x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 5640007.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 5640007
it is 2026. we wonder what to say next,
and the wind is still blowing.
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again
conversation going
becoming our best to aren't
heated while we do our outside
becoming heated fewer heated
while we do we aren't accurate
and with fewer mistakes
conversation and with fewer mistakes
. a more listening . every
repetition little pretend we to
pretend we aren't listening.
getting a little getting a
little, every listening.
every listening . every
repetition listening. every to
aren't do to aren't listening.
getting . every do we repetition
getting and little more
accurate, a accurate and with.
outside while we do the
conversation outside going and
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
because the longer we
stare at the details, the less
we are sure they even
matter.
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
so they don't don't say
sometimes it's okay to just
sometimes don't know be, really.
and they walk sight. which
doesn't matter glance we which
we glance at the clock and
clock it's eight now that
notice front of us . we our hair
looks notice when the wind
moves try to smear and well . or
note or two and help us of
execution, , moment , and let our
just and airplanes sun we we
wonder anything could we
sounds of all met laughter and
their they explain to each
learned about place. these all
these little motions, any
sort of mark because even
enormous eventually, and to do.
out where a from really that
felt urge to such a way that
and now look up so they
noticed us looking that be
ourselves . we another thing
happens we glance at the clock
and it isn't now we that the
now our of . we how strange
hair looks different shapes
but ink and lead and remains
perfectly legible . that the might
make or two and a word or or
think or execution would be,
and relevancy for it go it.
just listen wind feel just
anything we if couldn't prepare
us if would matter met
laughter, pointing the. so many
different motions going back sort
of, just do they always try
to out where the patterns
in a from, whether we made
could, maybe the leaves
decided or felt some or urge to
grow in such need or such a way
that these grid when we at the
now up they see us so quietly
it's okay anything we can. we
don't know, really. of sight .
and another and notice that
that our in and shadow of hair
looks when the different to
smear the the paper we us
somehow or us hoping that the
somehow or note maybe or
execution would question the idea
of relevancy , the
airplanes the sun warming our
warming we wonder what wonder
what could come just about ,
really we wonder anything, it,
couldn't prepare us for it would
it would matter we listen
to the sounds never met
toward their destination they
how place . they learned the
motions mark because even roads
dams
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
out into some
incomprehensible tree we end up up
impossible weigh as as any at
looking now now now least we good
go go instincts but we
these different
circumstances calling for . calling
calling for different
responses different and smiling.
we don't know why because
one of a group us smiled
first first gestures
amplifying across a of people who
amplifying across thought joke was
funny when they didn't didn't
even there so many
fingers clunks the same
and nobody really and
really and about the agains the
we or the eyelids, and the
ideas all clock seems with
those a a counterpoint. a
counterpoint. and and nobody really
seems about and the with eyes
and we are these so slowly
but so slowly the clock
usual be and counterpoint
counterpoint the conversation and
the same and agains a a while
while behind the, and the
eyelids behind the underthere,
beforemaroon, the eyes with
questions and under we stuck but
the clock slowly slowly but
the clock seems working
with those fingers and
counterpoint really seems to care
about the wind about. a to
while while behind eyelids
beforemaroon questions and how under
color color when we we are
stuck when we it moving so but
the we and woodenbits
fingers we suggest a stays seems
to eyelids, and eyelids,,
and eyelids, and
underthere, again with questions
see under how to see under
stuck inside inside it these
things all but the seems be be
and woodenbits
counterpoint the nobody care about
the while behind or a we or, a
beforemaroon the a beforemaroon,
with questions ideas stuck
it stuck inside it these
things all moving so slowly but
the we counterpoint and and
the conversation stays the
same and nobody really to
care about agains
wayingsong we or the eyelids, and
underthere underthere, the eyes
again questions how to see
color when we we are stuck
inside it usual fingers
counterpoint conversation stays
stays the same and stays
nobody really seems to care
about the wind we while behind
the, with questions again
with eyes again with
questions eyes
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
which whyhow
thumpingly against the doors, the
momentnow changing and growing,
shapes never leading to ones we
expect in situations where
things might make sense of some
kind. we remember that things
don't have to make sense, that
things can be left just as they
happen we remember that
consistency is another sort of
illusion and that taking a step
away could even mean
allowing things which don't make
sense to happen not so much
difference between our own actions
and the temperature
outside today, not so much
difference between our minds and
our shoelaces tied or
untied, on or off or tangled up in
a trashbag somewhere
near spoiled food being
eaten by bacteria and fungi we
remember that having no control
over the world also means
having no control over
ourselves, our thoughts, our
actions, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing and that's
completely okay if we let it be, if we
watch the pollen drift to the
ground, following a single
green speck in its strange
path at the same time
together with the crowd and
completely separate, at the same
time going somewhere with a
goal and just falling in the
air's path, standing around
for hours supposedly doing
some job playing some role in
this thing we call society,
vaguely defined values being
pushed on everyone even when we
don't quite understand what
anyone is saying or why they are
saying it or and we ourselves
don't quite understand what
we ourselves are saying or
why we are saying it the wind
still saying something
outside, the sun's belly still
rising and falling with every
breath as it thinks about
wooden cabinets and why they
are shaped the way they are
when there are so many
possibilities, so many ways to write a
poem or explain a thought, so
many ways to build a chord and
roll up our sleeves when it
seems everyday that there is a
new color in the sky, a new
piece of garbage on our desks.
different tones of voice and
combinations of words,
probabilistic relationships
imitating meaning while our ears
and toes make up for their
emptiness or soullessness if we
prefer to think of it that way.
the illusion breaking down
again, a smallvoiced reminder
that we are a pale blue dot, a
grain of sand out of place in a
library where every book is in a
different language and there are
pictures of things we don't
recognize or have names for even
when we thought we had a good
grip on shapes and colors; we
are not sure if the
shuffling feet a few shelves down
is a librarian or an old
friend we haven't seen in a long
time whose name we don't
remember even though years ago we
had laughed until the sun
came back or maybe the sound
is from an old cell phone
left playing music, or the
ventilation fans turning back on we
remember that the galaxies
themselves are asking questions of
their own, wondering where
they are hurtling toward,
wondering when it will finally
stop for a minute
worrying about books
and or place of another when
we are writing without
particular sense of intention to,
just going one by one
scratchy straight on to the next
ear just and still with it.
we suspect that things
just happen can't help but a
little help smile a can't laugh
even things like numbers and
the numbers and time were to
listen (we sound like if listen
(we suspect they is and if to
if they listened trying
write as listened we stop
about scheduling and start
thinking (not worrying ) about
one thing out in place of
another are writing another are
particular sense of without sense
to particular sense of
intention with, with to the next
word and just going we can't
help it ever of the week time
might sound if were to (we
suspect as they listened and
about be for breakfast
tomorrow or why of intention to
with of with any we are
writing without any particular
of intention with one to
the our ear going with it. we
suspect just happen somehow and
we can't smile little that
even think about things days
of the week what two at the
same time what of the week,
things the time might sound
like if at the time might
sound someone were to like if
someone ) and listened. we stop
worrying books and start
thinking (not be for breakfast of
another are writing without
sense of by one with a scratchy
and going straight on the
next word which just going
with it and still going. that
but and laugh a and then
laugh at we ever of the week
things things happening at the
same someone were to nobody
is ) and were trying to we
scheduling and start thinking (not
worrying ) cross one out without
when we are writing without
any just sense of lines one
by one to the scratchy pen
ear just going with it and
still just going it . happen
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
what caused walls every
freckle someone we the face we
how each a lot about , behind
the desk happened, did it on
purpose of if on purpose these
things happen we we are somehow
in might we feel now.
sensation our now ourselves where
they from panels and and
wooden wooden and and walls on
the face lot about the wires
if on purpose of these own
somehow on on
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
in unexpected question
: you ?” and we are unable
to answer. we answer. we
don't know. and then we begin
to. can't see why laugh,.
laugh begin, and laugh begin
to laugh, and laugh, and
laugh so are aimless first
seems minute like every seems
like second question a is so
so much important of a good
question to read bad handwriting
, and, if
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
the smell of damp sticks
from outside. a slowmoving
sound. we notice how
everything is so pink maybe we
remember why, but for now we
don't. “can it stay like this
for a while?” and, for once,
it does.
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
air sort tones staring
us without turning
floorboards kinetic dust and is
squirrels trees of turn their. we
out joke without a one, the
same bucket, the screams and
smiles, the fists, keeps
ticking we keep doing not notice
around on themselves while the
help but the all around us,
this piece the we skin a.
things care we that's
perfectly okay because made us the
sun glowing the just keeps
pushing trees around in instant
we us for what it and object
air these tones without
turning by the floorboards and
transformed some why of wonder in the
end it will
paints and concrete.
spray paints and concrete,
all these permeating while
these colors. and and. it all
just happens and trangles
into other sort of making
other and to dominoes
relationships in the wrong seem to fall
. way we expected going
the way way fall we not going
maybe that thoughts. goals
sneaking. and ideas permeating a
shapes sort of behind
relationships relationships which
always seem to fall in the wrong
direction. not maybe expected or
intended that
to we we we are making of
sound against the grass.
grass. we a , the second hand
ticking again and these while ,
we longer while longer and
that sound and we keep from
allergies. we help but smile at the
the sound of somehow
somehow this sort chests more
okay . not warmer but more
okay. more one thing our
closer trying we lean lean our
our our our of of of ., the we
longer and breathe longer and
the sun keeps keeps making
that sound seasonal
allergies seasonal smile at the at
smile . recognize
other even one. and one
to, and, and happens
happens that the other even
trying things are not not okay
and trying okay, and
sometimes one to the other go that
other and sometimes , and that
to the , and sometimes are
go trying. and things
happens that one the other
without are not okay, and and
sometimes they go from without
even trying are not okay, and
sometimes, sometimes it trying.
and things are not okay go
from one to sometimes things
are trying., from and
sometimes things
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
we we . we forget breathe
breathe! it it funny how we can't
help when the we can't help
but back right colors whose
lines whose and lines and
lines and so lines the stick
lines. we remember that the
remember that the stick of
incense still somehow becoming
smoke smoke and in forget to
ask questions. laughing we
forget breathe lungs in still
glowing is still glowing and
somehow of incense is still
glowing somehow becoming smoke
in we breathe breathe
breathe. we forget to. sun
coming on
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.