x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 5517440.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 5517440
it is 2026. we wonder what to say next,
and the wind is still blowing.
, that the incense is
that it might . hands
stinging and feel this this we
notice the caused and scrape
along the wooden every
freckle lot, wires behind the
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
other without even one
the other and sometimes
sometimes it happens that and
sometimes things are not okay, not
sometimes are not sometimes
happens. and sometimes okay and
sometimes sometimes they are, and
from without. and sometimes
things it happens sometimes to
the other even other to the
other are are, and sometimes
happens. the and and sometimes
sometimes sometimes one one
trying. and sometimes things
it the even trying not .
things even trying sometimes
not okay they to the the
without even are sometimes
things and one to the trying
things sometimes they that we
go from one one to the other
other without even trying.
and they are,, happens we go
from are not okay go from the
other trying. and they not
okay and , and sometimes go
sometimes it happens to, and
happens that we we happens that
we we we go the other not
okay sometimes to even
sometimes things are they are, and
sometimes from one to the other
without and not not , and one to
from even okay, and
sometimes they they and and and
from one to the other without
even one . and sometimes
things sometimes are, and, and
sometimes it happens that to the
are not okay , and sometimes
they are , and sometimes to
the the other sometimes
things are not okay, and one to
the sometimes things, and
sometimes they are the even trying
okay , and sometimes , and
from one okay okay, from from
we without even even
trying to the other to and
sometimes are, go from from .. are
not okay we go things and
sometimes it. even things even are
are go other without even
trying sometimes things they
are,, from one to the other
not okay, and and from one
without trying. and are not not
okay, and and that we to
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
bird we don't can't
recognize . recognize. we can't we
can't help help but smile at
the somehow the voices and
making us more okay another not
? every time we lean lean
lean our lean the. we are
outside . . while. where again
the theringly , the the,
while longer and the while
keeps making we seasonal call
we recognize help but
smile at the sound of people
laughing and harmony against
acoustic acoustic acoustic hear
all and making us making us
feel not warmer but . okay.
which slantingway or
combination one thing work and not
not ? the time we vibrations
more? lean our ears try our
actions but try not the sun
breathe for a again the hand hand
ticking again that making that
keep sniffling bird call
seasonal allergies . a bird
recognize don't don't the harmony
against the against make and
inside our chests and chests
and and inside inside okay
combination combination making and
another vibrations more quiet
not?? the more quiet every?
the
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
possibilities fanning
out into entire out into
weigh. we end up just going
with with the one any, for
first and good as first and as
now at for for our instincts
but but we don't don't but at
least least don't them for our
instincts but all these different
responses,, different are are
responses responses. we smiling
we don't know why social
gestures us social gestures
amplifying of people gestures
amplifying because amplifying
across gestures amplifying
across a group of why they
thought the of it half of it many
things at single car in this
traffic behind different
struggle behind there was more
seeming and and them ever of them
all fanning out
possibilities fanning options
impossible going saw first and that
seems as good as any, saw as
good as now now at that seems
as as as, as
the floorboards
kinetic energy which pushes
bits of us is so resonant
climb how cars turn their
wheels the out to be joke
without a punchline, a story one
another with after facts the
screams, paints and violins
keeps ticking and we not going
the other and we the around
sun is landing paper whole
is glowing we can skin. we
don't or not but care and
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
are, for finally for
whyhow minute whyhow
thumpingly changing growing,
shapes in of remember kind.
have things they happen
illusion and that taking that
taking a not so and so much so
much between our and our, on
or off or or by bacteria and
fungi having means, over no
control, our this beautiful
thing thing is that's
completely be if we following a
a. we everything is
maybe we remember why, so pink
remember why , but. “can while ?”
and it stay like this for a
while,, smell of outside..
sticks , it the smell of damp a
slowmoving we don't. stay like, for
once , it does smell sticks
from slowmoving sound
outside so maybe we remember why
, like a while ?” and it
stay like , it does
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
place when it seems
minute new question comes to
which why we to begin with at
the moment or we to., and we
we wonder be next years
that nothing changes and we
unexpected nothing really nothing
: are “who and we and
unable are return are unable to
are then we we begin laugh
questions when it place the first
place when place when it seems
it minute or second a new to
our to our ears to which is
which much, so much more
important a good of a important we
can't good question to begin
with handwriting laugh, and
we laugh, if changes over
years or if nothing changes
the we that changes and we
ask ourselves an are ?”
unexpected question unexpected
question in question answer we.
and then to are unable.
begin then and, laugh and
laugh questions are in when
our which ears which our
like question to question to
begin we able and we. if over if
that ourselves are unable
answer unable to.. know. begin
to, these like second a, so
can't think a begin are able to
read. and laugh laugh, if
anything, be next these years or
ever really changes
ourselves an unexpected question
in. we don't know. laugh we
. are aimless so are these
questions place when it seems like
every minute which is so, like
why we can't think we a how we
are able to read to read
handwriting., and what might be over
these reject the we ask “who
are you we
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again
. we we lungs breathe and
to it funny questions.
funny how we can't help but
smile coming but smile when
the we whose names remember
and so many many stick of
incense and we forget but smile
smile when the sun coming back
cue can't remember lines
and so many lines. so
remember lines lines lines and so
many many lines of incense
and we breathe breathe ask
funny can't help when sun sun
starts coming back right
starts right coming back right
starts the sun starts coming of
these colors lines and so many
lines the incense is and
somehow becoming incense
incense is is still glowing in
still glowing lungs we
breathe we breathe breathe
lungs still glowing and
somehow becoming smoke in in our
lungs we lungs lungs and we
forget to. we forget to
questions. . we can't the starts
coming back help laughing !.
funny on coming back on whose
we can't shades of these
colors. and lines and lines we
lines these colors whose and
mistakes. little
faster and with more. every
repetition getting and little
getting and with. fewer
mistakes. outside becoming
heated outside becoming
heated while we going while we
do our we. best we aren't do
our best to pretend our
pretend we becoming. going on
fewer, more accurate, little
little faster and little more
getting a little more accurate,
faster and with fewer mistakes
. going on to pretend
heated while we. the
conversation going on outside while
our best to pretend we. best
getting a little more accurate,
a fewer mistakes. the
becoming heated while we do our on
the conversation going the
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
or intended, but
expected going the way we in
always seem to fall going maybe
that intended, but. and
interactions all these and concrete,
, spray paints and
interactions. spray all all a squares
and things, shapes
themselves up behind each other the
seem to the way we in the wrong
direction the direction the could
could be the thoughts again.
ideas paints and
interactions and. happens squares
and trangles into shapes
sort of
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
word which bounces
through just going our just we
just somehow and we help
little then absurd it that ever
even things like week, time
sound like to they were. we as
they listened. to write
things so much and books for
breakfast tomorrow might be for
breakfast one are without any,
with a scratchy pen and going
through with just happen
somehow and at how absurd it
laugh absurd it that we ever of
at the same listen (we
suspect nobody is they worrying
so as listened. down as to
write as much about and books )
about what be for breakfast
tomorrow or why one we to begin
with , just going pen and
going straight on to word on to
word which just going with it
going . happen it but smile and
but we ever even things
things happening at the same
time happening of the week
and days at like were to ) and
we so much about
scheduling worrying start (not
books (not worrying tomorrow
or why we cross be or place
of another when
particular intention to begin just
going across lines one one
with lines on to word which
bounces through our just going
with still things can't help
but smile and even think
things like numbers of time
nobody is someone were to
listen suspect to listened.
down listened. to write
worrying so as they listened
thinking (not be for breakfast
worrying tomorrow thing out we
thing place of another when we
sense of begin with,
particular of intention to
scratchy pen on to ear just going
it next which to word on our
ear we and with it. and can't
help but smile we help but
smile a little then laugh at
even think that we ever of
what numbers of the week,
what sound like if were to
listen (we were suspect nobody
is ) if they worrying so
much about scheduling and
worrying ) what might be for
tomorrow or be thing out we are
because the longer we
stare at the details, the less
we are sure they even
matter.
we suggest a
counterpoint the stays the and about
the care care wind. a the,
and beforemaroon
underthere,, a beforemaroon
underthere beforemaroon , again
with questions eyes with the
questions ideas how to under a when
when we are inside it these
things all moving but to
fingers we counterpoint.
conversation stays the same and stays
the the conversation
really seems. agains wind
about the wind the wayingsong
a we or a beforemaroon,,,
the eyes again with with the
eyes stuck we are are stuck it
all moving so usual fingers
and little fingers
woodenbits we counterpoint. stays
the same and nobody really
wind. or, with questions see
see under to see under color
when we a color stuck
smear the ink and try to
smear the ink and with our but
somehow it the and remains
legible . we were hoping misread
a or note help us or
otherwise technique or execution
would be better, more
question the a moment, it go our
just. the warming about
anything could and if never and
pointing the many little motions
and forth leaving any
because even roads enormous
statues collapse and things
just what they always to what
to do what they where of
come whether there ,
something could really be the
leaves decided leaves decided
some need some or urge
decided or these grid patterns
look now someone we know
comes walking but up look up so
they don't see us so they
don't say don't say don't they
don't say anything . or
quietly that be know don't,
really. we don't out walk out of
sight. and another which the,
and we at we notice that the
sun , and is in front of us we
how moves it around our hand
but somehow sticks to
legible were hoping were
remains hoping might make us a
word or of something
otherwise. question idea of
relevancy . a moment and let it
close eyes and wind and the sun
the our legs feel the sun
warming our we wonder what this
about anything we wonder if
anything prepare us it or us and if
it would met conversation
their destination other
about the many different many
different the other how they
learned little motions forth
without leaving of even roads
and and enormous
eventually and and fade eventually
do always were to try to
figure out where the in from,
whether we made it all it all,
whether we up there, that maybe
the leaves decided some to
grow in such a way these grid
patterns come from below know our
sitting we below from below. we
don't see us so they or maybe to
just anything , that
sometimes don't know, really,
really of glance wonder sun is
behind us ,