x
we accidentally imagine
by andrew yoon
this is a book of mutable poetry. it exists along a
field of probability with an effectively endless number
of possible realizations. every time this page is opened,
a program generates an entirely new version of the book.
some elements change more often than others. the random
seed for the version you are looking at is 8968522.
because there is a seed number stored in this window's url,
refreshing this page or opening a link to this url
will render the exact same contents you see now.
if you would like to share or keep a link to this version of the book,
you can use this .
if you want to visit or share a random new version of the book,
use this one .
to link to an exact version of a particular poem,
hover over the poem's title area and click the link
which appears that says "fixed link". you will also
see one that says "mutable link" - this points to where
that particular mutable poem lands in a random new book.
try following the mutable links of a particular poem through
different versions and see how it transforms.
you can print or (if your computer has the ability) download a
print-ready pdf of this version of the book using your browser's
printing functionality. some elements of the display will change
to make it more suitable for printing. (you may want to modify your
printing settings to disable the automatic header/footer generation
most browsers do.) please note that as i make
improvements to the mechanics of the program, the content you see
here will likely change, even with a fixed seed - if you want a
truly fixed version, please use the printing method.
the code for this entire project is under the gpl3 license and is
completely free to read, use, and redistribute. the most up-to-date
code is available on github
here .
andrew is a composer, programmer, poet, and bad pianist. you can
find some of his other projects online at his personal website
here .
...
we accidentally imagine
by andrew yoon
seed 8968522
it is 2026. we wonder what to say next,
and the wind is still blowing.
just options options
impossible to weigh. one we saw
first and that first and that
seems as good as any we go for
now at we go looking don't
remember where we all these
different circumstances calling
different responses, different
ways we don't? people who
don't thought funny when
there were were so many were
all at once, a different
every single car every all at
once, a different life in
this in the piano. there
isn't isn't ceiling. emails
them ever, possibilities
tree into entire stories
possibilities some. we end
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.
the smell of damp sticks
from outside. a slowmoving
sound. we notice how
everything is so pink maybe we
remember why, but for now we
don't. “can it stay like this
for a while?” and, for once,
it does.
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again
repetition getting a
little repetition pretend we
aren't every repetition
listening do we more listening.
getting and with faster fewer
and with accurate, little,
a getting every more
accurate, a little faster, a
little mistakes while we best
we best to becoming we do
our pretend every
repetition listening. every
repetition getting a every
repetition accurate little aren't
to on outside do heated do
our aren't listening.
every repetition getting a
little more. every a little
getting more accurate, more
accurate little, a little
accurate, little little faster a
we aren't do every
repetition . every repetition
getting a little more accurate.
best to pretend we
repetition getting every aren't to
on outside pretend we
aren't every more accurate a
little more accurate, faster
laughing! isn't it
funny how we can't help but
smile when the sun starts
coming back right on cue shades
of these colors whose
names we can't remember lines
and lines and so many lines.
we remember that the stick
of incense is still
glowing and somehow becoming
smoke in our lungs we breathe
and we breathe and we
breathe. we forget to ask
questions.
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.
might, actually
changed over these. we reject
the that really changes.
idea that nothing idea
changes nothing that nothing we
: ?” and are unable are
answer. we to, laugh laugh see
the first a, is ears so, like
why of a of to question to at
able we laugh,. we changed
really we and an are to cry and
laugh. can't we. can't the
aimless in new question, much
like why like why moment how
we able to and we wonder
what might wonder what might
be over these. we reject
the nothing really changes
we ask ourselves “who you
and we and we unable to
answer know. and then we begin
laugh, aimless in new
question to our ears which is so
which, think of a to how we to
read. we we laugh, laugh, be
next, be next, really
changed over years over we
reject idea that nothing:
return to answer. we. and then
laugh, laugh begin we to laugh
to, and laugh first comes
to comes to which, much
can't think we begin with to we
are laugh if anything
actually ever really changed
over we reject idea that an
unexpected question are we to
answer know and. and know. know
. we begin laugh. so
aimless in first place like
every minute a new our ears
important important we at the
moment read to read bad. we
years if nothing idea that
nothing really that nothing
really changes and we changes
and ask ourselves we and
return: “who are we to answer.
we. you ?” and you ?” and we
are unable we to then we
begin to and laugh, why
questions so the first it seems
every minute or second comes
important like why of or how are
read. bad handwriting,
anything. we reject and
ourselves an and you don't know.
know. laugh
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.
agains the wayingsong a
we or to while behind the
eyelids, and underthere, a
beforemaroon, the eyes again with
questions and ideas how to see
under a color when we are stuck
inside it these things all
moving so slowly but the clock
seems to be working as usual
with those clunks and little
fingers and woodenbits we
suggest a counterpoint. and the
conversation stays the same and
nobody really seems to care
about the wind.
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.
and ask ourselves each
panels and wooden panels of on
of someone we the behind
behind someone somehow. we we
close our eyes for feel like we
outside our bodies, that
foreheads, be warm enough open
stinging sensation in notice
small dents in and ask scrape
along and walls of freckle and
scratch paint freckle of
someone lot about how a lot about
we lot about it purpose of
just sort we close somehow we
our like incense warm open
windows. feel we and we our hands
now we our this stinging we
breathe this stinging
sensation our hands in now the came
ask ourselves where they
what caused each of paint
every freckle and we lot we on,
the knot did it on purpose
these these things just sort
of own we eyes for close
somehow. we close our a bodies,
that the the be that open the
windows now . the feel feel this
in our we notice hands
ourselves came from and scrape
along the wooden every
freckle and we how the the desk if
someone desk if someone did of if
these we for for a moment and
are bodies, that that
incense is somehow, that to to
open feel now we notice came
came ourselves where scrape
along each panels along the
walls wooden scrape wooden
groove and walls
about things and days of
the numbers and what two
things happening time might
sound like were sound like to
they were trying much about
what might be in place of
another are writing without any
particular intention to begin just
going across
because the longer we
stare at the details, the less
we are sure they even
matter.
maybe that could be the
point. goals sneaking into
the thoughts again goals
sneaking into the point into into
the but maybe point. goals
sneaking into paints while just
happens happens and trangles
into into shapes shapes sort
of things, themselves
shapes into into other things,
making other up behind each
making themselves up behind
the geometries and
relationships pushing buttons the
geometries and relationships
pushing in. we expected the
wrong going the way we, but
into. ideas and
interactions. spray
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.
we are breathing. and we
are still breathing. one
thought and another passing by
in the street while we ask
ourselves if this is going
anywhere if we should instead be
focusing on something else like
the way the smoke is
drifting away from the incense
stick, or the sound our eyelids
make when we blink. is there a
place for rushing anymore?
the softmurmurs again,
reminding us about our breath: and
a little blue bird lands
on the windowsill. it is
singing.
but somehow we don't
don't care never feel more
like the sun is our blood
glowing through just going, the
wind around we instant see
what it object just these
tones being transformed into
energy which us is squirrels
climb and how cars if will be
part of punchline last to one
another glue, screams and the
timer keeps and not ink going
on from we notice moment on
this of paper and how the
glowing on our skin and at all
know if but somehow we don't
care. we that happy, more on
our arm is glowing, around
are around us every how
moves in the eyes being
transformed which pushes of and
makes us climb. we will all
part of a story without a with
and facts falling smiles,
the hugs, paints and
violins the timer keeps keep
notice going we room we can't
help moment sun is landing on
this piece paper and how feel
on our skin a moment we know
if things are repeating
a goal and just falling
in the air's path, path,
playing some role in society
pushed why they why they are
they saying or saying or why
they are saying it or and we
ourselves don't quite understand
are saying it are saying we
are why we are saying why
wind still wind still saying
the wind still thinks about
way are when there when
there so many possibilities a
to write a ways to color in
the new is a new, a new piece
garbage of different of voice
their prefer think illusion
breaking down the. the illusion.
it breaking. the illusion
breaking down again, a
smallvoiced reminder smallvoiced
reminder that, a, a library place
sand out and there are
pictures recognize or recognize
or have we for even when for
even we when we when for grip
we are we long until the the
or maybe the sound is from
an from old cell phone left
old cell left playing the
galaxies themselves are
themselves are asking questions of
are it will when will minute
stop will finally when it
will it will finally stop for
doors, the, sense of sense of
some things can be left as
they is step away things
which much difference
between outside much tied our
untied, or off spoiled food
being by bacteria and that
remember fungi we remember that
having world also ourselves
thing is a beautiful thing.
thing this, drift speck at the
same goal doing some call
society, we call society,
vaguely even when anyone what
anyone is saying anyone is
saying or saying is saying or
why they are saying it or
understand why the wind still about
cabinets shaped the they so to a
thought, so and roll it when it
seems everyday that there a , a
new piece different of
words meaning while make ears
toes make if we prefer think
the illusion breaking
illusion breaking down breaking
down reminder of place a
library where every book is in a
pictures there we of things of
things we good; the shuffling
feet shuffling feet a few a
feet a few a a librarian a in a
though years though the sun
came back from the sound is
from an old cell phone left
playing music, turning back
fans turning that the
galaxies themselves the
galaxies the galaxies
themselves are themselves are the
galaxies themselves are asking
questions of their own of asking
themselves are questions of their
minute , the shapes,
more which or
combination another not? the
vibrations inside the sounds
sounds. of our the kind. for a a
for a a while . and and longer
while seasonal smile at
harmony this sort harmony hear
all hear all all these
acoustic these inside warmer
more vibrations vibrations
not? the every we lean lean
we lean our closer trying
our ears closer time we
closer time we lean our closer
trying to hear not not to notice
grass sound against grass .
from without even
trying are not and and even
trying trying. and are are
sometimes they we things , and it
happens that even trying trying
. and sometimes things
are not,, they that we to and
, sometimes it happens
one the other without the
without even trying are are that
we happens that we and
sometimes, happens we go without
even trying not okay and and
sometimes sometimes happens to
the other without even
trying. and sometimes they, ,
that sometimes and happens
go trying and
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.
just listen to the wind
and feel to the and our legs .
we wonder what anything ,
wonder if anything could or
listen it would matter anyway
laughter as each other how they
learned place the place . so many
different motions little motions
events going leaving any sort
of because even roads and
because even roads and dams fade
eventually, do they were anyway.
out where made it maybe felt
urge or up at the at below
someone up don't see so they
don't say they noticed
quietly sometimes not know
which doesn't yet, and it now
we notice that notice that
the sun now is in us . we
strange looks the with lead
sticks to but the and that the
smudges might make us of or two
think wouldn't have think
note or help us we different
be better moment it we
listen the wonder could
anything really we about
anything, really anything
prepare if anything could
anyway we listen the sounds of
all we've never , pointing
toward laughter and their
destination explain the motions
back dams what going figure
do anyway. we try to figure
patterns in figure anyway out
where we from , whether we it
all be that maybe some or
grow in such way below we
don't don't see look up don't.
or. or maybe us looking
away looking away that just .
and walk, really and out of
sight . which doesn't matter
yet and if the , strange wind
moves it around try and we and
lead with our hand somehow
lead with our
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.