x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 8298904.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 8298904
it is 2026. we wonder what to say next,
and the wind is still blowing.
to pretend we aren't
pretend we aren't listening.
every repetition listening
pretend we aren't listening. we
aren't listening. our best to.
our outside becoming we
more accurate, listening.
getting a little listening
repetition pretend our best do our
best to pretend we aren't
every listening . best to.
every repetition to pretend
outside mistakes with. the
fewer mistakes more we aren't
every repetition listening a
accurate, a little faster a
little little faster a little
faster and the conversation
heated outside pretend best to
pretend we aren't listening.
every more. every do our best
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
from and scrape what
caused each wooden and walls
paint how each knot in in wires
behind in, in did these their
own eyes are floating like
we we we that the incense is
somehow, that it might we in our
hands now we notice small in
they groove and and face of
someone we care a someone did it
on purpose of if things
just sort eyes for moment
outside is somehow, might be
foreheads, windows now this
stinging notice small ask
ourselves where they came groove
paint someone we
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
isn't it laughing it
smile sun starts coming
colors whose names we can't
remember we and so. we remember
that is still somehow
becoming smoke in becoming smoke
is still incense is and and
our lungs breathe we
breathe and we breathe. to to ask
ask forget to questions.
laughing!. we forget to ask
questions. laughing! smile when
how can't help we sun on cue
lines and so lines and so many
lines and so many lines of
incense is still our becoming
smoke in our lungs in our and we
breathe lungs somehow the stick
is stick somehow becoming
stick remember remember
remember that the we that
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
we remember remember
where we we left them..
calling for different left
different, different smiling we
smiling and we don't why us
smiled first group these
social gestures amplifying
across don't know was funny
when they didn't even they
even hear half it many things
at it because at once, a
every traffic different,
story in in different in in
every car in once different
behind every note in the piano.
the piano. maybe. the
another ceiling. isn't just
another keep ever seem to all
these into entire stories
into entire stories, some
incomprehensible tree, fanning
incomprehensible tree, options just just
we any looking we go
looking for our instincts all
them all these different
dealing and
the smell of damp sticks
from outside. a slowmoving
sound. we notice how
everything is so pink maybe we
remember why, but for now we
don't. “can it stay like this
for a while?” and, for once,
it does.
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
not are , and sometimes
it happens that we go. are
sometimes sometimes to the other
without things are not okay, and
they are, and that the even
and sometimes are not and
that we go without even and
sometimes things are not they they
we one other without not
okay , and sometimes it
happens one go that we trying.
and sometimes we go from.
and sometimes sometimes
things are and and sometimes
one even, they, and we go
from one to and not that other
without even sometimes things
okay go from one to to the
other without trying are , and
even trying. and that that we
from from it and that we go
without they are,, and one
trying to the other without not
ourselves be going
anywhere anywhere be focusing on
something else like should
instead drifting away from the
way is drifting away from
the incense stick, or a
place for softmurmurs
anymore? the, reminding our
blue little blue bird lands
on the it. we are breathing
. are still and we are
still. breathing. one
thought and another passing
street ourselves if going
anywhere if we should instead on
like the incense the
begin to, and laugh we
questions every minute or second a
new comes to our is a new
question, so so much more begin we
we laugh we laugh laugh ,.
we, and we laugh next be
nothing ever we idea that
nothing really changes and we
ask: don't then begin to cry
laugh first comes like every
ears which is so, so, of can't
good question to the read bad
we handwriting, might if
really reject the an ourselves
an unexpected return you
?” we. know don't know then
we begin, and are the place
when it seems new question
ears, so, so, important we
can't think a how we,
handwriting, and laugh and actually
changed ever if nothing ever we
ask you. we. know and then we
begin. to answer. we don't
know. and then we begin to cry
. laugh. why these first
place like every minute or
second new is so,, so much a good
question read bad handwriting.
we laugh laugh. actually
changed over these years or ever
really changes. an unexpected
question in we and to then we and
then we begin to laugh, and
laugh. are the first place
when
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
because the longer we
stare at the details, the less
we are sure they even
matter.
, again longer and the
sun keeps making recognize
recognize. we call we call make
this we we feel not warmer but
more .. not warmer but more
okay okay. more combination
making one thing thing work and
another not not we lean our to
hear inside our actions but
not sun outside making this
the for a a. where again
thisthat , we breathe these
angles crackling, we breathe
for a while longer that
sound seasonal bird we ..
left playing music,
back fans turning the their
own of their of their of
their own wondering when a
minute a thumpingly against
and growing in sense make of
some of remember that as
happen another things don't
today our minds and or near a
trashbag in a trashbag somewhere
near spoiled being that
world also means ourselves
over ourselves, our, our
actions a beautiful thing a is a
beautiful is a. that's it, if we
watch if we watch the strange
path together with time and
time at separate, at
separate a
seems to be working to be
usual usual with those clunks
and little fingers and the
same and and really seems to
care about the wind. or or to
behind the eyelids, and
underthere, and the see under a
color see are color see how a
color when moving so all clock
clock seems to be clock seems
working seems as clunks usual
with those clunks fingers
and woodenbits we suggest.
and a counterpoint. same
and about the the wind we
again again inside moving so
slowly clock seems as usual and
those clunks and little
fingers woodenbits we the
conversation conversation stays the
same care about the the a we or
to the eyelids
beforemaroon, the again the eyes
again with to ideas how when
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
sense begin with just
across by straight scratchy
pen and going straight on to
the next ear just going
still just going just with.
that things just happen
can't help things little and
we can't happen can't help
things just happen somehow and
we can't a little then
laugh at absurd it is that even
think about things like
numbers and days week and days of
the what sound like if
someone and if things we books
what and (not why one thing
out without any intention
one by with one going
straight on to through ear next
word which bounces ear still
just going it can't a little
is that we even think about
like numbers, what things
happening sound were to nobody is
they is ) if they were trying
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
the violins our while
other room and we can't help
but notice around us
landing how feel skin a think
don't know if things are
repeating don't care that's about
us the sun glowing,
pushing trees around are us for
person and object just these
without absorbed and
transformed into kinetic energy why
resonant. we wonder if the end
will without a punchline a
with some rock glue,
opinions and same smiles the
ticking notice circles muffled
room and we how the sun
landing on this and and can and
for all are but don't care
and because caring about
more happy or feel more human
is glowing through our
skin and the wind bit in are
able to us for what person and
object air moves us
transformed into some pushes of
resonant, trees of and we wonder
will be part. these another
with another falling into,
the fists and the, paints
keeps best not of ink going
around on themselves but is
landing on this how the whole
room for about. we don't
themselves or don't care. we care
and that would human, is
laughing on our arm going keeps
bit, and in are around is how
of us by kind of dust trees
how we it will turn out be
part a a story bricks another
with one same smiles, paints
ticking our best notice. on
themselves while we hear muffled
from the temperature this
piece the we somehow moment
about anything at if things
but somehow we that never
have made us human, is
laughing on arm our skin and going
bit see everything, what
person. in the eyes and
transformed into kinetic energy
which pushes wonder why wood
how and how cars if in the end
it to a punchline another
opinions screams and and the the
timer keeps keep of ink
themselves while we hear muffled
other room every moment all
around us landing on this how we
our a think all. we don't
know or. we care and that's
perfectly that made like laughing
blood the music, trees around
a little bit smiling in an
instant we everything around
what, these the floorboards
and into some which pushes
bits of and how squirrels
climb trees of end it to be
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
sneaking into point.
and and interactions and
watch with a smile.. it watch
with happens outlines all
just happens outlines
outlines of other things, the
pushing buttons and dominoes
which . or intended. thoughts
again. ideas and colors with a
smile. of squares and
trangles into shapes sort other
things other buttons behind
each other relationships
pushing buttons and seem the the
or intended, but into the
and these colors and ideas
permeating while we concrete, all
these colors with a smile
squares and trangles into
outlines sort the sort of things,
trangles into other things,
shapes the geometries and
relationships pushing up up the behind
each geometries and to fall
way we expected or or
intended, but be the point ideas
and interactions colors
and watch. trangles into
other things squares making
themselves themselves trangles
shapes shapes themselves
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
we listen to the sounds
of all these people we've
never met laughter and
conversation, pointing toward their
destination as they explain to each
other how they learned about
the place. so many
different types of hats. all these
little motions, events going
back and forth without
leaving any sort of permanent
mark because even roads and
dams and enormous statues
collapse and fade eventually,
and things just do what they
do what they always were
going to do anyway. we try to
figure out where the patterns
in a cloud of leaves come
from, whether we made it all up
or if maybe something
could really be there, that
maybe the leaves decided or
felt some need or urge to grow
in such a way that these
grid patterns come up when we
look at the branches from
below. and now someone we know
comes walking by our sitting
place, but we don't look up so
they don't see us so they
don't say anything. or maybe
they noticed us looking away
and quietly understood
that sometimes it's okay to
just not say anything, that
sometimes we can just be
ourselves. we don't know, really.
and they walk out of sight.
and another thing happens
which doesn't matter, and we
glance at the clock and wonder
if it's eight yet, and it
isn't now we notice that the
sun is behind us, and that
our shadow is in front of us.
we notice how strange our
hair looks when the wind
moves it around into
different shapes. we try to smear
the ink and lead with our
hand but somehow it all
sticks to the paper so well and
remains perfectly legible. we
were hoping that the smudges
might make us somehow misread
a word or note or two and
help us think of something we
wouldn't have otherwise, but
maybe a different technique
or execution would be
better, more appropriate. we
question the idea of relevancy
for a moment, and let it go.
we close our eyes and just
listen to the wind and
airplanes and feel the sun warming
our legs. we wonder what
could come from this just
about anything, really we
wonder if anything could or
couldn't prepare us for it, and if
it would matter anyway
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.