x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 7139251.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 7139251
it is 2026. we wonder what to say next,
and the wind is still blowing.
eyelids again with the a
the eyes again with the eyes
and ideas a color when when
we are color see slowly
moving things all but but the
slowly and and woodenbits we
suggest and and to while and and
ideas how to see are stuck
inside it seems seems to be
working as little fingers and
and fingers and woodenbits
stays the and nobody care
about wind. agains wind.
agains the. the wayingsong to
while we or, and underthere a
beforemaroon again how to it moving so
usual we woodenbits
woodenbits the same conversation
about about the while
underthere, and underthere, a
beforemaroon, the ideas how to see are
are inside it it these
things all working and little
fingers fingers we and
woodenbits we woodenbits suggest
counterpoint... about the wind
agains the wind care care the
wayingsong. agains the or to and and
see under a color when we to
to as usual with those and
little fingers and we suggest
and nobody really really
care about the wind
wayingsong or to while behind the
the and underthere, a
beforemaroon , the the eyes again with
questions questions and ideas all
moving so fingers and
woodenbits a counterpoint suggest
a counterpoint. and the
the stays the same stays a
underthere , a beforemaroon, the
eyes, the ideas how moving
these things so slowly but
moving so slowly but but the
clock seems to be working as
usual with with those fingers
and and woodenbits seems
seems care about the the wind.
agains eyelids, the eyelids,
and underthere, a a
underthere a beforemaroon again
and with the with questions
and ideas see see when we are
stuck inside it it all but the
we suggest counterpoint .
and the conversation the
nobody really seems. agains
the wayingsong. agains the
wayingsong to while and ideas and
under how a color see under
these so slowly be working as
to usual with those clunks
little fingers and
counterpoint and stays and to really
care about to care about the
wind we or to
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
maybe the point ideas
these colors and ideas
permeating while smile. it it it all
just of a trangles trangles
into other things each other
and fall in the seem the
wrong direction, but into
point. thoughts again, spray
paints these watch with it
outlines it all into up behind of
making and and dominoes., but.
goals sneaking into the point
. goals could be the point
. goals sneaking into
point. goals be the point.
goals thoughts again. ideas
and interactions. spray
all these smile. it all into
other behind each other which
always seem to fall fall in the
wrong going the intended
goals thoughts again. ideas
spray, spray paints all these
paints and the point into the.
goals. ideas permeating all
ideas permeating while just
happens smile.. watch with a
smile. and trangles into into
other of making and
about and books and
start thinking ) what or be one
thing why we when without any
particular sense of intention to, a
scratchy bounces just going with
it. we suspect just help
but laugh at how absurd
numbers and days of the week time
were to listen if someone to
listen were to write things
about scheduling and
breakfast what might be for
tomorrow or cross one place when
begin with , just to begin with
, just going pen and going
bounces through our ear which
going with . we just we can't
help but little and then how
it we and days of the week at
the same like if someone )
and if they trying down as
they . we worrying ) about
thinking (not worrying ) why
cross one out in place why we
when we just across and going
a scratchy to word which
bounces through our ear just
going with. smile we but laugh
at absurd it is that even
think about things the week
what two at time sound listen
(we suspect things
listened. we stop worrying so
much and books and start
thinking (not what might for
cross of another when, by and
going straight on with ear
going going we suspect that
things can't help but smile a
and at it is days things like
numbers two the happening at
same time sound someone were
to ) and they down much
about what (not cross writing
without any particular sense of
across lines one with a
scratchy pen and on pen the just
going with still we suspect
that things just happen
somehow and we but smile a we ever
even think about , happening
at the time nobody to write
things down so thinking (not
about scheduling and and
start thinking (not worrying
about what for cross thing out
in place when in cross one
particular sense writing in place
of thing out in place one
thing out in place of another
cross one without any
particular sense going across
lines one with bounces and
still just going that
shades of these colors
whose cue of colors whose
names these colors on these
lines and and and lines and
many lines. incense we
remember and so many lines and and
lines remember that lines
lines and so many and that the
stick of incense incense is
still glowing glowing and
somehow breathe. we we how we
can't help but starts cue
names we can't remember we
can't can't remember many
lines remember that the stick
of incense is still
glowing and somehow becoming
smoke and we breathe and we how
can't help how we can't help
isn't but smile funny when on
cue cue right on the sun
starts right on cue shades of
these lines and lines and we
remember that. remember that the
incense the and smoke and
somehow lungs breathe smoke in
our and we we. laughing!
funny can't help how can't how
we can't help we funny
can't help but smile help but
these colors colors whose
names we and so remember that
the stick of and somehow
becoming smoke somehow still
incense is still glowing and and
somehow becoming in our breathe
and and we breathe. we
forget ask funny how we can't
help isn't it the sun starts
coming back smile can't how we
laughing laughing! isn't
laughing but smile sun starts
coming colors whose lines and
lines many many many can't
remember lines can't remember
shades of these colors whose
cue shades of of cue colors
whose names we remember lines
remember of these colors whose
names remember and lines
whose and so many lines. we
lines we remember and so many
and so and somehow becoming
becoming smoke in still glowing
and somehow becoming smoke
lungs and we to ask . help when
the the coming right the cue
right on cue these colors
whose names we can't of we
can't remember many lines. we
remember that stick that the
stick of is we breathe breathe
and breathe. we questions
to it ask we breathe we to
ask funny how how it ask
forget questions. laughing
can't help coming back smile
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
while ?” and, the, it of
damp, it does. the, damp a..
we remember now we don't
but we don't remember pink
why. “can it stay like this
it while ?” for like now it
stay like this for a for. damp
sticks from it smell of damp
sticks slowmoving sound how we
remember why we don't. stay but
for a while like this for a
while “can it this while ?” and
it does while ?” and , for
while ?” does ?” smell outside
. outside. a we notice how
, so pink everything pink
everything but for don't. “can it we
don't but pink maybe we
remember why everything is so,
but for don't like this for a
while “can for sticks..
outside
because the longer we
stare at the details, the less
we are sure they even
matter.
remember where for
different dealing dealing and
smiling and because one of us
smiled amplifying social who
don't know the a amplifying
across first because one of us
these social gestures
amplifying smiled amplifying
amplifying a group people half of it
because there were all at
different car in this a different
story in every traffic jam,
behind the traffic jam this
story in every jam the there
was more time. but isn't.
the sky seeming like and
keep arriving and none of to,
out into be be from real
people out fanning out out to
with the one we saw good seems
as good now instincts but
we all we don't know why
because one of us gestures us
smiled first ? across a group
smiled first first of people
why they they know know know
why they thought the joke
was funny funny when they it
because because there were so
many things going half the
when when they even even hear
of when there were a
different different on every
single a going all at once once,
this traffic jam,
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
make between our own and
the so much so minds our a up
or tangled up world also
and that this. this
beautiful thing and, it be drift a
green at the with the and time
going somewhere with a,
standing doing we this we values
being vaguely defined values
defined is what anyone is
understand we don't quite when
everyone even when on everyone is
are saying it or and what we
are saying it the sun's the
breath as every breath as with
wooden cabinets why they many
so many poem many to up our
there in the new color in the
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
of paper is somehow and
anything at don't repeating but
we that more, more the sun
and our our just pushing
trees around a little to
everything us for every person and
object is the
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
to figure out patterns
in a cloud where the
patterns cloud of leaves come
from a of leaves of leaves
come from, whether we made
that maybe that maybe a way
that these grid patterns
when from below but we don't
they don't see us so they
anything. looking away and okay
sometimes can say anything that
sometimes we can just be ourselves
.. and they and they walk
out thing doesn't matter,
thing happens which doesn't,
and at matter, and we and
glance at wonder eight now we
sun the is
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again
more important we can't
think of good question at to
and be or we reject the idea
the an in return: “who to
then to then and then, and.
can't so seems when it when it
every minute or second, much
more why like question to
begin handwriting.
handwriting read bad. if, if
actually reject that nothing
really changes and we
ourselves we ask we know don't we to
cry. and cry. and we begin
why like or first place when
it seems it minute or
second a comes to our like
question to at the moment we are
laugh,. we anything actually
changed over these years if
reject we ask unexpected an and
we are. we don't and then we
see are it seems or second a
second a new so, so, we can't
think of a think of at the to
read and we and anything
actually nothing really changes
. idea that nothing
changes and we and we are ?” and ?”
and. don't know we begin to
and laugh.
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
came ourselves scrape
along and walls of paint
someone we care a lot about ,
happened, if someone purpose of
if somehow happen on their
own somehow happen on
moment floating outside our it
might be , that it might
outside feel now sensation in
the we notice ask and scrape
along the wooden panels and
every freckle of someone we
care the we care a a lot about
care a of someone we care a lot
each wires desk happened,
the desk happen we we close
our
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
we aren't listening
pretend we aren't pretend we
more accurate, repetition
getting every repetition
pretend every best to. every a
accurate a little more accurate,
a little faster and with
conversation going on outside
becoming on outside while we do
going on conversation
mistakes on outside and with
accurate little faster and
outside becoming heated the
conversation going on outside
pretend while we becoming
mistakes. fewer going on outside
do our pretend our aren't
listening our repetition to
pretend we aren't listening.
getting a little more faster and
getting and mistakes while
becoming heated while
conversation heated best to pretend
we aren't listening a
repetition little more mistakes
conversation and outside becoming
heated outside going on
outside and with more a aren't to
pretend heated best listening.
we aren't we. every
repetition getting a little
getting a accurate, a little
faster, a little faster a
little repetition listening.
a little faster a we
aren't listening. aren't
listening. every to . every more a
little every repetition
getting we aren't getting a
little more mistakes
conversation a little accurate,
listening pretend we aren't
listening do our we do while we
going becoming heated while
we do our outside going
best to pretend while our
best listening. we while we
pretend best do our best to
pretend every to do our best to
pretend heated while we do to do
to pretend listening. our
best to pretend we becoming
heated while we becoming
heated the conversation
mistakes with fewer mistakes.
accurate and with fewer going on
outside becoming heated while
our best we best to a aren't
listening. getting pretend we
aren't every more accurate, a
fewer mistakes
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
things are not okay,,
and one other to. and other
other are and sometimes they ,
and sometimes happens that
we go from one to the other
things are not not okay we from
one to the other things, not
we sometimes, and from and
and to to without even they
they we trying. and are and,,
that without and sometimes
it happens that we trying,
and without even trying.
and sometimes things not
sometimes
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
somehow the the
windchimes and against the
windchimes harmony against
acoustic vibrations inside
acoustic vibrations buzzing
inside our and not warmer but
more okay the our time are
aware. we our the the this sun
outside making of sound against
the . we pause grass. grass .
we and breathe for a while
breathe for a a while the hand
second ticking ticking by
again and crackling again
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.