it is 2026. we wonder what to say next, and the wind is still blowing.

thirty.

fixed link mutable link
or we that question in
return question return: “who
are you ?” and then we begin.
and then we. to why these
every minute or second a new
question to which can't think
good question begin with at
with at the moment or how we we
laugh and and

twelve.

fixed link mutable link
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.

eighteen.

fixed link mutable link
breaking by we keep
trying trying cathedrals and
we realize we haven't in
hours, and our plurals our
plurals and singulars not
having having so to now when the
us now when the the praying
praying praying for, all piece
apart fracturing breaking we
trying trying to glue back
words and together words and
and concrete, to feel
jittery we realize we up in hours
, this sides sides of our
lights are praying are who we we
praying for, want want what we
should breaking together with
words and theories theories
and words and theories
architectures architectures later
mind and later in concrete,
we begin to feel feel
jittery we in hours , a little the
plurals our skulls and are pray
but don't know,. systems us
glue glue things back
together and theories and poems
and cathedrals
architectures in the mind and and the
mind and later in concrete,,
we we begin begin to we
haven't stood up in hours, this
our skulls plurals and
singulars flickering flickering
so don't know know, want,
should. piece trying to we keep
trying glue and theories and
feel we in concrete, we this
chair and , this this and of our
skulls are flickering so
subtly we, what we want. piece
as we back together and
theories and poems concrete
jittery as we arms a little too
and are are flickering the
lights we pray know who we we are
praying to we to we should want
breaking by

two.

fixed link mutable link
because the longer we
stare at the details, the less
we are sure they even
matter.

eight.

fixed link mutable link
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.

zero.

fixed link mutable link
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.

seventeen.

fixed link mutable link
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.

fifteen.

fixed link mutable link
smiling us smiled
gestures don't thought across a
group people half of because
there going going on all going
many things story in every
single car every note in there
was more there was more time
. but the just keep none of
arriving just keep arriving and
and keep arriving and seem
to from people,, weigh. we
end one seems as as any,
least we as for for we go
looking our where for different
responses we know why? amplifying
across a group across they know
gestures gestures across people
group group of know know why
didn't even hear half so many a
different life in every maybe if.
the sky seeming like time.
but there. the isn't like
another another. emails just
them none of entire out into
fanning out out situations
branching out into entire stories
,, into some tree end with
the one we saw first as any
and and that our instincts
but where we left them.
instincts but we don't remember
where calling calling for
different responses dealing and
smiled first?? because one us
and

five.

fixed link mutable link
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.

one.

fixed link mutable link
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.

twenty four.

fixed link mutable link
and sometimes one to and
and sometimes things are
not sometimes it go from not
sometimes one to sometimes okay,
and , it the other without
things are not and sometimes it
happens we even other without
the other even trying.. and
sometimes they are sometimes it
trying . and sometimes are they
are from without.
sometimes are sometimes , and it to
the other without without
even are sometimes one even
other sometimes, and
sometimes they are sometimes it
happens one. not and okay are,
and and happens that the
other without even trying ..
are not okay and things are
not sometimes they and
sometimes they go the other trying
.. and sometimes things
not okay and sometimes go
from one to the even even
sometimes sometimes they are
other to the things okay

twenty one.

fixed link mutable link
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.

twenty six.

fixed link mutable link
maybe maybe that could
goals sneaking into the.
spray into the ideas these
permeating with a of squares and
making relationships pushing
to fall in the wrong and
dominoes which which always seem
and dominoes which always
the wrong direction. not
going the way. not going the
way maybe into the thoughts
again. spray permeating a
just smile smile smile smile
. we all permeating while
we we all just smile
squares and things of making
themselves up behind behind each
each pushing buttons wrong
direction intended could. goals
interactions., ideas smile

nineteen.

fixed link mutable link
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.

thirty one.

fixed link mutable link
which whyhow
thumpingly against the doors, the
momentnow changing and growing,
shapes never leading to ones we
expect in situations where
things might make sense of some
kind. we remember that things
don't have to make sense, that
things can be left just as they
happen we remember that
consistency is another sort of
illusion and that taking a step
away could even mean
allowing things which don't make
sense to happen not so much
difference between our own actions
and the temperature
outside today, not so much
difference between our minds and
our shoelaces tied or
untied, on or off or tangled up in
a trashbag somewhere
near spoiled food being
eaten by bacteria and fungi we
remember that having no control
over the world also means
having no control over
ourselves, our thoughts, our
actions, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing and that's
completely okay if we let it be, if we
watch the pollen drift to the
ground, following a single
green speck in its strange
path at the same time
together with the crowd and
completely separate, at the same
time going somewhere with a
goal and just falling in the
air's path, standing around
for hours supposedly doing
some job playing some role in
this thing we call society,
vaguely defined values being
pushed on everyone even when we
don't quite understand what
anyone is saying or why they are
saying it or and we ourselves
don't quite understand what
we ourselves are saying or
why we are saying it the wind
still saying something
outside, the sun's belly still
rising and falling with every
breath as it thinks about
wooden cabinets and why they
are shaped the way they are
when there are so many
possibilities, so many ways to write a
poem or explain a thought, so
many ways to build a chord and
roll up our sleeves when it
seems everyday that there is a
new color in the sky, a new
piece of garbage on our desks.
different tones of voice and
combinations of words,
probabilistic relationships
imitating meaning while our ears
and toes make up for their
emptiness or soullessness if we
prefer to think of it that way.
the illusion breaking down
again, a smallvoiced reminder
that we are a pale blue dot, a
grain of sand out of place in a
library where every book is in a
different language and there are
pictures of things we don't
recognize or have names for even
when we thought we had a good
grip on shapes and colors; we
are not sure if the
shuffling feet a few shelves down
is a librarian or an old
friend we haven't seen in a long
time whose name we don't
remember even though years ago we
had laughed until the sun
came back or maybe the sound
is from an old cell phone
left playing music, or the
ventilation fans turning back on we
remember that the galaxies
themselves are asking questions of
their own, wondering where
they are hurtling toward,
wondering when it will finally
stop for a minute

nine.

fixed link mutable link
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.

twenty five.

fixed link mutable link
the conversation going
on outside becoming
heated the fewer little
getting a little more we
becoming heated while to
becoming heated while mistakes.
the mistakes. with fewer
mistakes on outside becoming
heated while becoming heated
while we heated best to
pretend listening do on
conversation and mistakes with fewer
mistakes. we pretend our
repetition getting a aren't
listening. we aren't listening
pretend listening. little more
accurate. little faster

twenty seven.

fixed link mutable link
scrape each groove and
the wooden and and and of on
every scratch on care wires
behind in did it on purpose of if
if these things of if these
sort these things on purpose
of if these things just
sort of happen just own
somehow . moment our for we are
floating outside our somehow
foreheads is somehow it might be be
warm enough to now. we
breathe and we they ourselves
where

twenty.

fixed link mutable link
for once does. the smell
of damp sticks from sound.
we but don't and, for once
the smell outside. outside
of damp once the sound how
but it this for, for once
outside. damp a we notice how.
sound we how so pink maybe we
remember why, we don't. “can now
like this for a while ?” and it
a while like while ?” and
it does . the sticks from is
maybe we we don't. “can, for
once, smell of notice is so
pink remember but for a while
once , smell outside of damp
sticks from slowmoving of
slowmoving of damp outside.. we so
pink don't it stay like this
for does ?” and, for once
does. the. is now we don't.
“can it but for now we don't
and, it does. outside . we
notice, but for don't. why, but
for now “can like ?” of damp
sticks from outside.. we
notice slowmoving sound so
pink maybe we remember why
for now “can it stay like
this for and , for once from a
pink don't. a while ?” and, it
sticks from sound damp . a
slowmoving how so maybe we remember
but for a while once, smell
of damp sticks from
outside. a everything is so pink
maybe why , but for stay like
this for sticks from outside
sound notice maybe we is we
remember why now we don't but for
now we don't. “can it a, it of
slowmoving sound. we why, now we
“can it a, for once, it does.
damp sticks from outside.
how sound

four.

fixed link mutable link
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.

ten.

fixed link mutable link
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.

twenty eight.

fixed link mutable link
do always try to in a
cloud from, whether made it
maybe something could really
be maybe really there ,
that maybe or felt some need
some need or leaves decided
or to grow in such in such a
when branches from below and
the branches from we
branches from below . by we don't
look don't look or maybe they
looking or maybe to just
sometimes we can we walk out at the ,
isn't the sun is behind us , and
that shadow looks when the
wind moves it. try to smear
the ink our hand but

three.

fixed link mutable link
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again

twenty two.

fixed link mutable link
which slantingway or
combination making one thing work
and another not? the
vibrations more quiet every time we
lean our ears closer trying
to hear inside the sounds.
we are aware of our actions
but try not to notice. the
sun outside making this
fuzzy kind of sound against
the grass. we pause and just
breathe for a while. where again
the thisthat theringly,
the second hand ticking by
again and again while all
these angles crackling, we
breathe for a while longer and
the sun keeps making that
sound and we keep sniffling
from seasonal allergies. a
bird call we don't
recognize. we can't help but smile
at the sound of people
laughing and somehow the voices
make this sort of harmony
against the windchimes and we
hear all these acoustic
vibrations buzzing inside our
chests and making us feel not
warmer but more okay. more
okay.

seven.

fixed link mutable link
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.

eleven.

fixed link mutable link
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.

fourteen.

fixed link mutable link
but the the so slowly
slowly moving so slowly but the
clock to fingers and
counterpoint the to the wind. agains
to eyelids behind eyelids
, and underthere eyes
again a things slowly but the
be working as to be clunks
with with and little fingers
we counterpoint
conversation stays the same. agains
the wayingsong a we or to
while behind the eyelids
underthere eyes beforemaroon
again with and ideas how a are
inside it these things so
slowly with those as to usual
with little fingers and
suggest a counterpoint. seems
to wind wayingsong a to
while behind the eyelids,, a
eyes again a things all
moving so slowly but to those
usual with those woodenbits
we suggest suggest a
counterpoint. same seems to the wind
care or to behind the eyelids
, and underthere, the a
with it inside inside it
seems working working as
usual with working with those
clunks and suggest. a the
conversation same and to about the
wind.. agains the we while
behind to while eyelids while
behind the eyes beforemaroon ,
ideas ideas how to it stuck
inside it with those little
suggest and the conversation
stays the same and nobody
really wind care about the wind
. the to care about wind.
wayingsong the questions and ideas
with color stuck inside
moving so the clunks and
woodenbits we suggest a we suggest a
. and the conversation
stays the wind . agains the
wayingsong a we to questions eyes
again with with to a color
color stuck inside it all
these things all all moving so
things these all clock seems be
working as to care about ..
agains the wayingsong a we or ,
and underthere eyes and
ideas how under how to see
under under these it slowly
slowly but the clock seems to
clock but so to those clunks
and little fingers
woodenbits we same and nobody
really seems to care about
agains the while and ideas are
stuck inside it with little
fingers nobody really seems the
wind. a while behind the
eyelids and underthere,, a
beforemaroon, the eyes again with
color it stuck stuck inside
things all moving but the clock
seems but but working working
as usual be working as
usual with with those clunks
little suggest a counterpoint
the conversation stays a
the,, and and the eyes again
inside it are inside it so
slowly but to be working as
little and the conversation
stays the and nobody really
about the wind. agains
wayingsong wayingsong the

six.

fixed link mutable link
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.

twenty nine.

fixed link mutable link
we cross of another we
intention to begin sense of
intention begin by one with a
scratchy word which with that
things just happen we can't
help but absurd it is that
numbers and days of things might
is ) were to listen (we
suspect ) and suspect to we
scheduling and what cross one place
of another when of
intention begin , particular
sense going across lines one
by one , lines one one with a
and going straight on the
scratchy across lines one a
scratchy pen which ear just going
. we suspect that things
just somehow and but and that
we ever things like days of
the week things happening
to listen (we suspect
nobody and suspect nobody were
things down as about stop
worrying down stop worrying so
much start what (not
worrying ) be for or we cross one
thing writing without any
particular to by one with lines,
just across one with pen
through our ear just going with
with it. we suspect that
things just happen little and
but laugh a then smile

twenty three.

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notice the temperature
changing every all the of is
glowing and we can and we don't we
know not but somehow we
that's perfectly okay caring
have happy or more our is
going, the wind a and we keep
smiling in is, what every, the of
moves tones turning,
absorbed some and makes wood is
and how cars turn wonder
will all be punchline, a some

sixteen.

fixed link mutable link
right on smile when when
the but! isn't it smile when
help smile smile smile funny
on cue sun we can't lines.
we remember still somehow
becoming our lungs smoke smoke of
still glowing is still
somehow somehow becoming smoke
in lungs we breathe and we
breathe and we breathe.. can't
help but smile smile smile
smile when the sun coming
shades of colors whose whose
names we can't remember
remember so many can't of we and so
of incense smoke our lungs
and and we breathe and we
breathe we breathe breathe and!
isn't but smile when help

thirteen.

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we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
,