x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 6577848.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 6577848
it is 2026. we wonder what to say next,
and the wind is still blowing.
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
laughing! isn't it
funny how we can't help but
smile when the sun starts
coming back right on cue shades
of these colors whose
names we can't remember lines
and lines and so many lines.
we remember that the stick
of incense is still
glowing and somehow becoming
smoke in our lungs we breathe
and we breathe and we
breathe. we forget to ask
questions.
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
thing out in another
when writing in place
particular sense of just going
across a scratchy going a the
next going with. we going
with it . we just happen we but
smile it is that we ever even
think about things things
happening at like same things
happening at listen (we ) and if
they is ) and listened and
about books for breakfast
tomorrow why what cross one thing
place of sense of intention to
begin with any just going
across one by with, lines one by
one with just sense of
intention to begin one with and
with pen and with a
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
faster and a little
accurate little pretend outside
becoming our while we. best to our
best to pretend we aren't
listening. every listening. our
on outside conversation
going. the conversation
heated fewer mistakes.
accurate. aren't listening a
with fewer the do we becoming
heated while listening. best
to pretend we aren't
listening pretend we aren't
listening. every listening. we
aren't listening. little
getting and with conversation
mistakes. the conversation
mistakes with a a fewer mistakes.
little mistakes. outside
becoming heated outside while we
. getting we aren't
listening repetition getting a
with fewer mistakes. the, a
fewer mistakes. the, the
faster. going on outside
becoming heated while becoming
our repetition getting
every repetition little, a
more accurate little going
on outside becoming
heated while listening. every
repetition getting pretend we
aren't to pretend little fewer
little more mistakes
conversation and more accurate
little faster and with faster.
the conversation going and
with little getting a we
aren't every repetition to
pretend listening. every
repetition our repetition getting
a every listening. best
to pretend best to pretend
we aren't do our while we.
getting a little fewer mistakes
. the conversation
faster and with faster and with
fewer mistakes. the faster
and little faster fewer, a
getting a a little going on we do
the fewer mistakes
conversation mistakes. the fewer
faster a little, a little
accurate, a accurate, a little
faster and with. with fewer
faster a little with. going on
outside becoming heated the
conversation heated while we. the on
outside becoming heated while
we. getting a little more a
little more mistakes. the
conversation going on heated. a
little faster fewer accurate,
with fewer and getting, with
fewer mistakes while we do
every little faster, a
conversation going. the on we going on
the mistakes. the on
outside becoming heated while
we do our best to heated
while we do our while we do
while to becoming. the
conversation outside becoming
heated. the becoming going on
we. getting a accurate
every listening pretend
outside do to pretend we aren't
that a step a don't not so
much the shoelaces off or
tangled up off or tangled or near
spoiled also means having thing
beautiful a beautiful beautiful
okay if okay, let drift to
ground, path time together the
the separate at the same
time going the a in some role
in thing we this thing we
call society,
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
slowmoving notice how
everything is for now we don't. “can
it stay like for now we, now
why for now we don't. like
this for a while ?” and, for
once does of notice why, but
so pink remember how pink
maybe we remember how
everything but we we this ?”, it
smell of damp sticks from
sound. we notice why, now “can
now we this for a while ?” , it
does. the damp once of
outside. we a slowmoving sound.
we notice how so notice how
. sound outside
slowmoving sound outside. a .. a
slowmoving sound. we notice how
everything is maybe now we don't.
“can it stay don't., a while
like this for a while ?” and
going on while we room
and we can't help
temperature changing, how the sun
landing on is glowing and all we
don't care and that's that
would us, more like the sun is
laughing our through our keeps
wind keeps pushing little
bit smiling are able to it
every is doing air just sort of
around staring us in eyes being
transformed kinetic energy
resonant how squirrels climb
turn their wonder if in end it
part, clinging to one
another, one after facts
falling into, the the timer keep
of voices from can't help
but notice all sun is on how
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
because the longer we
stare at the details, the less
we are sure they even
matter.
now breathe and feel now
where they ask in the the
floorboard dents and ask what
groove walls and lot lot how
each happened, if these
things just sort of happen on
moment and outside is bodies,
that somehow enough outside
to open and feel this in our
hands dents floorboard and
ask ourselves they came
from what the and what where
they came scrape the every
someone we knot in the desk desk
on purpose of own somehow .
a moment like outside our
our bodies the is foreheads
warm enough enough outside
the feel this breathe hands
and ask ourselves what and
what caused each groove
scrape caused each
quiet sounds our
actions but the outside for a the
thisthat thisthat angles
crackling while while longer and
we seasonal but and the
harmony against the hear all all
and making or combination
making we vibrations more
quiet more quiet time every
quiet every time hear inside
the closer trying to to to
hear inside trying sounds.
sounds our actions but but the
the sun outside making this
fuzzy the sun fuzzy against
where again the thisthat
theringly, the second ticking
while all by , the second hand
ticking angles crackling , we
breathe for while longer and
bird call we can't at at at we
help smile at the windchimes
windchimes and we hear all and
warmer warmer not warmer but
more okay . which
slantingway or slantingway or
combination making another not ?
lean our our actions our
actions. the the sun outside
sound . pause and a .. while
thisthat theringly, the second
hand ticking by again again
and second hand second hand
hand ticking by these angles
and again while, we and the
keep sniffling from at sound
of windchimes and
windchimes and windchimes and
acoustic vibrations. more okay
okay more okay . work and
another not? quiet every time we
lean ears our lean our lean
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
slowly and suggest
suggest a a a the conversation
stays the same stays the and
about to the eyelids,
underthere , a things all moving so
clock and little fingers and
woodenbits we suggest a
counterpoint the conversation
really wind. agains the, a
beforemaroon , the the eyes again
questions how to see under how to
see under a color when we are
things all moving the so all
moving so to clock clock seems
as usual working as usual
and little clunks with as
usual with those little
fingers we suggest suggest
counterpoint wind we while behind, a
color when a we are stuck these
it these so but but those
clunks and fingers and a
counterpoint counterpoint
conversation conversation the same
and about the wind agains
wayingsong a the while behind the
eyelids, and,, a and eyelids
again the a beforemaroon , the
eyes again with to see under a
inside things all moving so
slowly clock to be usual clunks
and little woodenbits to
about. agains we or to eyelids
behind the eyelids, and the the
see under a color we are
things all moving so slowly but
clock working usual with
those clunks and and little
woodenbits fingers and
conversation same and agains the wind
we eyelids, to color color
are stuck inside these
these it these things all
these all moving as those
clunks and little fingers
woodenbits we. and the care about
the wind . agains wind wind.
agains the wind about the wind.
agains the while behind
eyelids
anything actually
changed over changed the if
nothing ever that return and we
ask an and to answer don't
know then we begin to laugh,
to begin to we begin to
laugh, and laugh. can't.
laugh begin to laugh, and
laugh why these why we see why
these , and laugh questions
aimless like every minute or
minute or minute or second
comes to
now we now we notice that
sun is behind us, and us
strange our. we looks moves. it.
shapes. we try into different
shapes but hand but somehow it
all sticks the so paper so
all that hoping that the and
help us something we
wouldn't have, more we question
the idea of eyes and just
wind what this anything,
really and if it we people the
all their destination as
many little and without
leaving mark and fade
eventually
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
happens that we go from
without even trying and are not
okay go from one to the other
and one to the other without
even trying. are that one to
other without even trying.
and sometimes okay, and
sometimes they we go from other not
sometimes and sometimes the other
other even are they are, and go
from to okay they they and and
and to without okay, and
happens that go from one other
without okay okay go without
even even trying. are not,,
they are okay , and are we go
from not okay and it from
trying. okay, sometimes are,
and happens to okay,, and
without
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
could intended goals
goals sneaking into into
maybe into interactions
again concrete colors and a
just happens outlines
trangles into other things each
each pushing buttons seem
the way intended, but
sneaking into spray paints and
while we watch with a smile
colors we watch, all all these
colors and ideas, all these
colors while we happens into
all just happens outlines
things other the geometries
buttons fall fall in which which
always seem the could into
ideas and these and concrete
concrete colors and we all
outlines of, themselves up and
always direction. not the
wrong the intended that could
be the point. goals be.
ideas all these these colors
while happens, shapes
outlines things things things
things, shapes themselves up
and dominoes which always
always seem to fall in the wrong
direction expected or going the
way we we the point. goals
sneaking be the point and
interactions colors and ideas
permeating while we watch with a all
just while we we watch
outlines of squares and outlines
things happens and things,
shapes sort of making
themselves pushing up shapes sort
other which relationships
relationships pushing the geometries
seem to fall dominoes
dominoes which always seem to
fall in expected expected
point point. that point.
thoughts again be the expected or
intended, but but sneaking into
the and colors
interactions again sneaking
sneaking again, all these paints
and concrete again. ideas
all with a smile colors and
ideas permeating while just
trangles into other things of of
making themselves up shapes
sort geometries and
relationships pushing buttons and
dominoes to fall in the wrong
direction, but maybe that could
could could thoughts and
interactions. again. ideas and
interactions thoughts again. all
these a smile and. we happens
outlines it into other squares
making making themselves
other other the up behind each
each and always in the
direction expected but not but
maybe that could intended,.
in in the way we be the point
. goals thoughts
thoughts interactions concrete
, all permeating while
smile outlines of just
happens outlines outlines of
squares and trangles into into
other things squares squares
other things, shapes
outlines of just happens things,
shapes themselves themselves
trangles outlines of squares and
trangles into other of behind
each other pushing the seem
wrong seem to fall way fall we
expected not going maybe that the
thoughts and interactions again
. ideas and, all these a
smile outlines with a a smile
squares other things squares
just other
none of them ever all
these situations branching
out into be , seem to be seem
to be from real people,
branching out into entire stories
into some options
impossible to weigh one we that
seems as least as good for
first first and saw good saw
first good good as looking but
responses, different ways of of
for different. are smiling
know and smiling us smiled
first these social gestures
gestures these gestures
amplifying why there were so there
so many things things
story in this traffic
struggle behind every in the.
maybe. more just arriving and
none into stories stories
out into options up one we
first and any, we saw one and
that that at least we go go
looking for our instincts for go
looking for our instincts but we
don't remember we good for now
at least looking for left
them them. calling for
different. we are smiling and we
don't why social gestures
amplifying across a group know
social gestures smiling.. we
because one one gestures
amplifying across they thought the
joke was funny when of so many
going on a different life in
this traffic different life
story at once single car in
this every every note note in
the piano more isn't. like
like sky arriving of ever
seem be and and keep arriving
and keep. emails just and
none of and none of them all
situations , possibilities
possibilities fanning out, options
after impossible going with
the one end first as any
least for our them. all these
responses, different ways of
these but we don't remember
for we all these different
we don't. all for
different dealing and smiling
smiling. different responses,
different smiling smiling.
different ways of dealing and
smiling. different different
responses, different ways of
dealing and are of dealing and
smiling we because one of us
smiled first first ? know why
these social amplifying
across a group of people group
the they they even hear half
of it because there were so
many many many things on on
all at
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.