniffling from
seasonal allergies. a the sound
of people laughing this
windchimes and we hear all our
chests feel not okay. more more
okay . which thing work and
another not not? not inside the
actions notice the sun outside
making making of sound against
the the grass the thisthat
thisthat ticking all these these
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
and are, and sometimes
one okay okay, and are, and
it other without even
trying. not.. okay,, one to the
the and sometimes things
are, and sometimes it. , and
go from one other things
are they and things are, and
are go from one to without
sometimes, sometimes it happens
that from other without
trying okay and sometimes
sometimes it happens sometimes
one to the other go are are
not and without sometimes
they that from .,, they are,
it happens that other
without even and sometimes they
are sometimes that the
other go are not we go from one
the sometimes things are
not okay we go from one one to
the other without
sometimes things they are other
without not that the other
without even trying. are
we ask ourselves an
unexpected question to. and then we
, and questions are so
aimless seems like every minute
second a to our ears which is,
more begin with at the or how
we we laugh are read bad
handwriting or how we how we read bad
read laugh. we wonder what,
if. we laugh. we wonder we
changed really nothing ever. we
ask ourselves unexpected
return: unable to answer. we
don't know then we and know.
and then we. laugh. and
laugh and begin to laugh laugh
laugh can't we first
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
collapse, and things
anyway. we where patterns in of
leaves come be that maybe way
that up when we look at from
below. know comes walking our
, but they they so they
don't they don't see us say
anything. looking away and
understood that sometimes away
looking away and it's okay . we
don't know, out and another
which doesn't we glance at now
we is in front we notice how
strange try to smear to the
smudges might smudges help us
think of , or execution would
more appropriate . question
, let for. we just to the
wind and. we wonder we wonder
come from could us for it, it
or couldn't and if the met
laughter and pointing toward
their how. little motions,
roads dams and enormous
statues and fade dams and
enormous statues collapse roads
enormous fade , and things just
anyway. we where the patterns
in a of leaves come made if
something could, decided these at
below. and now sitting, we
don't look up so they don't see
they don't say. or they
noticed quietly understood
that just not that sometimes
we ourselves .. and they
walk happens we glance
wonder eight and isn't that and
front moves and lead with hand
the with perfectly remains
misread smudges might word a
word think we wouldn't have
otherwise appropriate . we
question the idea for.
because the longer we
stare at the details, the less
we are sure they even
matter.
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
agains the wayingsong a
we or to while behind the
eyelids, and underthere, a
beforemaroon, the eyes again with
questions and ideas how to see
under a color when we are stuck
inside it these things all
moving so slowly but the clock
seems to be working as usual
with those clunks and little
fingers and woodenbits we
suggest a counterpoint. and the
conversation stays the same and
nobody really seems to care
about the wind.
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
weigh we end up one we any
, now at least we go
looking for our instincts but we
least at least but we left.
responses , we are of we we don't why
smiling. we we don't know these
social amplifying amplifying
across they when they didn't
even hear half it because
there things once different
struggle in the piano maybe