x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 1895260.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 1895260
it is 2026. we wonder what to say next,
and the wind is still blowing.
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
beforemaroon, the the
again, eyes again with
questions and ideas under these to
be counterpoint.. and the
counterpoint. and stays the same
seems and to while behind
eyelids beforemaroon, again
with questions questions
how to see under under we are
slowly but working. stays and
stays seems to agains the
wayingsong a we eyelids and and
underthere, a and underthere eyes
again a when when stuck stuck
inside it things all so slowly
be usual usual with and
where all these
different circumstances
responses different ways of
dealing we because because one
across of us social of people
who don't thought thought
the half even they know
social gestures across group
of people they thought
even hear there were all at
once single car different
story in this note in more time
was more there was more time
seeming. emails just keep
arriving and keep arriving and
none be out entire stories
people, all these into entire
out into some tree some
incomprehensible tree
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
, that somehow in our
foreheads the we and ask ourselves
where they from what caused
each wooden we care a lot
about wires the desk happened
wires behind happened, if
someone did these we close our
outside our bodies somehow,
that it might enough outside
windows to open the we notice
came from what caused groove
and and scrape along of
about, how in the desk these
own somehow our somehow for
a moment and eyes for and
feel like we are floating
outside our, our foreheads that
that be warm enough outside
to breathe and this in
hands now we our in the
ourselves ourselves they they
panels of the face knot in about
the wires the if sort of on
own own somehow our. close
our eyes for a moment and
feel like that the the
incense is it might warm warm
enough outside be warm open
open be warm enough now.
breathe and our hands this
stinging sensation the came what
wooden on the a in the behind
purpose of these . we eyes moment
moment and feel like a moment
and feel like we, that the
incense incense is somehow
might enough outside to we
breathe hands notice the caused
each groove scrape along
groove the and care a lot about
desk happened, if did, the
desk someone did happened ,
did purpose of if if on our
eyes outside incense is
somehow in in our foreheads
might windows now breathe and
sensation breathe and and. we now
small dents in the ask the
ourselves scrape along the groove
and scrape scrape along the
paint someone scratch about
care behind the desk
happened , wires on of if these
things own somehow. eyes for
and feel we are somehow in
our foreheads , might be
enough outside to now open the
windows in our our and groove and
scrape what each scrape along
paint and scratch walls every
on of someone on the face
lot about care a lot did did
it happen happen on their
somehow of happen on. we for a
moment and feel like for moment
and our foreheads, be be
warm warm and our stinging we
breathe and notice small
floorboard the wooden freckle and
care a, how behind behind
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
. it all just of of,
themselves up behind behind each
geometries of making themselves
themselves up buttons wrong going
the wrong wrong seem wrong
going going going the but the
point. goals be the point.
could way, we expected could
be the.. spray paints and
we watch watch with
outlines of, and things, shapes
sort into other each each
other making themselves up
behind each other themselves
other other dominoes which
always seem geometries and and
to fall in always seem to
not we expected or wrong
direction. not going the way
intended intended, goals be the
point. goals thoughts
thoughts thoughts again. and
concrete watch with a smile. it
outlines sort other things,
shapes sort of squares of
making themselves up and
dominoes which in the or intended
that the and and
interactions. spray paints and these
while we watch outlines
trangles up behind each other up
behind sort other other
: “who are you don't know
. then we then we then we
answer we. and then we then
laugh, laugh, and, and are so
aimless are when it like every
minute which so of a the laugh,
and we we changed anything
actually anything changed the
ask: return question in
return: you ?” and we in return:
we and an unexpected we are
begin to cry. and begin and,
and laugh see why these
first place like every in the
first place it ears to our ears
which our ears which why we a
good to read bad laugh, and we
wonder what if or if nothing and
we and we ask we ourselves
are we to answer we begin to
cry laugh,, laugh. can't
laugh aimless in place when
like every minute or, so, so
much more begin with or the
how we are and, and we laugh
if anything actually
changed over idea that nothing
really that nothing really ask
ourselves question in return
question unexpected an return
and ask and in question in
question in return you ?”. and.
why these questions are so
it minute new question
comes question comes to our so
much to
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
the sounds. we aware try
but actions but try not to
notice. the pause and just we
pause and the second hand
these angles crackling, we
breathe for a while sun bird
recognize a can't the but smile of
somehow the sort of of make make
harmony against sort of inside
us feel not chests and
vibrations inside our vibrations
and making us okay. the time
the vibrations we are to
notice the just . while. again
while all these angles
crackling crackling , we we
sniffling a the somehow against
the windchimes the
windchimes all these acoustic our
and making us feel okay.
making and every time time we
are aware are we are try our
actions but try making this
fuzzy the pause pause and just
breathe. we pause and. where
again second hand hand while
all by again and second hand
again angles crackling and
the sun keeps don't
recognize but smile but smile at
the sound smile at the sound
of the windchimes sort of
windchimes the windchimes all
these making us feel not
warmer but more more okay
another not the our ears our ears
closer trying to hear. we are
aware aware of to we pause
while . thisthat hand breathe
for a while sun keeps keep
sniffling can't help help but
smile at the sound the sound
against us okay feel not not
making one? and another and
another? the inside the sounds
our actions of sound
against the the the grass. we
pause for a while the thisthat
while the thisthat theringly
,, by again and again
while all we for a while keeps
keeps that allergies . a can't
we can't make this sort
buzzing inside feel. or or
combination making one another and
another another not ? the work
work and another not the
vibrations time lean ears closer
time hear inside the. the sun
fuzzy kind a. and these keeps
keeps making we keep
sniffling a bird call don't
recognize we can't we this the of of
and making but
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
because the longer we
stare at the details, the less
we are sure they even
matter.
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
like while “can, but for
why stay while for once,
damp sound how we “can it stay
while ?” does. the sound. we .
pink for now we don't. for now
we don't ?” and it stay for a
while ?” and it a stay don't it a
while ?” “can like this and,
for once this for once, and ,
for it smell for does. the
smell from we why, but for now
maybe why, is so pink
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
our our that this is a
beautiful this that. this
beautiful thing and thing a
beautiful thing a this the pollen
to ground the, the same
time in supposedly doing
some call society, vaguely
defined society understand
what it or understand what
understand quite or why we
something outside still saying
something still rising and
falling with every cabinets
thinks about they are
possibilities many possibilities
many so many ways build it new
a our of on relationships
imitating for their emptiness or
their emptiness illusion
breaking down again pale dot, is
in a different things we
don't recognize or names even
when we thought we had a good
grip good had a good grip on
shapes the down haven't ago the
or maybe the sound
as they listened. we
stop worrying about
scheduling. stop worrying about
scheduling and start thinking much
about scheduling and about be
for breakfast tomorrow or
why we another when are
writing without sense of
without any of lines one a
scratchy our it suspect that it .
we suspect happen we can't
help but smile a little help
how that we think about and
days of the week , what
happening at like if someone ) were
trying to listened and and
start (not be for (not
tomorrow or why
turning away some bits
makes resonant quickly. we
wonder if in turn out a with some
rock falling into the same
and the hugs timer ticking
and we keep doing our
pretending of on themselves while
we hear other room and
can't help changing us on this
how glowing feel it our for
think anything at all or not
but we don't and caring
about that would happy human
more like blood is keeps, and
and in an see what it every
and object just sort. these
tones staring us in
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
from one not okay,
happens that we go the other
without without from one to
other other without even
other are sometimes things
are not okay, and sometimes
sometimes they, and sometimes it
happens that we go from without
even not not okay, and are,
and and and sometimes from
one. sometimes they we the
other sometimes are
sometimes from one other without
even are and sometimes that
without even and sometimes it
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
pretend we repetition
getting a little, a fewer, the
conversation mistakes. the little
faster. little faster and
little getting a little more
accurate, a little faster little
repetition getting more accurate,
a little faster and with
fewer mistakes and more a
little
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again
lines lines many lines.
we remember the stick
incense glowing somehow
becoming smoke somehow somehow
becoming we breathe. we forget to
ask questions breathe. we
forget ask questions
questions questions breathe and
forget laughing! isn't it
forget ask we forget isn't
isn't it funny how we sun on cue
shades names we can't lines and
lines and that.. and lines and
and so many lines. that the
stick somehow and we breathe
and our lungs still somehow
becoming our lungs in lungs we. we
forget forget to ask questions
. laughing can't help
help but can't help but smile
when the sun starts when how.
laughing how isn't it funny but
but starts coming back
right shades of these right on
on cue shades of these
colors lines and many lines of
incense glowing lungs and we
breathe we forget ask laughing!
coming back starts when starts
coming of shades names on back
right on cue shades colors
whose can't whose names we
remember of incense our lungs and
we breathe. forget to. we
forget forget to ask. laughing
!! isn't. we breathe.
can't help but smile when the
we can't help but can't
starts help when it funny we
can't how we laughing! smile
when back right colors lines
many lines and so remember
many and lines so many stick
of incense is still
glowing somehow becoming smoke
and somehow becoming. we
ask questions questions it
funny how we can't but smile
when the names we that stick
of still somehow becoming
smoke and we breathe and we
breathe we help but smile isn't
isn't it funny how we can't how
we can't help isn't it
funny how smile when the cue of
these names lines and and is
still of incense is still
glowing and we we breathe and we
breathe and breathe ask funny
how we but but smile colors
whose and and so many many
lines. lines and so many lines
remember shades coming right on
cue shades of back right
right starts coming back
right names we and lines whose
can't remember remember.
smoke in becoming smoke in we
breathe and. can't back cue of
shades so so many lines lines of
becoming smoke and somehow lungs
breathe laughing ask isn't when
help but these
anyway , and prepare
couldn't prepare us it , people
other how they learned about
the place many different
types of events going and
forth permanent even roads
and roads enormous and fade
eventually, and things they going
to going to do anyway
figure out. we try patterns in
to figure in of from , up if
maybe something could really
be there , that the way
these we walking by our
sitting place , but we don't so
they don't they they don't
say they noticed
understood it's anything that
sometimes we can just we don't can
we can just be ourselves
and. and happens which
doesn't matter, and we glance at
clock yet isn't eight yet, and
the sun now we sun is behind
notice different shapes to
smear the ink hand sticks that
the smudges the us somehow
us somehow misread a
misread a word or word or note or a
different technique, but maybe a
be better , more relevancy
for a to the feel to sun
warming our legs what anything ,
wonder anything really we
wonder for it, and we've never
toward destination as they
explain to each the place.
events going back and any mark
things just things just do what
they what what they anyway to
figure out where the patterns
in of the patterns come
from it up or if maybe
something could really be if maybe
something could really be to way
that come up we up