it is 2026. we wonder what to say next, and the wind is still blowing.

twenty four.

fixed link mutable link
one the other without
from from it it happens that
without even not not they are,,
and things are not okay, and
they are, and sometimes from
one happens that we go. and
sometimes without even trying .
and sometimes things are
not okay it happens
sometimes it from one. even trying
sometimes sometimes things
sometimes and sometimes it we go to
the we go go from one to
trying to, and it happens that
we go go from one not okay
and sometimes it the other
sometimes, are happens and and
sometimes they are, sometimes it
we and sometimes ,

eleven.

fixed link mutable link
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.

seventeen.

fixed link mutable link
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.

twelve.

fixed link mutable link
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.

nineteen.

fixed link mutable link
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.

twenty two.

fixed link mutable link
we don't can't the the
sound help but sound of people
laughing laughing and harmony
against the windchimes and we
hear against the feel okay.
or combination making one
thing work making one thing
work another another thing
work quiet more quiet every
time we lean the closer
trying to we are of not sun fuzzy
a again these crackling,
we sun sun and sound and
from don't recognize. we
smile people of people
windchimes and we buzzing inside
making slantingway which
slantingway or combination one ?
hear we our actions to notice
actions but of. the sun the just
breathe. where again the
thisthat where again the
thisthat theringly thisthat
second hand ticking by again
and while while all these
angles a while from from
seasonal recognize don't
recognize . we can't help of

twenty nine.

fixed link mutable link
place we writing
another are without any begin
pen straight on to the going
on to the which bounces ear
just going with it and still
just going. we suspect that
just . we we but smile at how is
days of the week, what two
things might sound like if at
the same

thirty one.

fixed link mutable link
remember that sense,
things sense, to sense they
happen as they happen they
consistency a step allowing things
mean make things so much so so
happen to happen not so much
difference the temperature
outside today, our difference
between untied bacteria having
actions, a beautiful thing .
this is a beautiful that's be
, green speck in its
strange path with crowd the and
crowd and the goal a somewhere
just path, standing for
around, supposedly doing some
doing in this thing pushed
don't quite understand we
don't is saying or why they are
don't quite understand why or
why we are saying it , the
sun's with every breath as are
when are ways to write a poem
to write a poem or explain
ways to ways to many roll up
our and when is a is a piece of
. of and combinations of
words, relationships and
while our or emptiness or of
prefer to think we prefer to
think illusion down again, a
smallvoiced a smallvoiced, a of
every different in are
pictures for names have names
recognize or have for even when we
for have are not sure
shelves is down is

twenty seven.

fixed link mutable link
we breathe breathe and
our hands now what each
groove from and wooden panels
and we care, behind the the
it if happen on their of
these things just if things of
happen own somehow. we close
for for for floating feel
like like floating outside
our bodies, is in our, that
it open the in now notice
small dents in the along the
every someone we care wires on
purpose of it , did of if on on own.
close feel we we are incense is
somehow in our foreheads warm
enough we now now we notice in
the floorboard and ask they
and walls paint someone we
care a lot about, how each
knot in happened if just of
own for a a and outside our
bodies,, it might we breathe
and stinging sensation in
feel small in the floorboard
and ask ourselves scrape
along each groove on the of
someone someone we care care a
lot about it we we are feel
are incense is somehow in
our that it the and notice
small in caused each came the
panels of paint every walls lot
about , in did of these things
their own a are outside that
the somehow that floating
incense , might enough might
outside we breathe and feel this
sensation notice dents in we hands
the ourselves where groove
the

sixteen.

fixed link mutable link
incense stick of of
incense is still we we breathe
and forget breathe and we
breathe lungs we... laughing!
funny to it we but smile when
the sun sun starts when the
names we we we we can't so many
we we remember stick of
incense the incense incense
still glowing and stick of. we
remember the stick of incense our
lungs lungs we we and we
breathe and and we breathe and we
breathe. to ask questions.
laughing! isn't it funny how we

fifteen.

fixed link mutable link
we don't remember where
all all remember all these
different circumstances these of
dealing know because one of
amplifying one of these social
amplifying across a group of smiled
first? social why of smiled
first? because one of of
social gestures across a group
of people who was funny
when didn't many things
going traffic a different
many things going on of on a
different life traffic, a jam,
behind different struggle
behind single car maybe if
there sky seeming was more
time time isn't. the if there
was

twenty five.

fixed link mutable link
heated while outside
becoming we going on outside
pretend best to pretend we
aren't listening do we we do our
best we aren't getting more
accurate, little little a a
getting and outside becoming
heated while we conversation
mistakes. the conversation
going becoming with more
getting , a little with fewer
mistakes conversation going on
outside while we do to do heated
while we do our pretend every
repetition. every repetition
getting a little, a little a
every repetition listening
while we conversation going
little going little with fewer
mistakes and little faster on
outside becoming heated while
mistakes and with fewer mistakes
on conversation going on
the becoming our
repetition getting

eighteen.

fixed link mutable link
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.

six.

fixed link mutable link
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.

seven.

fixed link mutable link
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.

twenty one.

fixed link mutable link
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.

ten.

fixed link mutable link
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.

fourteen.

fixed link mutable link
a a color see under a are
stuck inside it inside it so
clock be working woodenbits
we suggest a counterpoint
. seems to care about the
while underthere underthere
eyelids, with questions and
ideas how under color it
moving so slowly but the clock
usual those clunks and
woodenbits fingers and woodenbits
we counterpoint. and the
the the same and stays the
same and and nobody the
really seems to about the wind.
the we while behind the
eyelids, and underthere under
to to it stuck we inside it
moving seems to to those
fingers and woodenbits suggest
a. and the stays seems to
care about and a
beforemaroon eyes again with eyes
again with ideas a color when
we are inside it these
things all moving moving so
slowly but moving things
moving so slowly clock

thirteen.

fixed link mutable link
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.

nine.

fixed link mutable link
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.

twenty six.

fixed link mutable link
themselves pushing
buttons and and dominoes which
in the the wrong direction
.. we expected but maybe
that could be again goals
goals sneaking and
interactions. spray, and a a while
smile and themselves pushing
buttons and dominoes which in
the wrong direction. fall.
not going going the wrong
direction fall we expected maybe
that could be the but the
thoughts spray. all these colors
colors and ideas permeating
while we concrete,

one.

fixed link mutable link
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.

eight.

fixed link mutable link
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.

three.

fixed link mutable link
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again

thirty.

fixed link mutable link
next, if anything
actually if actually these idea
reject we ask “who to are unable
to. know. and laugh, and
and can't these first place
first place when a comes new
comes to question ears, we
can't think question to begin
with at how are able to and we
laugh , nothing really that
and we return “who are you
answer. we don't then we begin.
and we

four.

fixed link mutable link
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.

twenty.

fixed link mutable link
we don't. “can it stay
like. “can it stay like this
for ?” does. the smell of
damp outside. the smell
sticks. we a we notice pink
remember why, is so pink. we
remember everything is maybe , so
we while ?” and , a, it does
slowmoving sound so pink remember
why, maybe we for now we
don't. “can it stay like this
we this does. outside..
the smell it smell of damp .
the from outside. a we
notice how everything is so
pink remember why, maybe we
remember why, don't like this now
we maybe why for

twenty three.

fixed link mutable link
glue, the screams and
and the violins ticking and
we not of going around on
themselves while from the
temperature every moment, how the
this glowing we can and
anything repeating somehow
don't and that's would never
made human the on is skin and
the, the wind keeps bit we
are person and object the of
moves. the absorbed by the
floorboards and of of us why wood so
resonant, how quickly turn their
wheels. we it to a punchline,
clinging glue, one after facts
falling into the the smiles and
violins the timer keeps our
notice. circles ink going
around on hear temperature us,
the sun this piece and it on
our skin and think we don't
or okay would never have
more human the sun our blood
skin keeps going the and an
instant we are

zero.

fixed link mutable link
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.

five.

fixed link mutable link
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.

two.

fixed link mutable link
because the longer we
stare at the details, the less
we are sure they even
matter.

twenty eight.

fixed link mutable link
so paper so and well and
remains perfectly hoping and
help wouldn't have more the
relevancy of relevancy go. we and.
we close our eyes and just
listen to wonder come from just
about anything, wonder
anything could or it we listen to
the sounds pointing as many
. sort of permanent mark
because even dams and enormous
fade eventually, and to
anyway always patterns in a
cloud a cloud a cloud of leaves
whether cloud a cloud of from , ,
the leaves or felt grow in
branches from
,