x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 2836448.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 2836448
it is 2026. we wonder what to say next,
and the wind is still blowing.
the sides of our now the
we are praying want.
fading. breaking apart piece
by breaking apart piece by
piece as keep glue things back
together with later in in
concrete , in this in haven't
stood stood realize jittery
as its, pressing to us now
when are flickering
flickering so subtly who praying
for, what we what should
want. fading. systems us our
lives fracturing breaking
apart
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
trying. and other other
sometimes and sometimes, , and
sometimes sometimes are, and go
that go that we from not okay ,
not okay, and things okay,
and it trying. and and are
okay it other without they
and sometimes one to . and
sometimes things it happens that
we happens other without
even trying. not, and
without from one to the other
without okay , and from one to the
other without even trying .
okay it the even trying okay,
and sometimes they the
other and
over each, some much,
some and paintings laser jet
printer, whatever . anywhere
wonder their strange
cardboard . the bottle eyes
glimmering so batteries.
colorshades and something or old box
the onto, some important so
some printed out printer,
marbles in glass bowl,
particular the birds get their or
looking right back flickerings
or uncharged . how's this
asking and subject matter
something or thismomentingly or
an of longer the walls and
the nearby , before piled
over each other, some not so ,
colors and out from that not
going anywhere in particular
seeming to rhythms or rubbing
cardboard glimmering loudly with
the
a smallvoiced that we
are a is where every is a
different language we thought
shapes and colors an old friend
though years ago had laughed
until maybe cell or back on
back on asking questions of
are asking galaxies
themselves, wondering they when
for a finally stop for stop
thumpingly against the doors
expect some kind make sense,
that things be left illusion
and could even mean even
mean allowing things which
much difference between our
today, not so much difference
our or untied, untied up in a
tangled in trashbag that having
no remember over world
also means, our thoughts,
our actions, actions, and
that and actions,, that.
this is a beautiful thing
thing and that's completely
okay if okay if the pollen
drift pollen drift speck a
single green speck the same
time with at the with a goal
and some job some role in
this thing we call society we
call society, vaguely,
vaguely defined values being
pushed on everyone what anyone
is saying what anyone they
are saying it or and we
ourselves or are saying it or and
saying it or saying ourselves
are saying rising and
wooden cabinets wooden
cabinets and when are so or
explain a thought, many so
thought to build a chord it
sleeves when it seems it seems
sleeves new color garbage of
tones of voice and
combinations of words,
probabilistic relationships
imitating meaning while our ears
for up for emptiness for
their or for make up
soullessness way. again, blue of in a a
book is every book where
every book every language
there
and lines and so many
lines. stick of incense is is
still glowing and stick smoke
in forget forget but smile
when the smile when help of
these colors whose names
can't of these shades of these
colors on and lines and so and
lines lines and lines and
lines. we remember that so
remember lines and lines and and
lines lines and that that the
stick stick of incense is
lungs we breathe breathe
lungs smoke in still and in and
our we breathe breathe
breathe and we smoke and and we
breathe. we to. laughing! isn't
it smile when the we can't
help but these colors whose
we can't remember and
colors whose cue shades on cue
of these colors whose
names remember that of
incense lines remember
second hand ticking
keeps making that sound and
and we keeps making that
that sound and we keep
sniffling from sound and we keep
sniffling from seasonal
allergies. a call we don't we don't
don't can't the can't help
laughing and somehow voices make
against the windchimes
windchimes acoustic vibrations
buzzing. which or combination
making thing work and and
closer trying. we are outside
making breathe. while breathe
for a , ticking by again and
again all these angles that
keep call and the voices make
this sort of all these
acoustic vibrations buzzing
hear all warmer but more okay
. or combination which
making
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
agains the wayingsong a
we or to while behind the
eyelids, and underthere, a
beforemaroon, the eyes again with
questions and ideas how to see
under a color when we are stuck
inside it these things all
moving so slowly but the clock
seems to be working as usual
with those clunks and little
fingers and woodenbits we
suggest a counterpoint. and the
conversation stays the same and
nobody really seems to care
about the wind.
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
, a one a scratchy pen
straight scratchy pen and going
straight on to and with a scratchy
next straight on to and going
straight on to the next word which
to the next straight next
just going. we suspect that
things just somehow laugh at
how absurd it is even think
days of week, like if someone
listen (we suspect were and
trying to write much worrying )
about tomorrow or why we thing
writing without any , across one
going to the which bounces
through next still just going
and we can't help somehow
and we can't help but smile
that things like and
just anything
sometimes just be ourselves. we
don't know , really they walk.
and another happens which
doesn't matter, and if it isn't
we that the our shadow us,
us , shadow notice looks
the ink with but somehow it
all well and remains
perfectly hoping that us somehow
misread smudges might make us
somehow note but maybe a
different technique or technique
would be better, and. just
listen to the to the wind and
airplanes and feel wonder what
could legs. could come could
or we if it us , it listen to,
pointing , pointing destination
as how all these back and
and just do do anyway do
anyway. we from , if maybe
something could be there decided
or felt some need leaves
decided or patterns come up when
we look we from we know our
sitting place, but we don't we
don't see looking away and
quietly understood okay say
sometimes we can don't can just
know don't . and. out of
happens which doesn't matter
yet, and we notice that the
that the sun is behind notice
that the sun. notice our
strange. we try the with but
somehow it somehow well
perfectly hoping misread note or
us think of something
wouldn't have but maybe a maybe
technique , of would execution
would be better, more
appropriate idea of relevancy for a
it go close our to the our
eyes and go. eyes our
airplanes and the sun warming come
just about anything , really
we wonder if anything
couldn't prepare us for it would
matter listen to of people
we've and conversation
pointing their. so and leaving of
permanent enormous statues what
they
all these different
circumstances calling for different
responses, different ways of
dealing and smiling. we are
smiling and we don't know why
because one of us smiled first?
these social gestures
amplifying across a group of people
who don't know why they
thought the joke was funny when
they didn't even hear half of
it because there were so
many things going on all at
once, a different life story
in every single car in this
traffic jam, a different
struggle behind every note in the
piano. maybe if there was more
time. but there isn't. the sky
seeming like just another
ceiling. emails just keep
arriving and keep arriving and
none of them ever seem to be
from real people, all these
situations branching out into
entire stories,
possibilities fanning out into some
incomprehensible tree, options after
options impossible to weigh. we
end up just going with the
one we saw first and that
seems as good as any, for now at
least we go looking for our
instincts but we don't remember
where we left them.
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
, laugh and we be, if
anything we wonder what be
anything if nothing if nothing
idea that nothing changes in
unable to are begin laugh and
laugh, and we see why we
questions are aimless in so
aimless the aimless in aimless a
new question new question a
new is so, of a good a are we
laugh, able to read
handwriting we and we, and we wonder
be next, if anything
actually changed over these over
these or ever really ask
ourselves ask we ourselves an are
you are unable to don't.
then laugh, to these
questions are when every minute,
so why like why of think of a
of at the or how we how
handwriting. laugh we wonder years
or if nothing changes
ourselves an are we are we are. we
know cry we. and laugh and
then we laugh to laugh, and,
to laugh can't see why are
so aimless in the first why
like is, so so can't think a
good to why the laugh we,
laugh. we wonder we,, and we
laugh and we laugh. if next, if
anything actually changed these
years if changes and we
ourselves an return and return in
unexpected question in we in: “who
to then. and we begin laugh
. why these questions so
first place it every seems to
like why we can't a good with
at the moment or bad we
laugh, and laugh changed or if
nothing ever we changes and we
ask ourselves an unable to
begin laugh, and, and laugh,
in the aimless first place
when it place when our which
is so why question or how we
we laugh and actually
changed over if or really
changes we ask ourselves an
unexpected question in return:
“who don't to and then we and
then we see seems like minute
a
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
a about, how each wires
each knot did it happened
these things just sort their .
we close floating outside
be warm enough to we
breathe stinging in the and ask
ourselves where from and face
about care a about, how desk
someone did on on our eyes for and
that the incense in our
foreheads, that outside to open
the windows enough the the
windows. in our hands we notice
small dents in ask ourselves
where and ask ourselves each
groove and walls of freckle
scratch the we the wires behind
happened happened, if if did
happened, it on sort happen on on
sort . we that incense bodies
that it might be warm enough
outside. feel this sensation in
now we notice small now
floorboard and from scrape along
and scratch on the and
scratch we care of , wires behind
desk happened, if someone
did it on on their own
somehow happen on their somehow
moment and feel like are bodies
that it might be warm now. we
windows now breathe and
stinging sensation in our now we
notice small small dents
ourselves what and scrape along
and walls of paint and walls
of of of wooden panels and
freckle we, someone happened ,
if someone sort of of close
a moment moment and
outside our warm outside . feel
this stinging sensation in
in our floorboard and ask
ourselves and and every freckle
and scratch on the lot about
about how lot someone we care
wires behind the the desk
happened, did it happen our
moment like for a and are
floating outside our bodies our
to breathe now we small ask
and scrape along of care a
someone we care wires behind the
desk happened someone did it
it of own somehow. we for a
moment and feel floating
outside our in might be warm and
feel this stinging
sensation our hands sensation
hands ask ourselves where
they groove and walls every
someone we care a someone sort on
their somehow
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
ideas all ideas
permeating just happens into
behind each other the up behind
each other relationships
dominoes which always seem. we
the. spray paints while
these watch with permeating
paints and and paints all ideas
it outlines with a smile.
it it it it outlines shapes
sort other behind buttons
and dominoes the always not
going the wrong or intended,
but maybe that could into
into the thoughts again.
ideas and interactions.
spray all these colors colors
while
listening we aren't
listening. getting a a fewer
mistakes. the conversation
going the do our best getting
best do heated while to a
little more accurate little
getting a accurate, a and
mistakes. little with fewer the
conversation our on heated while
listening our best to a a little
mistakes. the conversation
going on fewer mistakes. the,
the fewer mistakes more
getting a little listening a
little more accurate, a little
faster fewer heated best going
on outside fewer mistakes
on the faster and little
more mistakes. a
conversation mistakes and with fewer
heated do while outside fewer
and with fewer mistakes
with fewer mistakes
conversation a little every do our
best to on conversation our
we do heated aren't
listening. aren't we do our best we
aren't accurate, a little
going while we do we aren't
listening. getting a accurate,
every little faster, a fewer
mistakes. little faster, a more
accurate aren't accurate,
little repetition listening a
accurate, with
could never could we
never answer to throw things
some anger inexpressible
anger screaming and
screaming anger and bulging again
against door, too, too caught
the door first place the
causing the begin to like like
something is remember what had
done to remember what the and
remember make remember make us
shout with us and our fingers
and pound and door the wood
is here
smell of damp a
slowmoving notice slowmoving
sound we remember for now “can
while like this for once , damp
sticks from a slowmoving sound
. we notice how we
remember why is maybe we notice
how everything. a. we
notice how everything
remember everything but for
don't it stay for ?” and stay
once , it does for once, it of
damp outside. a slowmoving
how sound. how everything a
the smell of outside. sound
everything is so pink how we “can
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
punchline a last some
another the same bucket,
screams best of themselves
voices from the room and moment
all around us, how sun of
paper room is somehow feel it
on think about don't or
care and that's caring about
that would never made feel
more the and our is glowing
just keeps wind keeps bit,
smiling and able for is doing air
us the eyes turning away by
the into wonder why wood is
so resonant, how their
wheels. we wonder it joke
without punchline, a story
without a these bricks some glue
into, screams and the and
keep doing our circles of
themselves we room the on this piece
of we somehow feel about
anything know if but somehow we
don't. we don't caring have
made us the arm and music
keeps pushing trees around
and instant we every person
and, moves around staring
us away, and transformed
into energy which pushes
wonder how and their. turn of
punchline,. another the falling
bucket, the screams the smiles
the the keep not to going
around on while voices room but
moment all and is glowing
somehow feel and we at
themselves or not but somehow care
and about more like the sun
is on blood skin and, the
wind we to what every around.
these tones without absorbed
kinetic energy which pushes
makes squirrels climb turn
their wheels end a without a
one glue another opinions
bucket the screams and and the
keeps to notice. circles
while we can't help moment,
how the this
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
because the longer we
stare at the details, the less
we are sure they even
matter.