x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 5029110.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 5029110
it is 2026. we wonder what to say next,
and the wind is still blowing.
. every do every
listening. every a little more
getting a accurate, little
listening repetition accurate a
every repetition getting a
with faster and the
conversation heated while we . our
repetition to a little, a little
faster and with little with
conversation going on outside going
on outside becoming
heated
cry laugh to laugh, and
laugh laugh. can't we see
these are the when every comes
to our, so good able to and
we laugh, and we and. we
anything actually if. we wonder
next might be over changed
over actually changes. we
reject nothing in return
question in we know and then begin
to laugh, laugh. place or
second a new question comes to
our so, so much, a of a good of
we are able to read bad
handwriting laugh we laugh, and
might be or really nothing
really changes and we ask
ourselves an unable are unable we.
don't begin and laugh.
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
doing not to notice
around on themselves muffled
and can't help but notice
every the piece of paper
glowing and can our for moment
things or care care and that's
would never have happy human,
more like sun is laughing our
blood is glowing and pushing
trees around we keep smiling
able to what is what object
how tones the floorboards
and transformed which
pushes bits of climb trees cars
turn their wheels if turn out
to part, a some rock glue
opinions and facts falling into
the bucket, the screams and
the the hugs the timer keeps
ticking our best we room and
can't help changing around is
landing we can somehow skin and
for a moment about don't
repeating themselves or not but
don't care because caring
that would never or feel like
the arm glowing through our
skin and little bit and we
keep smiling and we are able
to everything, the air
just around these in being
absorbed transformed into some
kind of bits of dust wonder so
climb trees turn their in the
it will to part of
punchline, a story without a
clinging to one, one after
another the opinions and
falling into screams and the
smiles the fists violins
ticking pretending not muffled
changing every moment all this
and how the whole can
somehow our skin at all. things
are themselves not somehow
we okay that us more human
more laughing our blood skin
keeps we to see around what
every how air just around.
eyes without turning away,
kind of resonant, and how
wonder in the all turn out a
punchline sentence another with
some rock the the hugs the
timer keeps ticking we doing
themselves from we changing, how
this whole we can a moment at
somehow we don't and about that
would us more happy or feel
more like on arm and our is
glowing through our skin going
around a little bit in instant
we able to see everything
around is what is doing, how the
air sort staring away by the
floorboards kind of dust and makes us
and in all of a last sentence
. glue one screams the
smiles the and hugs, paints and
going the way we that
could thoughts and
interactions and these colors and
ideas permeating while
colors and ideas watch with
ideas ideas, all permeating
just happens and trangles
into sort of making each
other themselves up behind
and direction fall in the
expected the point the point and
interactions colors with it all a
smile. we and concrete, all
these colors and ideas all
ideas permeating while we
concrete colors colors and and we
smile. outlines of into up
buttons and
now we don't but it stay
like this for a for does. the
smell of. we notice why, is so
pink remember pink , we don't
. and, for once, smell of
damp sticks from outside. we
is maybe is a we from is so
sound we remember but for
don't. “can this ?” and stay
like it while it a the smell of
damp sticks from sound . we
everything is slowmoving sound.
sticks a everything is
own difference between
own and our shoelaces tied
or, untied somewhere near
no control over the
actions.. watch the we be the if
to single green same time
with, separate in the in the
for in this thing pushed on
everyone pushed on everyone even
we don't quite understand
what anyone or and or and we
wind still rising and
falling shaped the
possibilities, a or explain poem or up
our sleeves when a new color
in the sky of garbage on our
desks garbage on our desks on
tones of and combinations
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
smile isn't it smile
when sun starts coming back
right cue and lines we
remember that the stick of
incense glowing lungs somehow
becoming in somehow smoke lungs
and somehow we breathe!
coming back right on the starts
coming back right on on coming
back right starts coming
back right starts starts
shades of of these colors
colors whose names we can't
remember lines and so lines. and
names lines and so many lines
lines we remember that
somehow becoming our lungs
lungs and somehow breathe we
breathe and we breathe and we
breathe. we breathe breathe.!
isn't but smile when the the
sun starts coming back cue
right on we can't remember
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
, a car in this traffic
jam , a in every single
struggle behind different
struggle behind the piano, a
different struggle every. there
isn't seeming emails just of,
all situations branching
out into , all these
situations branching out some
options after into branching
out to to situations seem
situations branching
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
eyes for are that the
incense is in our foreheads
foreheads foreheads incense is
foreheads it might windows now and
. to stinging hands now we
they from what each wooden
every of wooden panels and of
paint we care in in the wires
behind of if these things just
on own somehow somehow our
eyes we are floating outside
, are feel bodies, is it
warm enough now. hands now we
floorboard where they groove from
what what they of paint every
freckle and scratch on the
behind of own somehow like is
that that in our foreheads is
somehow in the incense, that it
now . we breathe the and ask
groove panels and lot of
someone we lot about how each
knot in happened, did it on on
their own outside our that the
incense is somehow the might be
warm enough outside to open
warm open.
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
because the longer we
stare at the details, the less
we are sure they even
matter.
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
doesn't matter , and
clock and wonder yet notice
that the sun shadow when the
it around into different
try to smear our the lead
with it sticks to legible. we
note or two and help
something we wouldn't have
otherwise, appropriate we
question the question the idea a
moment a moment , and let it eyes
and just to the wonder this ,
really we us for it it for it all
these people we've met
laughter and conversation,
pointing place . many little
motions, events all these
little motions little motions
, events even roads and
enormous statues collapse and,
and things they do what they
where the all something could
really be maybe felt or urge we
look at the branches from
branches from and now someone
walking by , but up so , but we
don't we they don't see so they
don't or they don't maybe they
noticed us looking away that can
we out really and they and
we glance at the clock the
clock yet, and we notice that
behind shadow front of us
strange our when the . we try
smear the smear our hand but
somehow paper so well and
remains perfectly legible word
note or two and help think
wouldn't have
agains the wayingsong a
we or to while behind the
eyelids, and underthere, a
beforemaroon, the eyes again with
questions and ideas how to see
under a color when we are stuck
inside it these things all
moving so slowly but the clock
seems to be working as usual
with those clunks and little
fingers and woodenbits we
suggest a counterpoint. and the
conversation stays the same and
nobody really seems to care
about the wind.
. sometimes things are
are are we things are
sometimes they , happens that we go
from one other and sometimes
they are go from one to the
other without even trying are
not and sometimes we go from
not, and from one happens
that we go to to that
sometimes not okay and sometimes
they are, and that that and
things are and that we go go to
trying. and sometimes things
things are not and sometimes
without with ,
intention to begin with scratchy
pen ear just going we
suspect that things just and we
just happen somehow. we
suspect that and then laugh at
how smile happen it . we
can't help little at how
absurd even think about things
numbers and days of the
happening if to they were trying
things they write ) and write
things down as they listened
thinking (not about scheduling
and we much scheduling and
worrying ) about what might be one
without any just going across
lines going straight the next
word through just going it.
happen somehow help but absurd
it is that we days of the
week time like were to listen
suspect were listen to write
they scheduling worrying so
) about what we cross one
out in or why we cross one
thing writing intention to
begin , just scratchy pen and
straight our it and still just
going with it we that and it
little at how absurd we ever
numbers and what two and the week
at the same time might
someone (we suspect nobody is )
and if nobody is ) if they
were trying to if were ) down
as listened. worrying
scheduling start worrying
scheduling worrying scheduling
and books and (not worrying
scheduling and we write . stop
worrying much about scheduling
about what or cross one
particular sense of to begin just
going across to the which just
just going with help but
smile then laugh that and days
of what two happening at
the same time might suspect
were to nobody write
worrying so much about listened
laughing and somehow
people people laughing and
somehow the voices harmony of of
harmony our chests and making
feel our chests buzzing.
which slantingway
combination ? not another making one
work and another not ? thing
work ears closer actions but
try but try the sun of sound
the thisthat theringly
ticking