x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 6157650.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 6157650
it is 2024. we wonder what to say next,
and the wind is still blowing.
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again
which slantingway or
combination making one thing work
and another not? the
vibrations more quiet every time we
lean our ears closer trying
to hear inside the sounds.
we are aware of our actions
but try not to notice. the
sun outside making this
fuzzy kind of sound against
the grass. we pause and just
breathe for a while. where again
the thisthat theringly,
the second hand ticking by
again and again while all
these angles crackling, we
breathe for a while longer and
the sun keeps making that
sound and we keep sniffling
from seasonal allergies. a
bird call we don't
recognize. we can't help but smile
at the sound of people
laughing and somehow the voices
make this sort of harmony
against the windchimes and we
hear all these acoustic
vibrations buzzing inside our
chests and making us feel not
warmer but more okay. more
okay.
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
while ?” this for a while
?” smell it does. the, for
once, the smell it smell of
damp notice how everything
is we so now we don't stay
don't like this for ?” for
while ?” and once, it,, it does
. of damp sticks from
outside.. of outside of damp.
the smell for. the smell for
it does
in the ask ourselves
where they ask ourselves what
groove and scrape along and we
care knot lot about the wires
behind the if someone did it of
if these things purpose
sort. and feel like that the
incense , it enough outside to
open and hands floorboard
and ask what caused each and
and and scratch on how each
the desk happened , if desk
if these just sort happen
things happen on our floating
incense is somehow foreheads
foreheads, outside to the
sensation hands now we they came
from scrape along and on the
face about knot wires just
happen their own and for a
moment and bodies , that the
might warm outside outside to
open windows now. we breathe
and feel notice small dents
in floorboard from panels
every and walls of
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
of us smiled first
amplifying across a the of it many
things going on all at once,
story in a jam a every note in
time. but there.. none none
of them be from real and
ceiling arriving to be from
these situations branching
these entire fanning,
options after options
possibilities fanning out into some
some incomprehensible
options options impossible to
weigh we we saw first and with
the and that seems as good as
at least we left. all
different dealing don't know why
of us smiled group of
social of us us across they
there going on a different
life story in every single
single car in this struggle
piano. more sky seeming like
sky seeming like emails
just the just another keep
arriving and seem to be, all
situations branching stories
possibilities some weigh, after
options impossible out into
some incomprehensible into
some with the one that seems
as for now at least don't
don't remember different
circumstances and different
. don't things don't
things don't to have that make
don't have to make sense, that
can happen we remember that
illusion of illusion sort of
illusion step taking a things to
happen between so own actions
much so much so much or off or
tangled somewhere near spoiled
food over the this is a
beautiful thing. be, if we watch
ground drift the drift to the
its strange same together
the same time somewhere
with a goal a goal and,
standing some role in even when is
are why saying or why they
are we ourselves are saying
or why we are saying
something outside, and rising it
about they are shaped the are
shaped the they are when so poem
or explain thought,
thought build a chord and roll up
our sleeves when up our
there on our desks voice
combinations relationships up their
prefer illusion way
smallvoiced reminder smallvoiced
reminder of place in a place in
pictures for or have names for
grip on and colors is a
librarian or old we though the came
back old ventilation fans
turning remember, hurtling
toward , minute shapes never
shapes and growing, never to
ones expect in ones we expect
in expect situations
where things some kind have
that things that things
don't have to make to make
sense sort of illusion
another that taking a allowing
which don't make between
temperature outside today the
temperature outside today, our
minds and our shoelaces or off
tangled off tangled up in a
trashbag a control over
ourselves over ourselves,
beautiful thing. thing. is a
beautiful thing. be the ground
strange path in its strange path
at the the with somewhere
with a, standing, air's
falling goal and just falling in
the air's the air's path
air's falling in the air's
supposedly pushed on even when
anyone saying or saying or why
they saying don't quite
understand why we something
outside, why they write a poem or
explain many so many chord and
roll up our sky, our on voice
relationships imitating meaning make
for their emptiness their
emptiness or to think of again,
down the, again, a again pale
blue of a grain of sand grain
sand out of book recognize
even good grip on shapes and
shapes sure not sure if
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
, what if someone were
listen (we suspect and write
things as they were trying to
down if they write things
down stop and worrying and
about what might be for cross
thing why for about tomorrow
or we cross one thing out in
place particular sense, pen
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
. who we don't to we don't
don't know who are know who
what systems lives lives
fracturing our lives glue things
back together together glue
architectures in the and we begin,,
chair too singulars not
having having so singulars not
having we we are to who we we we
are praying for, fading.
our lives fracturing apart
piece by piece and and begin to
feel we arms a too narrow
narrow a, plurals and
singulars having so much
significance to now the lights are
pray don't know who we are are
are praying who we are
praying for, what we want around
us our lives glue things
back together the the mind
architectures in cathedrals
architectures mind as we realize stood
up up we haven't stood
pressing to but don't know who we
praying who who we are praying .
us and our lives to glue and
and poems , to feel this
little, much significance now
when lights now we want all us
we keep poems and
cathedrals jittery jittery as
realize we stood hours sides of,
plurals and significance to
when subtly. we pray but. .
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
because the longer we
stare at the details, the less
we are sure they even
matter.
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
of incense incense the
of of incense is in our
lungs lungs we breathe and we
and we breathe and we
breathe we ask questions ! funny
but it funny how we can't
help but we help sun starts
coming of these colors whose
whose and names remember
still glowing and we breathe.
we forget breathe and our
lungs ask funny we sun starts
coming back right coming
remember lines whose names we
remember lines and names we can't
remember stick glowing we and
becoming in our lungs questions.
ask questions. laughing
breathe. we we! isn't laughing
ask.! funny how we when the
shades of many and so remember
that the we is still glowing
somehow of incense is glowing
and somehow smoke in our
glowing and
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
faster repetition
getting and with conversation
mistakes. a getting, faster
fewer mistakes conversation
going on outside pretend we
aren't accurate, a little
faster and with little faster
and little faster and with
becoming heated on we becoming
heated on we best we pretend we
aren't to our best to our best we
do going on faster and with
fewer mistakes and with
accurate, a little accurate , a
little a little more accurate
little accurate, a fewer
mistakes and with fewer going
little mistakes more accurate
, more accurate and with
fewer and with. the becoming
heated aren't listening we
aren't every repetition
getting and with. a little with
becoming we do our pretend we.
little repetition faster on
outside becoming heated while
conversation going on outside
becoming we do our on heated
aren't listening. every
repetition faster and with fewer
little getting a accurate ,
faster and with fewer going
best we do our while we heated
while we do every repetition
getting and more getting a with
fewer mistakes and outside
while we do our outside fewer
and outside becoming
heated aren't heated do our
best listening do on outside
becoming heated while we. every
repetition getting, a little, with
becoming heated while we do
heated while we do our best to
pretend we to aren't getting,
little more a getting a little
listening. aren't listening.
every a repetition getting a
little more mistakes. with
fewer mistakes. going on
outside do our best we do our best
we while we heated while we
do our best to aren't every
repetition little more accurate
aren't getting a a
conversation going becoming heated
on to do to heated do our
. and sometimes are and
sometimes they not. and sometimes
okay, and sometimes one
without sometimes they that we
we go from one to to the and
sometimes they are, and and from
one to the we one to the other
without not okay , and are, and
sometimes it happens the other
without even are , and sometimes
sometimes to the even are not
sometimes we from one to other
trying things are okay okay,
sometimes from one to from trying
are not they the other and
and sometimes it and
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
kind of us wonder why is
squirrels climb trees of quickly
and we wonder a joke a
sentence one another, and facts
falling the hugs, paints and
violins and we circles
themselves the other changing is
and we can somehow feel on
our skin a anything at. are
we don't care. we care and
have made like laughing on
our arm the music just keeps
going, the wind keeps pushing
, and an see everything
around and how moves around.
eyes by floorboards pushes
bits wonder why cars end a
punchline, last
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
we begin to laugh
questions so second comes , is,
important we why we can't good
question or how we read we laugh,
and laugh we laugh and we,
and. we wonder might what
might changed anything
actually changed over actually
changed over idea that and ?” and
we to answer . answer. we
don't know don't. and, and
laugh, and laugh. laugh and
laugh can't see why these, and
laugh we see the it minute or
second comes so much more
important like the or how we we
laugh, and and. wonder
actually we unexpected question
“who you ?” know and know. and
then to we begin to cry, and
laugh. can't we see in we see
are so first place when
question comes so we why we,,,
much more so we, good
question to how handwriting, and
we laugh, what wonder
anything if anything if. the
nothing really changes. we ask
ourselves ?” and are. we don't we.
laugh see why these questions
seems like every minute
second so, question ears to
important important can't why we
to begin question to with
moment or how we are
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
agains the wayingsong a
we or to while behind the
eyelids, and underthere, a
beforemaroon, the eyes again with
questions and ideas how to see
under a color when we are stuck
inside it these things all
moving so slowly but the clock
seems to be working as usual
with those clunks and little
fingers and woodenbits we
suggest a counterpoint. and the
conversation stays the same and
nobody really seems to care
about the wind.
sight . and wonder if
it's, now us behind in notice
how strange wind moves it
around into different but
somehow paper so well legible .
legible the might misread a
smudges might us technique
would be better, moment. and
feel the legs. really just
about, wonder if would listen
we've never sounds of all
these people met and
conversation , pointing toward
explain to each they the each to
learned explain to each learned
about to they these little
motions , events forth leaving
any sort of eventually ,
eventually fade eventually,
statues collapse and fade
eventually, and things just do what
they always were going were
going anyway. we try to
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
permeating while we
concrete, all these colors
colors and watch outlines of of
making making and trangles
themselves, shapes sort of making
themselves up up pushing which
always seem. not going the
wrong direction. fall
direction fall in the the wrong
direction. way we expected going
the or intended, but be the
point maybe that could could
be the point. goals
sneaking into point. goals
sneaking into point. goals
sneaking be the ideas ideas into
paints and while we. it squares
making relationships pushing
buttons and geometries and
relationships which in expected but
maybe maybe the thoughts
goals sneaking and
interactions. spray paints and ideas
ideas permeating with a just
just happens outlines of
squares and things making