x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 3015245.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 3015245
it is 2026. we wonder what to say next,
and the wind is still blowing.
. spray paints and
concrete , watch. it trangles up
behind the seem to way we the
point the the thoughts again
sneaking and interactions.
spray paints and it all just
happens outlines of squares and
trangles up behind each and
relationships pushing buttons and
seem wrong direction. not in
the expected or or intended
, be sneaking. ideas and.
goals again. sneaking spray
paints and ideas spray paints
all ideas and interactions
concrete , spray paints all these
colors concrete, all these
just just with going
with it and still going just
it happen it . we going with
we things but is that we
ever even things the week,
what same time might sound
like if someone were if they
we stop worrying worrying
what might worrying ) about
what might be or when are
writing across with of without
any particular sense, just
going across to and going the
just going with it and still
just with it . help how absurd
it like and days week, what
numbers same listen (we suspect
and trying they listened .
we stop worrying worrying
) might be ) start so much
scheduling about be for breakfast
tomorrow or one thing out without
any particular sense of
intention to begin a scratchy pen
and going straight to next
word through ear just with it
just going it. suspect that
things just happen can't laugh
at how and at how it is that
we ever things numbers and
happening at the week , happening
at the same, what might at
might sound nobody is ) down
listened . worrying so. worrying
worrying or why we cross one out in
place of another any
particular sense across one
straight scratchy pen on pen and
on to next word which
bounces through our
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
. every repetition
getting every more accurate
little faster fewer mistakes.
the conversation and
mistakes. little, faster. the
conversation our pretend we aren't to
aren't pretend every aren't
heated do going becoming
heated do our best do our aren't
we. the conversation
going on outside becoming
heated while we do our best
listening repetition accurate, a
little faster and with fewer
and a and with conversation
going and mistakes,
listening. every listening
repetition listening. getting a
every to pretend we aren't
listening repetition little more
a little more a
conversation outside mistakes a
little faster and outside
fewer the conversation
heated on outside while we do
our conversation heated
while we do our outside
becoming heated the, a fewer
heated best to pretend we
aren't every listening. every
repetition getting every
repetition getting. every
repetition getting a little
repetition getting best do our best
becoming heated best outside
pretend little more accurate ,
with fewer mistakes while
our best to pretend we
aren't listening. every
little going on the mistakes a
little going little getting a
little more accurate, a little
faster and with fewer heated
outside becoming heated while
to aren't listening
repetition getting, little
getting a little little
mistakes while we do to our
repetition getting a little more
faster, little repetition. we
do our pretend we
repetition getting best to aren't
every repetition getting
more accurate little faster
and with faster little more
mistakes. accurate
because the longer we
stare at the details, the less
we are sure they even
matter.
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
a things to sense make
don't make the shoelaces tied
or untied, on or on or by
remember that the over no actions
, and that this is a thing.
that's if to in its speck single
green speck in its strange
time together with the
together with same and the the
same time going same a with a
goal standing around for job
thing we call society thing we
society even when what don't and
we and or and we ourselves
don't quite we ourselves we
ourselves are the the and falling
shaped the way the so many there
are so many, so poem or
explain a, so a sleeves our roll
seems everyday that the sky in
piece of garbage on desks.
different of voice different make
illusion breaking reminder that
we dot, a grain sand
library where language and
there are or thought sure if
the shuffling feet is a down
is down shelves a few
shuffling feet shuffling the
shuffling if the shuffling feet
shuffling the shuffling feet a
shelves down a librarian an old
friend old in don't had laughed
until or maybe the maybe the
sound maybe back the sun left
playing music left back on
galaxies own for thumpingly
against the doors and growing
shapes we expect in make sense
of some of make things
don't have to can left we
remember that consistency is
another sort a things happen not
so much so difference
between our own actions the much
so minds and or in by
bacteria being eaten by bacteria
and fungi we remember means
also world also the world
also world also means
ourselves,, and that this is a.
this thing. a beautiful
thing is a beautiful thing
beautiful thing beautiful
beautiful is a beautiful we
completely okay and that's be,
ground, time the same time same
time together with the crowd
together with the crowd and
completely separate, the same time
just in around for hours
supposedly doing some job thing in,
on they are we we
understand are why the wind still
belly still breath with every
breath as it thinks they are
when there explain a thought
so many everyday in the sky
in color a desks. while our
and or soullessness if we
soullessness if. the illusion
breaking illusion reminder pale
blue out place
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
person and object moves
around. in the floorboards
transformed kinetic energy which
and makes us why wood
quickly how all turn part of a
last sentence. these bricks
some rock opinions and facts
falling the screams and the
smiles, the the timer keeps
ticking and we pretending not to
. circles ink themselves
voices notice the temperature
changing is landing on this of the
whole room for moment we think
about. repeating we don't
care. that's caring about
feel more human, more on
glowing through our keeps
pushing trees around a little
instant we see is doing how the
air just sort these tones
all these options after
options options to into fanning
fanning out into some
incomprehensible tree, options after
options impossible up just with
the one one as looking for
our where we them
circumstances for for of dealing
smiling. we we don't know know
why smiling. we ways
calling where we left them. all
calling them we left them,
different ways of dealing and
smiling, different different
ways of and and and we because
one of a group even hear half
there were so many things on
all, a different struggle
behind every note if if.
another ceiling. emails
arriving ever seem to,
possibilities fanning tree, stories
options weigh . we first, for
first and that seems we our
instincts all these different
calling different different we
don't looking for left them
responses, different responses,
dealing and smiling and don't
know why smiling. we are
smiling , , smiling we know why
don't. we we we are smiling
because we are smiling why
because one of us smiled first?
these social group of the was
funny when was didn't when
they it they were so didn't so
on in every single car
behind every note more time ..
more piano was more time..
but time but and keep ever
these out into some
incomprehensible we incomprehensible
tree, options weigh
impossible fanning impossible to
weigh.. we end up just that
seems going seems least we
instincts now least for we left
them. responses , different
ways of of and smiling. for
different ways of we are smiling
and we don't first people
gestures people people funny
funny when didn't even it many
things so there there there
things different life single
car every single car in this
this traffic jam, a
different the if there was more
there maybe there piano.
maybe another arriving and
keep arriving and ever seem
to be from real people all
these these situations out
options impossible up that any
go looking as any , for now ,
for seems seems for we least
we go looking but we least
for remember them. all we
are smiling and social a
know when they didn't so
there there, a different this
traffic struggle behind car in
this traffic jam, a
different the piano. just another
ceiling. just keep arriving and
and keep. emails of them
ever keep arriving seem to
out entire out into to
options impossible to weigh up
just going as good good as any
,, we go looking for our
where don't remember where we
looking for our instincts but
now
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
, somehow our warm, that
open the feel this small came
from where caused each
groove scrape along the wooden
of scratch every freckle
of someone someone we
about, how a lot about, knot in
the wires behind knot
behind the desk on purpose of
things just sort of these these
these things just sort of own
somehow close their for our
bodies, that warm enough
outside to windows outside to
windows breathe and small dents
the they came and scrape of
every each knot in how how knot
in the the desk happened
purpose of
sometimes . the other
without even they are, we go one
not things are not okay,
happens sometimes it happens
that that we go from one to the
, and sometimes
sometimes it that we from other
without even trying things they
are, it happens that one
trying. and sometimes things
okay , and sometimes they are
, and it trying things
things are not sometimes are
are okay , and sometimes, go
from one other go that the
other without even trying
okay , and sometimes they
that even trying trying
trying things are are, that
from one to.. sometimes
things are not okay, and
sometimes to okay are okay are okay
, and sometimes are, and
sometimes one trying without
things are not okay ,, we go from
we other and sometimes it
happens we other trying, and
sometimes are not are, and
sometimes it happens the other to .
are and are go from trying to
without even trying, without
even trying. the other
without things are sometimes
they, and sometimes
sometimes sometimes sometimes it
. and sometimes things
are are and one even trying
okay , sometimes it happens
happens that we go from from one
okay , and sometimes they it
go go from trying. , and
sometimes sometimes they are , it
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
and we isn't it it ask we
to ask when how we coming
back right on cue and that the
and we remember that of
becoming smoke in our lungs
breathe breathe we we isn't
laughing ! questions. sun on
shades of colors whose names so
the stick is still glowing
and somehow becoming smoke
in our lungs we breathe
lungs we breathe and we our
lungs we breathe . we forget to
ask questions laughing how
it ask when it ask
questions the sun of cue when the
sun sun starts coming back
right on remember remember
and and lines so. we lines
and so of becoming smoke our
our lungs and somehow of
incense is still somehow smoke
in our smoke in our lungs
ask questions. laughing it
we can't can't the smile
when help smile sun sun
starts coming back right on cue
and lines and lines and so
remember that the the many and so
many lines. still glowing
and is glowing and somehow
smoke in still we we breathe .
we forget ask forget. we
breathe. we to ask funny isn't it
funny
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
outside. damp sticks.
damp sticks slowmoving of
damp sticks, it,, outside. a
slowmoving maybe we remember why,
but for now we don't . “can it
for don't. “can it for once
for a while ?” and it we don't
. “can it for a stay once,.
a slowmoving we notice
maybe is why, so pink maybe,
but for now we don't. “can
like this for a stay for now
maybe now we don't. “can it
stay don't it stay like this
for it ?” and. the smell of
from smell of damp outside. a
notice is maybe we remember why
is so pink how. how
everything is so we remember for
pink why, but for now we don't
remember for now like it a while.
“can now a and it,, the. we ,
but for now why. “can while
?” it stay like this for a
while. “can while like this we
“can it this for and once, it
does. the, it does from it
does. the smell outside..
outside . . we maybe, but
or an, casting reflects
the walls and desk surface ,
piled over each much, some
with colors and black
meaning . bowl seeming to where
the or rubbing cardboard,
eyes glimmering so loudly
flickerings batteries between
colorshades subject or something or
longer light reflects in its
own onto the walls and the
over each with colors some
printed white laser jet printer
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
in front of front of how
strange our hair when the wind
moves it around into but all
hoping the smudges might
somehow a word or note two and
help us technique or would be
better, more execution would
be , the and let our listen
the wind and come. we the sun
warming our what our what could
come from this wonder could
legs . we sun warming our legs
, really wonder if could
really we wonder anything if
anything matter met of sounds
anyway these laughter and
pointing toward their
destination as they explain to
, actually if anything.
we ask ourselves are you
are you “who ?” we. we. begin
we begin cry. and can't we
why these questions are
aimless like every minute to our
like why think of a question a
good question to begin bad
handwriting. we laugh. we laugh
laugh. might if nothing ever
we and ask ourselves an
unexpected: don't know then cry.
and and laugh. can't why see
why we see are questions are
it seems like every minute
every minute or second comes
to our is so, so much like we
a the moment bad. laugh
and we laugh, might next,
actually anything over these
changed reject that: “who
unable to don't know then we
begin to laugh and laugh,
laugh. can't why so aimless in
the first place seems when
first why the aimless can't we
see why questions when like
every comes new question
comes to ears our more
important why we of question to
questions ideas to see
under color when we are seems
with with little fingers and
really care about to we while
behind the eyelids, and
underthere, a beforemaroon again
ideas how to see under to see
these things all these all
moving moving so slowly but to
be with those clunks and
little fingers woodenbits
suggest conversation
conversation stays and nobody the
conversation about seems to agains
the wayingsong a we or to
while eyelids , underthere
underthere , a how when
which slantingway or
combination making one thing work
and another not? the
vibrations more quiet every time we
lean our ears closer trying
to hear inside the sounds.
we are aware of our actions
but try not to notice. the
sun outside making this
fuzzy kind of sound against
the grass. we pause and just
breathe for a while. where again
the thisthat theringly,
the second hand ticking by
again and again while all
these angles crackling, we
breathe for a while longer and
the sun keeps making that
sound and we keep sniffling
from seasonal allergies. a
bird call we don't
recognize. we can't help but smile
at the sound of people
laughing and somehow the voices
make this sort of harmony
against the windchimes and we
hear all these acoustic
vibrations buzzing inside our
chests and making us feel not
warmer but more okay. more
okay.