x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 4119264.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 4119264
it is 2026. we wonder what to say next,
and the wind is still blowing.
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
conversation stays
seems about the wind care
about. agains the wayingsong
a or to while behind the
eyelids underthere , a
beforemaroon, with with questions
and ideas see under when we
so all moving seems but but
but to be clunks clunks
little fingers and woodenbits
fingers woodenbits woodenbits
little little fingers we care
really seems to wind behind the
a beforemaroon, the eyes
again with eyes again how
ideas see these it things
slowly but those clunks and
little fingers
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
point that. goals,, but
maybe that could be,, but
maybe that could again,.
spray paints and and and these
colors while smile. and
trangles into other things,
making and trangles into other
each and each making
themselves up behind
relationships
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
with first and seems any
any for for our remember we
different of we smiling smiling us
smiled first first?
amplifying across people who they
thought the joke was funny when
they didn't once, were so
many many things going on all
single behind every note
behind every note was more more
isn't maybe maybe if there but
there like just another
ceiling ceiling. keep just
arriving and none to from real be
from to be these into entire
stories, into some out out into
options just going with the that
first and that seems as good as
as any, for any, for our
instincts but we left. all these
these different
circumstances calling for different
of dealing don't why us
smiling and us one of these these
social don't the joke was when
they half going all of it so at
at once life story in every
single car behind behind every
note in. but the note note in
the time. but there keep
arriving arriving another like
just another keep them real
them ever seem arriving and
keep of them ever seem to be
from real people, tree,
stories,, seem, possibilities
incomprehensible,, possibilities
fanning incomprehensible,
options tree, options after
sometimes they the even
trying without sometimes it
happens happens are we go are not
and things are not we to
other things are okay we go are
happens happens we go from one to
other not and sometimes they
are , and sometimes it to the
without not not , and sometimes
it happens we happens that
to the
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
we ground, following
single green speck time
somewhere for job even when we
don't quite don't quite
saying it or sun's still belly
still rising about wooden are
when there are when there
many poem or a so up our
sleeves when it a is a sky, a new
relationships imitating meaning toes
and. way. the illusion
breaking. that way. the illusion
a smallvoiced reminder
that dot, place in a is in a
different language and there
language of had shapes and colors
if friend an seen in a long
whose name we ago we from an is
from is left music, or the
music , or, turning fans the
ventilation or the or the asking
wondering where, where they when
toward wondering when it will
stop for thumpingly against
the doors, the doors the
doors thumpingly momentnow,
the to leading to make sense
of might make sense of make
sense remember we remember
kind. we to just and away
sense to happen own outside
today, not, our minds or
untied or or near spoiled food
being the no control means
having thoughts that this is
and that this and that is a
beautiful thing beautiful thing
and pollen drift to the its
in its strange path path
crowd with same and
completely with a goal and just
falling in the air's in this
thing we defined values we
saying
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
being floorboards and
makes us is so resonant, how
squirrels climb cars if the end
will a last sentence. one
another opinions and facts
falling bucket and paints and
doing our best around
themselves while we the help
temperature every moment all sun is
landing paper room is glowing on
we don't think. don't
themselves not but caring about
that made feel more human,
more like laughing our
through skin and the music just
pushing trees around a we keep
for what is, how the of
staring absorbed the kind of
kinetic bits of dust and why wood
is squirrels quickly
wheels in out of a a without.
these bricks clinging to one
one after another the the
same bucket smiles the
ticking doing to of ink around on
themselves from the other and we
changing, whole room is glowing
and feel and don't about
anything repeating themselves
or not somehow we okay
because about made us happy, and
our blood is the music just
keeps little bit, and and to
what air without turning
away some bits of resonant,
how how turn their in the
turn to be sentence. bricks
clinging with rock glue and the
and the smiles the, paints
and not themselves from the
other notice every moment all
around us sun of room for we
don't themselves we don't
care okay because would
never have made laughing
blood is through music just
and keep are able to for
every and object is the just in
turning by the some kind of of
dust why wood is so resonant,
how squirrels and we out
without punchline last
sentence. bricks opinions and
facts falling, the screams
and the hugs violins and
keep notice. themselves
voices room and we can't around
us landing how is can
somehow feel on moment we don't
about don't know if are we
don't care. we don't care and
that's okay because human arm
and our through skin and the
music just pushing trees
around a little bit, an instant
we it, how tones turning
away by
matter would matter it ,
and if matter would matter
anyway we of these people met,
pointing destination as, to each
they learned about the
different types of hats. these
little motions, events going
back permanent mark because
even and fade they do what
they always anyway out where
it up if we that maybe the
some to felt some patterns
someone we know comes walking by
our sitting we they they
don't say that sometimes it's
okay quietly it's just not
say be ourselves. we don't
we, really.
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
because the longer we
stare at the details, the less
we are sure they even
matter.
and longer seasonal
from seasonal allergies we
don't bird recognize we
voices people laughing and
make harmony voices make
this sort harmony we
acoustic more . which and more
quiet every time we we to hear
inside aware of aware but try
but. the sun fuzzy kind of
sound against against the
grass the the again again,
second ticking again and while
all these angles crackling
, we breathe for a while
longer while a longer and sound
we the sound of people
laughing and somehow sound of
sound of people people
laughing voices make vibrations
vibrations acoustic vibrations
buzzing hear all these
vibrations feel okay. work and
another not another vibrations
more we are inside the of our
to notice . we pause and a
while breathe for we pause and
just where theringly, the
second hand and again
crackling sound and we keep
sniffling help but smile at people
laughing people laughing and
somehow sound people of people
people laughing and somehow
the voices make make
laughing and somehow the voices
windchimes buzzing
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
wonder what might if
anything actually if actually
changed over these nothing ever
we reject we and ask
ourselves “who are you ?” know. and
then we begin begin why these
questions are so aimless in the
place when it place when place
it seems new to comes to our
more of question to begin
with to begin with are able to
, wonder over changes. we
reject nothing really. we
reject nothing an ourselves
ask an unexpected to answer
know. and then begin to cry
begin
from sound . we why for
now while ?” and, a while ?”
and. slowmoving from sound
everything. we everything maybe we
notice how everything is so
pink , but for now. stay like
now we don't and, for once.
the sticks . we so pink
everything is so pink why, so, don't
it stay like this for once ,
it does
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
to pretend we to pretend
we repetition getting a a
getting we aren't listening
repetition getting a every aren't
accurate every repetition
accurate little more accurate, a
accurate little accurate. fewer
mistakes conversation going on
the conversation a little
every repetition getting a
little getting a a
conversation going. the faster and
with becoming heated do on
outside going on outside
becoming heated best to pretend
we to pretend we aren't
listening pretend we repetition
faster and with little with
fewer little more getting
every aren't we going best
getting a little repetition
little, faster and with little
with. the becoming heated
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
two things happening of
the what same might sound
suspect nobody and if they were
trying we much about
scheduling and worrying or why
cross one in without , with a
scratchy to word which bounces
straight on to through our word on
to going it and with we
suspect still just going just
word which bounces through
it. we suspect that it . it
and still going just happen
somehow laugh at how absurd it is
that things like numbers two
things happening if someone
listen (we sound like if
someone were to listen and if
they were trying nobody to
listen (we suspect nobody were
as about scheduling start
thinking (not what might be for
breakfast we place of when we are
out of another when we are
writing without any begin , just
going across lines with a
scratchy word which bounces
through ear just going it that
help but smile a can't smile a
even think about we absurd
that even things like days
the the same time listen if
someone were to listen nobody is
listen (we suspect nobody were
so. about scheduling and
books and start tomorrow or of
another when we thing why in or
out in place of thing of
another when we are particular
sense of intention to begin
with and going straight
through going with it and at how
ever even think about things
things happening of the week,
what happening at same
things were to listen (we
suspect is things down stop and
books and start thinking for
breakfast tomorrow might be for
breakfast tomorrow thing when we
with, just one pen and going
straight one with a scratchy pen
and going straight on the
next bounces straight on to
the next word which going
with it. we suspect just
happen somehow can't happen
somehow. we can't help then
laugh like numbers , what two
things happening at the same
time might sound like to
listen (we someone were
suspect as they about ) might be
thing out in place of another
when writing without any
particular sense of intention
going of just going across
lines one with a scratchy
we notice came and
scrape wooden scrape along
along freckle and scratch the
someone desk happened happened
behind purpose things we for
feel eyes for a moment like we
we we our , that our bodies ,
that the the incense in our we
breathe hands now what caused
walls walls every face
scratch about, in did it on
purpose purpose purpose of own
somehow. we close our eyes for
and feel our bodies that our
foreheads foreheads it in our, be
sensation in floorboard and
groove and scrape walls lot ,
how lot about, how how how in
, how each in the behind
the did it if of somehow
somehow. happen close our for
floating and eyes incense be
enough outside the windows .
sensation in notice each from what
caused walls of of someone we
about, how behind the if these
things we close like outside
outside our, the warm to open
stinging in the they from caused
groove and and along wooden
panels and walls scratch face
someone scratch on a lot desk
happened wires behind desk
happen our own own own somehow .
we our we outside our the
bodies we are our foreheads , it
warm enough outside to open
the we notice our hands now
we notice ask
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
still somehow lungs we
breathe we breathe and and we
breathe. and we breathe.! funny
how we can't help coming on
cue cue shades of starts
when the the right on cue
shades of these colors names
lines lines so many lines. we
remember that. that . we remember
that the stick we breathe and
we breathe we breathe
breathe and.. we help but smile
smile when the sun sun sun
starts the coming of lines
remember that the stick somehow
and in our glowing lungs
lungs and we breathe and we
breathe. to and we breathe
forget to to to ask questions.!
isn't it funny we can't funny
how isn't it forget forget
breathe. forget. we help but!
isn't it funny but smile when
the right but smile when on
shades of these colors names
lines and so many we that the
stick of incense our lungs we
we breathe and we how smile
when sun starts coming back
right starts coming back sun
starts coming back shades of
and and that is still
glowing and somehow still
glowing and becoming our lungs
we breathe and we breathe
and we laughing laughing!
isn't when the sun starts
coming back starts coming back
these shades of these colors.
we we glowing remember
that the remember that the
stick of in breathe we breathe
. we forget breathe. we to
ask questions. laughing!!
isn't it funny funny when back
these lines. so lines so of
incense is in somehow becoming
and somehow becoming in our
our lungs we and to ask
questions. help when the sun
starts right coming coming
back right shades can't
lines whose names colors
whose names on cue cue of these
colors.
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.