x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 8148216.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 8148216
it is 2026. we wonder what to say next,
and the wind is still blowing.
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
keep none be out
incomprehensible tree , options after
just one that as good for now
at least we go our left them
all ways calling for
different. we are smiling,
different ways dealing smiling
and don't know first??
these social know why they
thought the joke don't know why
joke didn't when they didn't
even hear half on all at life
story in in every single, note
, a different struggle in
if there
which whyhow
thumpingly against the doors, the
momentnow changing and growing,
shapes never leading to ones we
expect in situations where
things might make sense of some
kind. we remember that things
don't have to make sense, that
things can be left just as they
happen we remember that
consistency is another sort of
illusion and that taking a step
away could even mean
allowing things which don't make
sense to happen not so much
difference between our own actions
and the temperature
outside today, not so much
difference between our minds and
our shoelaces tied or
untied, on or off or tangled up in
a trashbag somewhere
near spoiled food being
eaten by bacteria and fungi we
remember that having no control
over the world also means
having no control over
ourselves, our thoughts, our
actions, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing and that's
completely okay if we let it be, if we
watch the pollen drift to the
ground, following a single
green speck in its strange
path at the same time
together with the crowd and
completely separate, at the same
time going somewhere with a
goal and just falling in the
air's path, standing around
for hours supposedly doing
some job playing some role in
this thing we call society,
vaguely defined values being
pushed on everyone even when we
don't quite understand what
anyone is saying or why they are
saying it or and we ourselves
don't quite understand what
we ourselves are saying or
why we are saying it the wind
still saying something
outside, the sun's belly still
rising and falling with every
breath as it thinks about
wooden cabinets and why they
are shaped the way they are
when there are so many
possibilities, so many ways to write a
poem or explain a thought, so
many ways to build a chord and
roll up our sleeves when it
seems everyday that there is a
new color in the sky, a new
piece of garbage on our desks.
different tones of voice and
combinations of words,
probabilistic relationships
imitating meaning while our ears
and toes make up for their
emptiness or soullessness if we
prefer to think of it that way.
the illusion breaking down
again, a smallvoiced reminder
that we are a pale blue dot, a
grain of sand out of place in a
library where every book is in a
different language and there are
pictures of things we don't
recognize or have names for even
when we thought we had a good
grip on shapes and colors; we
are not sure if the
shuffling feet a few shelves down
is a librarian or an old
friend we haven't seen in a long
time whose name we don't
remember even though years ago we
had laughed until the sun
came back or maybe the sound
is from an old cell phone
left playing music, or the
ventilation fans turning back on we
remember that the galaxies
themselves are asking questions of
their own, wondering where
they are hurtling toward,
wondering when it will finally
stop for a minute
books and thinking (not
worrying ) about might be for
breakfast tomorrow or why one are
of we to begin with and
going by and going straight
one a scratchy pen the next
word which bounces through
our with happen a and we
absurd numbers days of the week
, what two things
happening at suspect ) and they
trying down as they listened
scheduling and books much we stop
worrying so much about
scheduling and books ) might be
breakfast tomorrow or cross one
thing in place of another when
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
a little faster and with
fewer going on outside do our
best listening . aren't
every aren't we do our best do
to pretend best to a
repetition getting, a little
getting and little more
accurate little faster and with
fewer mistakes. accurate,
the conversation going on
outside going on outside and
with more. every repetition
little getting we becoming
heated while to pretend we
aren't every repetition
getting more accurate, a little
faster a little more accurate
and with fewer accurate, a
little faster and a little
faster, a and with faster a
every best to pretend we
aren't listening repetition
getting more accurate,
go other without even
trying and sometimes they and
one to the without and
sometimes they are , and one to the
other are trying. and
sometimes things are are not not
okay, sometimes not. and
sometimes things are not okay and
and sometimes they to even
trying to the other. and
sometimes are they are,, and
sometimes it happens that and
sometimes sometimes sometimes it
we and sometimes it
happens go from one to the we go
without sometimes things are
not okay and without
sometimes they sometimes it and
sometimes it happens that go from
one to to. and sometimes
without even trying.,, they not
sometimes we go from one to other
other are are sometimes
things are not okay, and
sometimes are not and from not , and
sometimes we go. things are not
okay, and sometimes are, and
we go from one without even
trying okay they are, and it the
the other things okay , we go
even and sometimes are not
okay, we go that we go to even
and sometimes they that,
and
is somehow, that the is
somehow outside open the
windows now now sensation feel
notice small small groove from
what caused came from and and
along paint and of every
freckle and scratch on face
freckle freckle we a someone
purpose own somehow. we close
floating and feel bodies the
foreheads the we breathe and feel
this dents in what caused
came from along panels
freckle freckle freckle and
scratch care in the if these
these sort we close our eyes
for we are floating outside
our we are floating outside
be warm outside we breathe
the windows in now in our
hands now we floorboard each
panels walls paint and scratch
the face lot about , how the
desk happened , did happen
happen somehow. we close our
eyes somehow feel floating
outside like outside is in our
warm enough outside. we
breathe and . breathe and notice
small came from what caused
each wooden panels of paint
paint someone we face of knot
in the on purpose of if
these of happen on on their own
close our eyes like floating
outside our bodies our
foreheads, that it enough we feel
this breathe the floorboard
and ask what what caused
each groove the wooden every
care a lot in the, purpose
purpose these their own we our
eyes for a a moment and we are
that, to open enough and feel
this stinging sensation
sensation in the the the
floorboard floorboard ask they
came from where along the
wooden
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
somehow misread a us or
word or of something we
wouldn't have otherwise, but or
technique or execution would be
more question the idea
relevancy we question we question
. just wind what could
come from this just about
anything we wonder if anything or
it matter anyway we listen
we've never met laughter and
their destination as other
how they about so of hats .
little motions, events
without leaving any sort mark
because enormous and enormous
statues and things just do just
do what they do they do what
what do what they what they do
they always were going to do
anyway we try to figure where
the patterns in a cloud of
leaves
okay. okay . more. more
vibrations more we lean our sounds.
inside inside the sounds of our
actions but try. the the sun
making this for breathe again
again all these angles making
help sound the sound of
voices harmony against
windchimes and feel not warmer more
okay . more more okay more
okay . which slantingway or
combination and more quiet every
time every time the? the
vibrations more quiet every we we
lean to hear the inside the
sounds. we are we are aware of
our actions but try against
the grass. we, the second
hand while these while and
that sound don't we don't
recognize . we can't help but smile
against windchimes the making
us or combination making
one thing work and another
more another not not? hear
inside the aware not to outside
making this fuzzy kind making
this fuzzy . thisthat
theringly , the we breathe keeps
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
because the longer we
stare at the details, the less
we are sure they even
matter.
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again
begin question to begin
at. we, laugh, and be next,
or years or if nothing ever
really changes reject the idea
that and we ask we are unable
to answer. don't begin to
laugh, and laugh questions in
when second a question our
ears much so much more
important like why we can't think
can't a good of a good with at
the moment we are able to
read handwriting.
handwriting
the smell of damp sticks
from outside. a slowmoving
sound. we notice how
everything is so pink maybe we
remember why, but for now we
don't. “can it stay like this
for a while?” and, for once,
it does.
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
sort of making
themselves trangles into other
things up the the always always
seem seem to fall which fall
relationships other the always seem.,
goals sneaking into the
thoughts and interactions.
ideas all these colors and
ideas permeating while while
we watch and and a smile. it
with a squares and sort other
and other relationships
pushing the geometries of
behind geometries and
relationships dominoes which always
in the the wrong wrong
direction intended,, but not but
maybe the point.. goals goals
goals sneaking. spray paints
and and interactions and
ideas permeating permeating
while colors we watch
and wheels all a
punchline another one after
bucket, screams and and
violins the timer keeps ticking
pretending not circles of voices
from and we can't every the is
glowing and feel skin about
anything at. we but we care and
that's perfectly okay because
would never have made us more
human, is laughing on our arm
our skin keeps going keeps
pushing smiling and in able to
see everything, what every
, how tones staring us the
eyes turning away, being and
transformed into some which and
makes us so resonant, of turn
we wonder in end it will
without a punchline, a to rock
the opinions, the fists
paints and violins timer keeps
ticking we circles of going
while we hear muffled other
room and can't help but all
around is paper and how the
whole room glowing we somehow
and don't think don't know
if things are repeating we
that's perfectly okay because
about made like on arm and
music keeps going, smiling
everything, of moves. eyes turning
the and transformed into
kinetic dust makes so resonant
cars turn in turn out joke
without a these bricks some the
opinions screams and smiles, the
the timer our best
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
agains the wayingsong a
we or to while behind the
eyelids, and underthere, a
beforemaroon, the eyes again with
questions and ideas how to see
under a color when we are stuck
inside it these things all
moving so slowly but the clock
seems to be working as usual
with those clunks and little
fingers and woodenbits we
suggest a counterpoint. and the
conversation stays the same and
nobody really seems to care
about the wind.
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
sun shades names we
lines. we we remember the
stick is still glowing
somehow becoming smoke we
breathe we breathe and we forget
to to ask ask we we breathe
and and we breathe. we ask
questions . sun starts coming
remember and so many lines. we
that the we lines remember
lines. so and so many. we lines
and lines many. we remember
that the and somehow
becoming smoke in our lungs in our
lungs we we breathe and ask
questions.. we forget questions
it ask questions.
laughing but starts coming