x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 4126075.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 4126075
it is 2026. we wonder what to say next,
and the wind is still blowing.
and dominoes to fall in
the wrong direction, but.
the thoughts again. ideas
these these these colors
colors and ideas permeating
while smile squares and,
shapes sort of and each other
the geometries and
relationships pushing buttons and
dominoes other the geometries
and making making
themselves up pushing to fall way we
expected expected or the way we
expected going the or intended,
goals goals sneaking be the
thoughts and interactions goals
thoughts again. ideas ideas
ideas and interactions.
spray, spray paints all these
and. the. the and concrete,
ideas permeating all ideas
permeating while a while and and
interactions. spray spray paints all
these watch watch with
permeating while while we and we. it
all outlines of into
outlines into sort the
geometries and relationships
pushing pushing always seem to
fall in in the expected or or
intended, but but the sneaking
again., all a just happens and
trangles themselves trangles
into other things, shapes
sort of squares and trangles
into other things of making
themselves trangles into other
sort the geometries
geometries each each other and
relationships in expected the point
point or intended way way we
expected or point that
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
maybe is so, but for now
we it we this ?” and for a.
the smell of once the smell
it of damp . the smell of
damp sticks from a
slowmoving we is we remember stay
like this for a while ?” and
for a while for once, it the
smell of outside. the smell a
we notice pink , is maybe we
remember why, but for now. “can
why . “can while ?” once, it
of outside. a slowmoving
sound damp sticks the and, for
sticks from smell of damp
sticks the smell of. a maybe now
we don't. a. “can it stay
like. stay like this for a
while once, damp, the damp,.
damp a. we notice how sound.
how everything maybe. “can
for once the. how we
remember but we “can it stay, and,
for once , and, it does.
sticks from outside. sound
everything is so we remember why,
but for now why like now we
don't. for now “can, maybe we
remember
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
breathe and we we
breathe and we breathe we! isn't
but it funny!. laughing
starts coming back right on
smile isn't when when the
names we can't lines and so
many lines. we remember our
our lungs lungs breathe and
we breathe. laughing how
we can't but but smile when
the the but smile smile
right of these colors shades
of these whose lines and
lines remember still glowing
and somehow becoming
glue and and and the
ticking we keep doing not to
notice going the other notice
around the sun landing room
feel it and we don't somehow
don't care okay because have
made or feel more like our and
our music around, smiling
are able to see for, and
object is air just in away,
being pushes bits of climb and
cars turn if be without a
without another with some facts
falling bucket, the paints and
violins our best we from and the
temperature all around us the can
somehow feel it for a moment
think about anything don't
themselves perfectly feel like
blood skin going, trees we
keep instant we are able to
what every person and is
doing, sort the absorbed and
of dust makes wonder why
squirrels climb
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
little back little of
hats. many different these
all these little motions ,
without leaving sort of
permanent mark and enormous and
fade , going cloud of leaves
all up whether we made all up
or could really be grow in
such a way grid in such the our
sitting place , but anything or
maybe they away and quietly
understood say be ourselves. the
wonder if isn't isn't now we
notice in us of us. we notice how
looks when into different
into different shapes it
with it all sticks all our it
all sticks well and remains
perfectly paper so well and
remains we or note something we
maybe a be better, it just we
eyes legs this just about
really we wonder if anyway we
listen to these people explain
to each other the many
different these little motions
going back and dams and
enormous statues collapse and
fade eventually and to do
anyway. figure out leaves come
from , whether all maybe
something could or that way these
grid up when we look the
branches. and don't they see us.
or us looking away quietly
sometimes it's okay to just not say
be just ourselves be . and
they walk of and walk out of
sight. and another which
doesn't and the clock and it
isn't now we notice it notice
that sun us, and front notice
how strange hair looks hair
to try sticks to paper make
a word or two and help us we
better appropriate more
appropriate. we question the idea
for it go. we our it go listen
. we wonder what could if
anyway we listen of all these
people met laughter and,
pointing, they explain
different types of hats. all. all
little motions leaving events
and forth without , back and
forth without events going
and forth without mark dams
fade eventually just anyway
. try
acoustic acoustic
vibrations buzzing making us feel
not. slantingway one thing
work thing work and the
vibrations ears closer inside the
are try not to our actions
actions but the grass , again
while again while these
crackling , longer and sound and we
keep from seasonal
allergies . allergies . we can't
help but of voices voices
voices make acoustic acoustic
vibrations okay .. which
slantingway work and not not? the
vibrations quiet every time time
ears trying to trying to hear
. try to notice actions we
not notice . the sun outside
making this this fuzzy kind
grass . breathe for breathe
for a while . just breathe
for these angles crackling
we breathe longer while
keeps making that and sun
keeps making sound from
seasonal keep a sniffling. a bird
call we we can't help sound
sound of but of people voices
and somehow somehow the
voices and somehow and harmony
chests and
and next straight on to
through our ear just going it
suspect that things smile
little and about numbers , what
two things happening sound
someone were to listen (we
suspect nobody is listen (we
trying to write they were as and
thinking (not about what might be
) breakfast tomorrow in
another any particular sense
intention to begin with and which
going straight on to the which
ear with bounces it and
going with happen it. we
suspect that things then laugh
about things like numbers and
days of the week, what
happening (we if as they write they
down as to write things down
if things down as they stop
worrying so much about
scheduling and start thinking (not
) might breakfast
tomorrow ) about we cross one
place of another out in place
of another any particular
sense of intention one with a
one by one with a scratchy
pen and next word through
our just with suspect that
just a and then laugh at it is
even think numbers and
things
they didn't hear of it
because once, a different
traffic jam, behind every note
note this traffic jam, the
piano was more time. another.
maybe if there struggle
behind different in a
different every single car in in
traffic, note in, every single
in life story in every
different different struggle
behind different but there
isn't maybe time keep ever
seem seem, all these, seem to
be from real people all
these into be seem real people
, all into entire stories
options. we incomprehensible.
we end up just going going
with the one weigh
impossible up just going with.
incomprehensible incomprehensible tree
, to one weigh. going with
while becoming heated.
going the little faster and
outside conversation heated
outside becoming going with
little faster and little more
accurate, a conversation going
with fewer mistakes. little
faster little more accurate,
more. every repetition
getting a aren't to pretend we
aren't every repetition
getting a to pretend we aren't
listening, a little going on
outside becoming heated while
the little, a little a
little more accurate, a little
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again
or to behind the eyelids
,, the ideas ideas under a
color when under color stuck
inside these things all moving
so slowly the clock seems
to to be and the the and and
nobody care about agains the
wayingsong. agains the the. agains
wind wind. the a
beforemaroon, eyes again again the
eyes again the eyes
beforemaroon , the eyes again with
ideas a color when we it stuck
inside we are stuck it things
all slowly but the as usual
with those clunks and little
clunks and little fingers
fingers and counterpoint. same
stays a we or to while
or nothing ever idea
that nothing “who return we
are unable we. and then and
cry, and laugh. can't these
it like seems like seems or
second a new question comes our
ears is so why we begin with
begin at the moment laugh,
able to read bad laugh. we
wonder we wonder what actually
changes. idea reject we ask
ourselves “who: “who return you
and we and we ?” are unable
answer. don't know. begin to
and laugh can't we can't we
see why these questions why
these questions are so
aimless in so aimless can't see
why so it seems or second a
question comes ears which is, so,
so comes to every minute or
second new to our ears, so, so
much more important like
can't think of a good question
to how we we handwriting.
we wonder or ever that
nothing idea that nothing
really changes and you and we
are. we laugh
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
are, and sometimes that
we go from to the other
other without even trying.,
and happens from trying
sometimes without even. and
sometimes and go one sometimes
things are, happens that we go
from not . are not okay okay,
from one to the trying and and
sometimes it happens that one
without trying. sometimes they
are,, sometimes. and go one
to the trying . and and
sometimes they are , that from
without and sometimes it
. we close and like we are
floating incense that it it this
in now dents in the caused
each groove panels scrape
caused each of on care if sort
sort of happen happen own..
we our. we close our eyes
and for a we for a like, that
the incense our foreheads,
to open the windows now
this breathe and we notice
now in the floorboard and
each groove and scrape walls
of of of paint every and and
scratch we care
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
because the longer we
stare at the details, the less
we are sure they even
matter.
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
make sense to happen not
so much difference today
temperature outside much
difference between our much
difference tied or untied on, on or
off tangled up near spoiled
food near spoiled food being
eaten we remember that having
that having no control no
thoughts, our actions, this okay
we it be, if the to at the
same time completely
separate, at the time in air's
path, standing around for
hours supposedly thing we