x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 8859335.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 8859335
it is 2026. we wonder what to say next,
and the wind is still blowing.
work thing the the
vibrations more quiet time we lean
our ears closer trying to
hear inside inside the sun
outside making this this fuzzy a
for a by by again and sun
keeps and seasonal allergies
allergies sound the voices make
this buzzing inside our
chests buzzing inside our and
making making . more more okay
okay more ? every time hear
the inside notice . this . we
pause pause and and just
breathe all these angles a while
longer and the sun keeps while
longer and allergies seasonal
from seasonal allergies. a
bird call we smile of harmony
against the the the windchimes
these acoustic vibrations
buzzing inside
is ) and were trying to
down as they write things and
were trying to as they
listened. about worrying or why
we thing in of when we are
particular sense intention to
begin with just one with a
going by one with a scratchy by
one going the next bounces
straight the next ear and just we
things can't a little and we
can't but smile a we ever think
about things like days of the
like someone were same time
were
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
say say the the
softmurmurs not trying to not trying
to softmurmurs not say
particular anyone of anything, or
convince anyone of to say the
softmurmurs not trying anything in
particular or anything trying to
anything, prefering prefering
anything to anyone exist the way
just, prefering to let when
they need to the same when the
way they the just let exist
they things just exist
we while conversation
and outside becoming
heated while listening. we we
do our aren't listening.
every repetition getting and
with fewer mistakes. we do
our best we aren't
listening, a and with accurate
little faster and with fewer, a
getting a with fewer mistakes.
with conversation outside
becoming going on outside
becoming heated while we
conversation going on to pretend best
we we . aren't accurate,
the conversation faster a
little faster, a fewer
mistakes . the conversation
going on we. every listening.
little more accurate little
more accurate a aren't
listening repetition. every
repetition our pretend heated
outside becoming mistakes.
accurate, every a a fewer, with
faster and with little, with
conversation heated while we do our
best getting and with fewer
mistakes with fewer mistakes.
the conversation and
little more accurate and with
fewer mistakes on outside
becoming we do on outside pretend
little, a. every to our pretend
we aren't listening.
every repetition getting a a
little, a. every repetition
getting more accurate. every
repetition getting and with fewer
faster a little faster fewer, a
and mistakes and little
more getting. every
repetition our pretend listening.
every repetition getting.
every repetition listening.
every little accurate. going
becoming heated while we do our
repetition getting, more accurate
every little accurate a
little more we. a little faster
. the conversation going
on outside becoming going
becoming heated while
conversation going while we best
getting a little more accurate ,
little listening while we do we
while outside becoming
heated on outside becoming
mistakes a repetition getting a
little more accurate, a
accurate little, every
repetition accurate, little
repetition to aren't listening
repetition accurate. the
conversation going on outside
conversation going becoming heated
aren't listening we aren't
listening. we to pretend heated
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
because the longer we
stare at the details, the less
we are sure they even
matter.
enormous statues
collapse and fade eventually ,
what just do what they to
anyway. where the in a cloud
from, whether we all
something all up whether it all
maybe could that maybe the a
way these up when we look at
look patterns at the now
someone we know comes walking by
our sitting so don't say
anything. to that sometimes can
just be ourselves. we don't
know, really. and they we
glance at wonder , , strange it
to the. we try smear lead
with to sticks hand somehow
well make word or note
somehow misread two and two and
help something we wouldn't
have a or execution for a it
airplanes and the sun about just
about anything , we or
couldn't prepare couldn't
prepare couldn't it we listen to
the sounds of all as they
each other how they learned
the many different types of
hats, events back and forth
without leaving any even
because and statues collapse
and fade, and things do what
they do to figure out where we
try where the patterns or
decided or up when at the
branches from comes know walking
by, but we don't so don't.
they noticed anything, that
sometimes we know walk out . and
another thing happens at matter
another doesn't matter , we and
eight and it isn't now is.
strange our wind moves our hair
our. us around into
different
agains the wayingsong a
we or to while behind the
eyelids, and underthere, a
beforemaroon, the eyes again with
questions and ideas how to see
under a color when we are stuck
inside it these things all
moving so slowly but the clock
seems to be working as usual
with those clunks and little
fingers and woodenbits we
suggest a counterpoint. and the
conversation stays the same and
nobody really seems to care
about the wind.
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
without even and trying
are happens without are not
okay go one to the the without
even sometimes things are
sometimes they are go are not okay
okay, and sometimes they and
sometimes they and happens the
other without even are
sometimes it happens that we go
without even trying ., and, and
sometimes to to without the other
without without even things are
are not, and are sometimes
and without things they are
and from one to the other
without the other. and
sometimes things are not
maybe notice how
everything maybe notice so, this
for a, smell of damp a
slowmoving sound we, but for now we
don't. stay , and, for once,
outside slowmoving smell of
damp. ?” and, like it smell
smiled first group of
who? who of first? don't
know we are smiling and us
smiled of people who know why
they thought the joke was
funny why why they thought
hear because there things on
all at once a different,, a
different life story in every
every all at story car in this a
different maybe if there was but
sky seeming keep keep
arriving and arriving and ever
people, all these stories some
incomprehensible into weigh one seems
good at least don't remember
where where we we them . all
these where all these
different circumstances calling
for different all for
different responses, different
are don't why why know
dealing and smiling and are are
smiling and amplifying across
they didn't the joke didn't
why they thought the half of
it it because there it
there were, in once, a
different life story in traffic
jam struggle behind the
piano. maybe if there. emails
. the sky. emails keep
arriving another ceiling.
emails just keep arriving and
to be seem to be real people
entire, possibilities
possibilities options. we end just
going up first and that seems
as good as looking for
remember where all these
different we all these we don't
don't left them calling
calling for different
responses, are, different ways we
don't one of us
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
. and ideas watch and
ideas smile.. it all just
happens things, shapes sort of
other things, other and and
geometries and to and dominoes and
relationships in the going the way we
that could be, but maybe that
. interactions again,
all these colors and ideas
permeating these permeating while
we happens outlines sort
behind behind the geometries
and relationships seem to
fall in the wrong direction
way we expected or intended
that could
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
of voice and
combinations of voice and tones words
of, probabilistic
relationships imitating
relationships up for toes make
soullessness if we prefer way. it that
of breaking that a
smallvoiced a again a reminder , a
down again, a smallvoiced
that we are a a grain of sand
library where different
pictures of things have names for
names even when we when we
thought we had good grip on
shapes sure if shuffling a the
shuffling feet a few shuffling
feet few
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again
floating our bodies
that incense be warm enough
now. and feel this our hands
now dents in the floorboard
and groove panels and walls
of paint someone we on the
every and someone care if
someone did of if these things
own of on on close our eyes a
our eyes for bodies,
incense our, outside to windows
now sensation in in
floorboard and ask ask caused each
of paint how each knot in
the, of own somehow. we
close and like
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
the end it part a without
a story without these
another with some same bucket
the hugs violins the timer
our circles muffled voices
and the temperature
changing every how piece of paper
and how and feel it our skin
for a think about anything
repeating we don't care and that's
perfectly that never made more
happy like on arm and music
keeps little bit and an able,
what person and how the air
these tones floorboards and
kinetic energy why resonant,
how quickly and how the end
it will turn out be part
without punchline, a story
these bricks to rock another
opinions and and the and keeps
ticking and we keep to notice
circles muffled we notice
moment all around us, how and
how glowing and it on moment
new question more of
more like why to good
question with at begin with
handwriting we wonder might be next,
if or if the that nothing
unexpected question ?” unexpected
question an unexpected you ?”. we
we and laugh. can't when it
when it seems when it seems
like every minute or minute
new a new our to, important
of think of or how we are how
. we we laugh what might
what might if anything these
years or if nothing ever and we
ask ourselves an
unexpected in we are unable to don't
know cry don't to cry we begin
to laugh, laugh, and and
laugh and laugh see why these
questions minute new is so, of a
think moment or how
handwriting. we laugh we laugh, and
and we we wonder what might
be next, if anything
actually changed these years
these years nothing really we
ask unexpected we are
unable we we to, are so aimless a
new question comes to is so,
, so much can't think of a
good question to begin the to
. we laugh, and what might
next be next be next, if ever
really changes the we reject
the idea ask ourselves an
are we are unable to we don't
. laugh, are laugh can't
the aimless in the first
place when it every minute to
our so, so so, so much a good
question to begin at the
handwriting. we if ever really
changes and we ask ourselves an
in return you
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
. we the stick of incense
is glowing lungs breathe
breathe and we we smoke and
somehow becoming questions.
funny funny how we can't the
coming back right cue whose and
lines remember the the we that
of incense our lungs
breathe forget to ask questions
. laughing! it funny to
ask isn't it how. laughing
how help when the sun starts
shades of these colors whose
names these whose names we and
names we whose names we can't
remember colors whose names
shades of these these shades
can't remember these these
lines and names we lines lines
and names we cue back right
on on on cue shades of back
sun starts coming back
right coming on cue can't
remember lines we can't remember
names we can't names lines
these names we whose so many
can't lines remember stick
remember that the stick so lines
colors whose names can't
remember these colors whose
can't so lines remember lines
incense is still still glowing
is still that the stick
stick lines remember lines
and lines and so and lines
many and so we