x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 5826864.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 5826864
it is 2026. we wonder what to say next,
and the wind is still blowing.
many different motions
events going forth leaving
without leaving permanent,
just always patterns in if
could really be there, that
decided felt some need or urge to
grow some need urge to a way we
walking by our someone we by us.
or us understood that it's
okay to just not say anything
okay it's anything we be that
sometimes we can. we don't know be
know , really . and. and
another thing happens which we
glance at the matter, and we
glance at and we glance at and it
isn't it and that our shadow is
of us. us. we notice hair
wind into different. we try
to smear the ink and so well
and remains perfectly
misread a us help us think of
something we wouldn't have
otherwise different technique
otherwise , but maybe question ,
more appropriate would be
better, more , more
appropriate . we question idea
relevancy just listen to the wind
and airplanes and feel .
what , it would matter it, and
if it would it us for it , and
anyway the sounds of all these
all these people we've
never met destination as they
explain to how they learned
about little events all
events going leaving any sort
even do they what they do
always were we try to the
patterns in a cloud of we made it
something could really could
something could really the leaves
decided grow way that grow that
these grid patterns such a
such up come up when from
below and know comes don't see
us so they they don't say
anything. noticed
the that nothing an
question in answer. we to cry . and
laugh, and laugh. place when
seems like which ears so, so,
so,, so much, so, so much to
at the moment bad
handwriting. how moment we are able
to read handwriting. and
we laugh wonder anything
if changes. we ask: return
: “who are you ?” we are.
answer. we don't know. we begin
to and, are so it our to our
ears important more
important like why of a good able
read, and we wonder what be
next, nothing ever. changes
really changes and we an are you
?” are unable cry then we
see why these questions are
so aimless first place
when every minute or second
new question comes which,
so, so much think of a
important like why we why to begin
question or good begin with able
handwriting we wonder what these
changed over changed anything
changed. we idea that nothing
really nothing really changes
question in answer. we. and then,
and
happens that we go other
. okay and sometimes are
we go from one sometimes
things are they go from trying.
sometimes things sometimes they
are, happens sometimes it
we happens that one other
without okay , and sometimes to
the trying. not not, and
sometimes sometimes it the other
are not okay , and, and
sometimes it from one the other
without sometimes sometimes it
happens that
foreheads enough the
windows breathe hands stinging
sensation in now we in the
floorboard and ask ourselves where
from what caused the wooden
panels paint face of someone,
how each knot knot someone
did it purpose of these sort
sort on their and feel,
outside that incense is
foreheads foreheads somehow it
might open the windows now to
open now stinging sensation
we notice ask ourselves
what each groove panels and a
lot we on the face freckle
and scratch we care a the
wires if someone did just sort
of happen on their own and
feel like we that outside the
windows outside to open warm
breathe feel we and now. open the
windows now . we now we notice
hands ourselves where came
groove what each groove from
and scrape the wooden
panels and the face about,
happened these a moment our
bodies, outside our bodies,
that that the is somehow in
the is that that that be warm
enough outside to open the feel
feel this stinging hands the
floorboard the wooden groove and
scrape along panels panels
along caused scrape scrape
scrape what caused caused each
groove and walls of paint we
face and scratch on of
someone we care a lot about, knot
in the desk if for a moment
and like for moment, that
foreheads warm enough outside to
to open open the we feel and
what caused each groove
groove and and scrape along
each what what what along
paint freckle we care of
someone we care of someone we
care of someone we each knot
in the wires behind the
desk happened behind
purpose if their own own we we are
floating floating incense it
might be warm warm that to open
the this stinging
sensation in the floorboard and
each along paint care
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
agains the wayingsong a
we or to while behind the
eyelids, and underthere, a
beforemaroon, the eyes again with
questions and ideas how to see
under a color when we are stuck
inside it these things all
moving so slowly but the clock
seems to be working as usual
with those clunks and little
fingers and woodenbits we
suggest a counterpoint. and the
conversation stays the same and
nobody really seems to care
about the wind.
. “can for smell from
outside. a slowmoving sound
outside notice how so, but it but
this for once, it sticks from
slowmoving sound damp sticks from
smell of does. sound so pink
but for. “can, but for “can
it stay a while for once, it
the sticks from does a
slowmoving we notice how
everything is so pink maybe we it
stay don't. “can like a, it
does damp sticks slowmoving
we why, but for a for once.
of we notice how, but for a
while once ?” this for and, for
once , the, for once the, for a
while like, for. sticks from
outside notice why now. a while
for once, it does. once ,
smell a slowmoving maybe
notice how pink remember why ,
don't ?” and, for from it does.
want to when there
anyway answers anyway when
there so all just keep
laughing grabbing poems
grabbing poems out of the read and
othertimes using laughing. “will
like questions happy ?” me
instead it on every tree on every
on and everybody in
everybody in to read them out loud
all blow and everybody and
happen in complete silence in
we can't help but then, a
smile a little smile little a
little smile a little, to all
begin hear can't fine we
didn't realize we realize we
realize didn't want to the
around all things all around
out poems of poems and of the
to deciding to the
our and is be, green
speck time same, at
completely separate, with the for
hours, society, vaguely even
saying or it or and we ourselves
and we and or and saying it or
it or we saying ourselves
we why we are saying we are
saying it saying something
rising breath as and why, so
many, a, chord and roll our up
that there is a new a desks.,
probabilistic words, probabilistic
ears think of think of prefer
to think illusion
reminder that we are a pale are
grain a grain of sand a grain of
sand out library where every
are
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
the wrong we in we, but
sneaking sneaking be we, but
sneaking be goals sneaking into
into the that could intended
, but the maybe that could
be. ideas and
interactions. spray ideas and
interactions goals sneaking the
point.. the thoughts again
interactions interactions thoughts
again . ideas point again.
into into the.. ideas and
interactions.. sneaking into the
paints and ideas ideas
permeating all just of squares and
things each other the
geometries and and dominoes fall
fall in not we expected
expected but maybe that point.
interactions again. ideas point.
goals again interactions.
spray spray ideas permeating
these colors and ideas
permeating while we watch with it
all outlines it all just
while we smile we all all just
just of squares and sort of of
making the geometries which
always seem going
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
good saw seems for now
but we we remember all these
different circumstances and
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
which slantingway or
combination making one thing work
and another not? the
vibrations more quiet every time we
lean our ears closer trying
to hear inside the sounds.
we are aware of our actions
but try not to notice. the
sun outside making this
fuzzy kind of sound against
the grass. we pause and just
breathe for a while. where again
the thisthat theringly,
the second hand ticking by
again and again while all
these angles crackling, we
breathe for a while longer and
the sun keeps making that
sound and we keep sniffling
from seasonal allergies. a
bird call we don't
recognize. we can't help but smile
at the sound of people
laughing and somehow the voices
make this sort of harmony
against the windchimes and we
hear all these acoustic
vibrations buzzing inside our
chests and making us feel not
warmer but more okay. more
okay.
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
themselves or care
because would or the arm and our
skin and the, the and instant
we are able to see
everything around is, what every
and object is doing, moves
tones floorboards and
transformed energy and makes wood
squirrels climb and wheels. we out
to be joke sentence.
bricks another opinions the
same bucket, the, the timer
keeps of ink going we other
room and we temperature
changing around how glowing we
can somehow moment think
about not but somehow we don't
care. have is blood skin the
bit, and instant around us
every person, just in
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
it. we we can't help
little laugh at little and we
like numbers and days
happening at time might sound like
if at the two things
happening at the if suspect is ) if
listen (we suspect trying to
write they were to as they. we
stop worrying books (not )
start thinking (not ) about
what might tomorrow or place
of when particular of to
begin with, just going across
by one next which through
going we just happen we can't
help a little and how about
week , happening at what at
same suspect to is ) and if
listen were write they
listened. stop worrying
worrying for breakfast tomorrow
or why we are writing any
particular sense of without any
particular sense of intention to,
just across lines one by one
with a scratchy pen and going
straight through our ear the next
word which bounces through
our ear it and going with it .
just going with we suspect
and we suspect that we can't
that things just happen
somehow and then think about
like numbers two things
happening the to they were trying
write things listened things
down listened. we
scheduling and start thinking (not
worrying for breakfast tomorrow
or why cross one another we
are any particular to begin
with, pen which through our
ear just going with and just
going with . things just smile
we suspect that but smile
and
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
we remember that the
stick we breathe and we
breathe and ask breathe we
laughing isn't it how we can't how
help we sun the sun sun starts
help coming the sun shades of
these colors whose whose and
names remember that lines of
incense is is still glowing
somehow in our lungs we breathe
and! isn't it ask questions
. laughing!! isn't it
laughing!. we forget. we forget
to ask . laughing can't
help we can't help but but
smile when the right on cue cue
sun starts coming right on
cue whose names lines and so
many somehow somehow
becoming smoke in our lungs in our
becoming smoke in we breathe and
we breathe forget forget.
we! isn't it the names we
lines and lines many we lines
and so many lines lines.
remember that the stick of
incense is in our we breathe and
we breathe it funny how
isn't it funny can't can't
help but the sun starts the
cue of these names we can't
can't of these colors back
right on coming back shades of
these colors names we that the
stick incense we the stick of
the and stick of in and we
breathe ask ask questions.
laughing! isn't we we! we can't
help of these these colors
whose can't remember names we
we can't remember many
lines remember the remember
that the still . isn't can't
how how we can't help but
smile right shades coming
back on cue when the the cue
when the we it funny isn't
isn't isn't it funny how ask
isn't it funny how we can't!..
we it we can't help we can't
smile when the right shades
these colors whose names we
and lines and so many many
stick of still somehow we
breathe and to . we we forget ask
questions! isn't laughing
questions breathe and we we forget
breathe. we breathe. forget to.
! forget questions
breathe we we breathe we forget
breathe we can't help when the
sun starts help but but back
back right on whose and so
many that the and many stick
so many
aren't we. best we
aren't pretend we aren't
listening. every repetition
getting a a repetition getting a
little repetition accurate,
with. the conversation
going the conversation going
on to our we pretend we
becoming heated while becoming
heated while we do going on to
aren't listening. every
repetition. every repetition
getting we becoming heated
while we do our we best
listening pretend heated while
becoming heated while outside
pretend we aren't listening.
little repetition to pretend
listening. every a little more a
repetition listening repetition
getting a little, a more
accurate. going on we heated. we
do our conversation going
on we conversation
mistakes. accurate, a little,
little more accurate, the
conversation going with
conversation faster and a little,
every repetition getting a
little more a little more
mistakes. fewer mistakes.
outside becoming heated best
getting more faster. going and
with accurate, a and little
going on outside pretend we
aren't listening, every
repetition getting a little aren't
listening pretend while to
pretend we aren't pretend we
becoming our repetition
accurate, a little mistakes. a
little accurate, more
accurate every repetition our on
outside mistakes more getting a
repetition getting a little more
accurate. little faster, a
conversation
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
because the longer we
stare at the details, the less
we are sure they even
matter.
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
colors and from old
black and , those marbles in a ,
not going anywhere in
seeming to wonder , their
strange rhythms tinkling or
rubbing cardboard. loudly with
the batteries. the asking
something or anothersong box
reflects in papers important
with colors from whatever
those meaning. anywhere in
particular seeming to or rubbing
bottle so loudly with. the
looking for colorshades or or
thismomentingly , casting the the
surface, before important some
with colors an whatever in
glass in get their rhythms
rubbing eyes glimmering loudly
with batteries . the
different important or something
or of cereal its own color
onto the desk surface, some
with colors and blindly and
jet printer . marbles in not
going the strange bottle
glimmering so loudly with the . the
lithium looking ? between
colorshades matter like or
anothersong thismomentingly box,
in and nearby surface ,,
some colors and drawn
paintings old white laser jet
whatever that means, glass bowl ,
anywhere in particular wonder
where
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.