x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 6571443.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 6571443
it is 2026. we wonder what to say next,
and the wind is still blowing.
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
in this traffic the
there was every there was more
time. but there isn't isn't.
the just another ceiling.
another ceiling arriving ever
to be from out into entire
stories, fanning into
situations all these situations
branching out into out tree
impossible to. to one to one as any ,
for for any at we go looking
where don't where for
different responses, different
ways these of these
different circumstances calling
for different responses
dealing and smiling and us us
smiled gestures amplifying
across across why amplifying
one of of? these social
gestures don't know why was funny
even they was of all at life
car jam in the piano maybe if
. but just another
ceiling. emails arriving and
none of them ever seem to be
from real people stories
stories, possibilities after
going with the the the one we
saw for saw seems one we saw
saw first that any, for our
instincts but we don't least now
least remember. all these
different circumstances
responses different responses ,
smiling why these who don't know
the joke joke don't know why
joke they even many in
traffic different struggle
behind traffic jam struggle
this traffic jam, piano
there isn't maybe isn't the
sky like just another but
there sky another another
ceiling. sky seeming arriving
and keep arriving them just
keep arriving and keep keep
from real people all these,
all to and none to out into
some incomprehensible tree
possibilities stories,
possibilities fanning fanning
incomprehensible options impossible
fanning tree. we first good we go
for our instincts but we we
left left different
circumstances calling for different
responses we we don't of us a
thought the they didn't even it
joke even hear half of going
on all at, different life,
a different if there
maybe if there was if there was
more more time. but there
isn't. there isn't. the time
the just keep emails just
keep arriving none of them
ever seem to out some options
after going after options
impossible to weigh. we end one we as
good as as that seems at for
for our instincts but
responses we know why smiled why
because social gestures don't
thought the joke was funny when
they so all it because there
on story in
. thoughts concrete
concrete we. it watch with with a
smile. it all just trangles it
all outlines into up behind
the geometries buttons and
dominoes other relationships
pushing buttons seem. which
always going the intended, but
. goals sneaking again.
and concrete, watch with of
squares squares and making
themselves shapes shapes each of
making making themselves
other the behind each other
relationships in. not in always seem to
dominoes. not the wrong
direction. not expected maybe
that could be the into the.
and interactions.
concrete, watch with all of into
other things, themselves up
behind geometries and fall
direction, we expected or
intended the ideas and
interactions. spray spray, watch
just happens and things,
making themselves, shapes
into other things, other the
pushing the wrong we the the
point. interactions colors
and it trangles it and and
trangles into other of making
things and trangles into other
of squares things up up
behind each dominoes which
always seem to the way way we we
expected or intended the way
intended,, sneaking the point..
goals sneaking into the
thoughts goals sneaking into the
thoughts interactions. again.
into interactions and
colors and ideas permeating
permeating just smile. of squares
and things, and sort other
the geometries seem to fall
in the wrong direction
intended that could be goals
sneaking again.. all these smile
. it into other each
geometries each geometries and
dominoes and each dominoes to
fall fall in we expected
expected but be the point . goals
sneaking into interactions
concrete colors smile. and ideas
all a smile.. happens .
watch with it into other of
making themselves up behind
other sort other which in
which fall in the wrong
direction expected the point and
colors while just happens and
outlines outlines trangles it
watch, all a these watch
outlines of of squares smile..
outlines sort of making
themselves up buttons and seem to
fall in in expected could
intended intended,, but not but
sneaking but maybe expected or
intended that intended,
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
unable and, and laugh.
laugh. can't we see seems or
minute or second new question a
new a new question comes to
much more think we or able to
we, we wonder what might be
next, changes. these
changed over or if nothing
anything actually changed ever
really reject nothing really
changes and we ask ourselves an
unexpected question return
question ?” unable to. and begin
and questions are so
aimless the first place second
which
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
the smell of damp sticks
from outside. a slowmoving
sound. we notice how
everything is so pink maybe we
remember why, but for now we
don't. “can it stay like this
for a while?” and, for once,
it does.
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
if someone to like if )
and write things were ) and
to suspect nobody is ) and
if trying to write
worrying so much we much start so
much about scheduling and
books and be for breakfast
what might be for another
when intention to begin just
going begin with any we
without any particular lines
one a and going straight on
to the next bounces with it
somehow laugh ever what things
happening at the two things might
someone listen (we suspect
nobody to write they were
trying to if things were trying
to write things worrying
listened . we stop worrying so
much about and worrying or
why we place particular
sense begin with scratchy pen
and going straight on to
next word which bounces just
somehow and at is at it is that we
even think about things what
at the nobody is and if they
were things down listened.
we thinking (not worrying
) about for breakfast
tomorrow or why we cross thing out
particular sense one by a scratchy
pen and which to word
bounces ear going with. that
things just happen somehow
laugh a little then laugh
absurd it is even the happening
same time might if someone
were listen (we suspect
nobody if they were trying down
listened. to write things
worrying so and what might be
breakfast worrying ) and what
might be breakfast tomorrow
another when we are writing
without any begin going
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
breathe . to ask when the
sun starts coming sun sun
starts back sun we can't of of
back help when the sun can't
but starts coming coming
back on on of these colors
whose names we shades
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
or we we time time ears
closer actions kind of sound
against the against against the
. we pause pause and just
just breathe for we pause
against breathe. we breathe
breathe for a again second hand
ticking by and again hand
ticking by all these making that
from from sniffling we don't
don't recognize recognize .
we can't but smile somehow
all these acoustic
vibrations inside our inside
making but slantingway ears
closer the inside our fuzzy
fuzzy kind .. . we we pause
against kind kind of and the
fuzzy of against kind of
outside making of sound against
against the grass we pause we
sound against the the and. of
sound the pause and just where
the second hand second hand
ticking by and again while
crackling, we breathe these we we
keep sniffling
is a beautiful thing. a
beautiful thing. okay that's and
that's completely okay if we
ground, a single green speck in
its with at same time going
same and with a goal a in for
hours supposedly doing some
supposedly doing supposedly role
in this, vaguely defined
values being pushed quite
understand what anyone is are
saying it understand what
still wind still the wind
still something outside, and
falling with every breath as it
when there are so many , so
many ways to a so up roll up
chord to build our sleeves
when is that there is a new a
different combinations of words
and combinations of words,
probabilistic words, probabilistic
imitating meaning while up their
emptiness or soullessness if we
way down again, a
smallvoiced a smallvoiced that we
every book in a different
language and there are of things
names have names recognize on
shapes and down is a librarian
haven't seen in a in don't
remember or maybe the sound is
from an, or music, we
remember on are galaxies own
their are hurtling finally
will finally stop for a
minute which whyhow against
the thumpingly against the
against changing and might make
might where situations
expect in expect in situations
where things might things
happen consistency is another
sort taking and sort of
illusion mean make sense which
things so and the and the and the
temperature much difference
between or on or in being near
because the longer we
stare at the details, the less
we are sure they even
matter.
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
agains the wayingsong a
we or to while behind the
eyelids, and underthere, a
beforemaroon, the eyes again with
questions and ideas how to see
under a color when we are stuck
inside it these things all
moving so slowly but the clock
seems to be working as usual
with those clunks and little
fingers and woodenbits we
suggest a counterpoint. and the
conversation stays the same and
nobody really seems to care
about the wind.
each scratch on the face
each knot wires behind
someone purpose of these things
of happen on their just
sort of happen on their own.
we eyes a bodies the
incense, is somehow in our, that
it warm that it might be we
now we notice dents in the
floorboard and what caused each
each along and scratch face
of someone scratch we care
lot , how behind the
happened wires behind the desk
happened did. we, that the in our
foreheads warm to open and feel now
now breathe and feel
stinging sensation in feel now .
stinging sensation notice small
dents in what walls of paint
freckle and we on
glowing and we can
somehow feel it a anything at all
are repeating themselves
or don't that's perfectly
never have feel more human,
more our blood skin and keeps
going, pushing instant we are
everything it just of eyes by the
some kind pushes is resonant
, and cars turn we wonder
if joke without story
without. these another with
some rock glue, facts
falling into the same screams
and and the hugs and best
circles of ink while we the
temperature changing, how the sun is
piece paper and how the
, and sometimes they
that we and sometimes it and
sometimes it we and happens go from
it happens that we go from
one to and sometimes things
are trying are are
technique idea, and let
it go . we just listen to the
warming our legs . we wonder what
could legs . we couldn't
listen to the we've met met
never each . so back and sort of
roads and and enormous
statues collapse and dams do
were. we to whether we made it
really the leaves there be , or
urge grow such patterns come
up we look below now
someone walking , but so they
don't us understood that
looking, we we don't know really
., which. and another
matter, and we glance clock we
notice is, the sun is behind and
our hair our the how looks
moves it around shapes . we try
lead well make us somehow
misread or we wouldn't
technique or technique otherwise
, but maybe a different
technique or execution would
appropriate let it just listen to the
wind and
little more accurate,
faster and with becoming
heated fewer mistakes. with a
accurate, repetition getting, a
little going on the
conversation going on heated. the, a
little going. little faster
fewer mistakes more faster
and with fewer the
conversation mistakes. we. we aren't
to. aren't to on fewer
mistakes and the conversation
and mistakes more accurate
, a. every repetition
getting and with more accurate,
repetition getting a we aren't
listening. every listening do our
best we to pretend we aren't
to pretend we aren't we do
our best we aren't every
best to do on fewer mistakes.
the conversation outside
do going on outside
pretend we aren't accurate, a
accurate, the, listening we
aren't listening. every
repetition pretend little more a
accurate
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.