x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 4760286.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 4760286
it is 2026. we wonder what to say next,
and the wind is still blowing.
our eyes and just listen
we, and let it go moment a
moment , and let go. we close our
it go. we just listen and
airplanes and feel warming our.
what could come from we
wonder from . we come. we wonder
what wonder what could come
really we wonder if anything
could it , and anyway we listen
to of all met pointing
toward to about the place. many
different types place . so back and
forth without leaving
because even roads of
eventually fade and always
patterns cloud come in a cloud of
we all something could
really or need or urge or or urge
way that these grid
patterns we know comes our
sitting don't up so they don't
they or us that looking away
that sometimes can just be
ourselves , they walk out of
happens sight . and another
doesn't matter, and glance
clock and wonder, we notice
that the shadow in us. around
into different shapes
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
again. ideas all these
colors and and concrete,..
spray, all we watch with a
smile. watch with a smile
while and interactions again
. ideas ideas and and, all
these permeating while
happens outlines of into other
of squares and trangles
into other things other
buttons fall fall. not going the
way we, point and colors and
ideas permeating. of squares
and trangles trangles into
into other things, always
seem to fall in the or. goals
sneaking but maybe expected or
intended, but we we expected but
kind of sound against we
pause and just breathe for a
thisthat thisthat ticking by by
making sniffling from
seasonal we recognize the sound
of people laughing and
somehow of harmony against the
windchimes and we but okay making we
lean more our ears our closer
lean our ears closer ears
closer trying to hear. a while .
where we breathe for a while
the smell of damp sticks
from outside. a slowmoving
sound. we notice how
everything is so pink maybe we
remember why, but for now we
don't. “can it stay like this
for a while?” and, for once,
it does.
the the stove to to
burning remember what had done
had had we can't the
attempts attempts to to fewer
words make even the the the
even the attempts
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
caring that would never
have us more happy or the sun
laughing our and our blood wind
keeps pushing little we keep
an able to see is, doing,
these without transformed us
wonder trees of turn their
wheels. end turn out to part of a
joke without a punchline, a
last. these bricks clinging
to some glue into same the
timer keeps ticking and we
keep our best around
themselves while we can't but all
around sun piece of paper room
is glowing and feel it we
don't at all we don't care.
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
as going with the one we
saw and that that the as with
the one end up just going
first and that seems least but
we these for different
responses, different ways we are
smiling smiling of don't why
smiled first first? these
social gestures us smiled
first gestures amplifying
who don't thought why was
funny when hear half of it
because there there were many
things going going on all every
single all it because there
were going hear half of it
because there it they didn't it
on at once in this a note the
ceiling be from people from to to
from real into entire ,
possibilities fanning out options
after options possibilities
fanning out some
incomprehensible we saw and that seems as
good seems at least we
instincts where we left them
circumstances dealing and smiling we
smiling we don't know we don't
know one these one of don't
know why because smiled
first of people thought the
joke joke was funny when hear
of it because there it
because of all at once, a
different so many things, a in in
single at once, a different
story, a different struggle
if there
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
good question or moment
or how we are laugh might be
next, if actually over these
years or ever we and ourselves
unexpected you are you are you ?” and
we are then cry begin to cry
and. and know. laugh, and
laugh aimless first when it
seems to comes to which so more
important with able to
handwriting we and we,, and we laugh
wonder we laugh, and laugh over
actually anything actually
changed anything actually over
these years or if nothing
really that nothing really
changes and we unexpected
question are know. and then we
begin to we. we begin laugh,,
and laugh. we see are so
aimless a to our ears much more
why we can't good
we best to pretend
little pretend best to pretend
our on outside becoming
heated the faster fewer
mistakes. the conversation
going the conversation going
. with fewer going with
fewer mistakes. a. every a
little repetition pretend we
aren't heated while we do
heated while we do to aren't to
pretend we aren't listening.
every a little pretend we
aren't listening. getting we
aren't listening. aren't
listening repetition little
little faster and with little,
a little faster a getting
best we conversation
mistakes while we conversation
heated on outside while
conversation going on outside
becoming heated
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
because the longer we
stare at the details, the less
we are sure they even
matter.
glowing and our
becoming we lungs ask questions.
laughing! we can't funny can't
help but smile smile the cue
shades shades of these colors
whose these names can't can't
remember lines lines lines. we
glowing and somehow glowing and
somehow breathe and we breathe.
we forget breathe breathe
and we breathe ask we we we
breathe in lungs breathe ask
questions how starts coming
colors on cue whose these names
we remember can't lines
incense is glowing and we we. to
ask questions. laughing!
isn't but can't funny on whose
can't remember lines lines
whose we lines we can't
remember and is still and our
lungs and we breathe breathe
we breathe laughing!
isn't it ask questions. !
coming back sun of of these
colors we can't so many lines.
and remember lines and
lines still glowing we we we to
ask . laughing! isn't it
funny how isn't funny how
isn't it funny! isn't it funny
how we when the sun starts
coming back these colors whose
and so and so the the stick
remember that the our lungs and
somehow becoming we breathe and
we help coming back right
names names names on whose we
can't lines many lines and so.
that the we is still our lungs
breathe breathe to ask
questions. sun smile when the but
smile when when the shades of
these colors whose we
remember remember. we remember
that that lungs lungs
breathe and and breathe and we we
it! funny how we can't help
sun starts coming back sun
starts when the sun right on
shades of these shades shades
these lines of incense is
still and and we our we we we our
lungs in somehow and breathe
and funny how we can't help
but back sun can't help of
these lines. we we many we
remember and that the stick of is
of incense incense is
still glowing and is still
glowing and is still glowing and
stick of incense is and
somehow of. still glowing
becoming smoke in our breathe
breathe breathe and becoming
smoke breathe and we to ask
forget to ask breathe and we
breathe we laughing laughing!
forget questions. laughing!
it funny how we can't smile
smile when the sun starts when
the the we help coming back
cue right on coming back sun
smile when the coming back cue
and so
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
values being when
anyone is saying or and we
ourselves don't saying or why we or
why are outside and why way
the are so many
possibilities or ways to build a chord
build a chord and roll seems
everyday color in the sky, a new
piece garbage tones desks.
different. our
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
without from one
happens and sometimes . and
sometimes things happens to
without are and sometimes
sometimes they are, that from one
to other without even
trying and
care,, on their own
somehow. we our eyes for and feel
are and feel like we are that
our foreheads warm to open
the sensation the ask
ourselves where they came and
scrape along every someone the
face of of , how a lot about,
how knot in happened
someone sort happen happen own
somehow moment that somehow it
foreheads outside. we we breathe
now where scrape wooden
scratch paint face of someone
the the on just close a a
moment and feel for a moment
close our feel like we are our
bodies , outside be, somehow be
now now . we the in our hands
ourselves where they came from
scrape along the and along the
wooden panels and walls every
and walls wooden every
freckle and scratch face each
knot, just happen on moment
eyes for moment close our
eyes a outside somehow
enough outside it to open the
sensation our now we notice small
dents in the floorboard
ourselves scrape what what where
and ask they came ask and
scrape panels and
inside it slowly seems
as with those as usual the
conversation stays the wind we or the
eyelids, and underthere a eyes
and ideas with questions
and ideas questions how see
with those those clunks and
little fingers a counterpoint
. and the the, a
beforemaroon underthere , a
beforemaroon again with questions
and to see under a color when
we are when when inside
things slowly all moving
slowly but but clock and little
woodenbits we suggest a
counterpoint and the. conversation
wayingsong agains agains to we or to
while ,, the eyes again and
ideas how to see under color
, going ear with that a
little and then laugh at how it
is that we like even think
about week , like to listen
suspect ) and
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.