it is 2024. we wonder what to say next, and the wind is still blowing.

eight.

fixed link mutable link
we accidentally
imagine ourselves as having for
a head this strangely
shaped box or a bird feeder with
a triangular roof or
something similar and we are
sitting in the front passenger
seat of an old car and someone
we care a lot about asks,
who are you? and we
think for a minute, and then
another. we aren't able to answer
with anything except a held
hand, and we somehow find
ourselves caring more about them
just because they asked.
they can't answer either,
and the grip gets tighter
and they aren't making eye
contact but that's okay because
we aren't looking anyway
and we are both these
strange wooden boxes attached
to bodies, heads without
eyes which still say so much,
eyes without laughinglines
which always find new things
to smile about an itch
behind our ears, the way this
piece of paper falls on the
ground, the sound of an overhead
lamp switching on laughing
about nothing in particular
and everything in
particular, wanting to want
everything and wanting to want
nothing, to feel everything and
to feel nothing, or at
least something the grip
getting tighter and we remember
how okay it is, how
beautiful it is and how funny it is
that poetry and music might
be the same thing after
all, that hiding is okay
sometimes and being naked is okay
too, that sometimes things
lead to other things, and
sometimes they don't, and
sometimes things just happen and
they keep just happening and
they don't stop. they don't
stop and it seems like they
never will, so it starts
making sense to just accept
this and close our eyes and
smile a little but somehow
this feels impossible. we
get frustrated and start to
do things we don't want to
do, blaming other people
for things nobody had
control over in the first place
and jumping to conclusions
and making assumptions
about other people and their
intentions and what they want or
what they are afraid of. we
forget that they are us, that
their grip is getting tighter
and that nothing is okay for
them either. we remember
that their boxy head is
crying and we have been trying
not to notice. we remember
that we are all the same
person born into different
bodies, and that this is a
beautiful thing. this is a
beautiful thing. this is a
beautiful thing.

nine.

fixed link mutable link
little blue bird lands
on. it is breathing
passing in by this the we going
anywhere be focusing something
be we should if we should
way is drifting away
incense stick, stick smoke away
incense stick, is eyelids make
when we eyelids. is there?
the softmurmurs again us
our breath: and a little
lands it is singing. singing.
singing we are windowsill. we
breathing still one ourselves if
this if ourselves if this if
we something else from the
incense

fifteen.

fixed link mutable link
struggle there was sky
seeming like arriving arriving
arriving and keep arriving ever
ever seem seem
possibilities fanning out into
incomprehensible options impossible up
we saw first and that seems
as that, now looking for
our them. these different
circumstances calling different
circumstances calling smiling. we
know why smiling. are and we
don't know these don't know
know why even hear there
things going on all of all, a
different different struggle
every struggle behind every
note in the piano.. maybe if
but and keep arriving and
none none of of them them from
to fanning out into
options tree impossible to. we
weigh. we the one we first
first end any go looking for at
least our instincts where for
different responses, different
responses and smiling why . we
smiling we smiling and we don't
of? these social gestures
amplifying across gestures us
smiled amplifying across who
don't know joke was people who
don't know why they across a
the they didn't because
didn't even hear half of it so at
once once life all were hear
thought even joke it half it so
many things so many of it at
single a different life, note
in maybe maybe more time..
sky . none of them ever to be
from real real people, these
situations branching out some
incomprehensible out be from real people
and none of them ever seem to
out into entire out be seem
to from real these,
stories, entire fanning out
situations branching out into
entire stories these
situations out into entire out into
some incomprehensible tree
some incomprehensible tree
impossible to just saw first that
seems as as good for now at that
seems as good saw first and
good as as any, for we good go
looking for for don't remember
we don't remember where
our instincts but our
instincts them. these responses ,
different smiling why smiled
first first thought the of it
because were were so many were on
all at once , a different
life in this traffic behind
every car maybe there more
time in the but there piano.
maybe if there sky seeming
seeming like just keep arriving
and seeming the sky another
keep arriving and of emails
just keep arriving and keep
them ever seem these
situations branching options
impossible out into some
incomprehensible, entire stories,, all

three.

fixed link mutable link
how did we get here? the
questions which keep making their
way inside our mouths as if
we never could learn from
the last time we couldn't
answer and instead only become
more unhappy and began to
throw things at the walls with
some inexpressible anger
screaming and shouting with a red
face and bulging veins,
fists again and again against
the door not even caring
what's on the other side, too
caught up with the idea of the
door being there in the first
place another why and another
if causing the lights to
flicker and the stove to begin to
smell like something is
burning so we all try to remember
what we had done in the
kitchen last but we can't
remember, and even the attempts to
remember make us shout with fewer
words, make us scream with our
fingers and pound harder and
harder on the door while the
wood is splintering here and
there and the doorframe
appears to budge this time or
that time or this time again
and again and again

zero.

fixed link mutable link
and all at once things
are so quiet, a tiny hiss
from the walls, distant
clanging of a ventilation fan. we
breathe with the sunlight,
passing clouds causing these
little pulses in the sunglow
and somehow we feel it in our
toes even though we can't
quite tell why the wind
chooses the pitches it sings
against the window, why one
harmony should point to
another, why every story has some
sort of climax where
elements and trajectories
culminate into some bigger thing
as if we had been heading
there all along as if there
were some kind of purpose
behind the penscratches or
where this leaf decides to
fall in this rotting pile we
notice a pain in our lower back
from bad posture and some
strange sense of pressure from
the bottom of our right foot
now the ventilation fan
slowing down into a periodic
banging; we notice a coin lying on
the ground but we can't make
out which side it landed on.
do we care? is it good to
care? would it matter if we
knew? we are staring at the
coin and the coin is staring
back.

six.

fixed link mutable link
silence and quiet now. a
small voice humming and
laughing in the other room. a
crystal or some melting snow.
behinds toward while again
around where's or why's while
leftandright shrinking silently. a
wooden creak. a scratch. all
centers things happening all
around, things just happening
and just being the way they
are. and we realize that this
is a beautiful thing. that
this is a beautiful thing.

fourteen.

fixed link mutable link
the care care the
wayingsong or to to to behind the
eyelids , , behind or,, and
underthere , a beforemaroon, again
questions

ten.

fixed link mutable link
we ask ourselves some
question we can't hear, muffled
because our heads are
underwater, this cold sensation
pressing on our foreheads while
we feel our socks becoming
heavy, cottonfibers grabbing
skin and dragging behind our
feet, cold passing between
our toes. maroon painted
walls and a thick sweater,
crinkling plastic bag full of
snacks. we notice it is becoming
later every moment, and that
as soon as we count one
number there is another in
front of that, always room for
another one or zero or eighty
seven or pencilcase
dirtyshoe, these power outlets
rusting over even though we
can't see where the water
could have come from fading in
the carpet telling which
way people walk most
without asking why they walk it
so often when it seems
there are so, so many other
ways to go and that this way
isn't even the easiest or most
efficient or beautiful or
surprising: they are taking the path
because it is the path they take,
and we can't help but
laughalittle at how beautiful that is
not to say that one is better
than another or that anyone
is wrong for going the way
they do or that we think we are
better than going that
particular way to the couch, but
that we know in the end we are
going to go that way too and
that's just fine. it's just as
good an option as any so we
don't see a reason why not it's
beautiful enough and it's
surprising enough and that itself
may be the most beautiful
and surprising thing of all
at the moment.

one.

fixed link mutable link
and just like that, the
page turns for us. the next
series of random numbers fill
the screen and we begin to
imagine dots and we begin to
connect them and agree and
disagree with them, relate to
them and question them and
share them. the page glares.
we glare. everybody is
glaring and nobody is laughing
and then one of us starts
laughing, and another one of us
starts laughing, and we are all
laughing and the paper is
laughing and the inkdots are
laughing: the numbers are
laughing too.

twenty eight.

fixed link mutable link
the might us think of
something we wouldn't have
wouldn't otherwise, but maybe a
different technique or execution
would better , technique or of
relevancy a moment it go . to the
airplanes and feel legs. could
just what warming our legs.
we this just about
anything about anything if
anything anyway we listen to the
sounds of all these laughter
pointing the place. so they
learned motions forth without
leaving any even statues
collapse and fade eventually ,
and things just do were
going to do to figure where the
patterns try where the patterns a
cloud of the patterns in come
from , , the felt some a urge to
grow these grid patterns we
when these grid patterns
come look at the branches
from below. and now branches
. but up so but look they
don't we don't they don't see
us so anything they just
not say know , really

twelve.

fixed link mutable link
we never seem to notice
the changes until they've
already happened. or at least
they are well into
happening. we wonder why that is:
the clouds evaporating and
the sun coming out, the air
getting so slightly warmer; a
single row of bricks painted a
different color. who the behinds
through before how's and where
when whenever the
againagain the words repeatingly
as we notice a little
cottonfluff drifting toward us. it
sticks to our ink, and we ask
again where meaning comes
from. a million coins being
thrown every instant, fields
of possibility so
terrifyingly wide staring us in the
eye so intensely we have to
look away and we notice this
little bug just flying around,
landing, and flying around
again. flying, landing, and
flying around again.

thirty one.

fixed link mutable link
are hurtling where they
are wondering own,
wondering wondering it will
wondering it wondering for doors
the changing, against
momentnow changing and momentnow
changing and might. we remember
sense, just as they happen
consistency remember happen as they
happen we step which much
outside today, not outside the
temperature outside much
difference between our minds and
our tied or off or tangled up
in a somewhere near by
being we also thoughts, our
beautiful thing is a beautiful
this is a beautiful this if
let it be the ground strange
same time somewhere in

twenty one.

fixed link mutable link
we wonder what would
make us happy, what would
make this headache go away
which keeps distracting us
from everything going on the
scratching pens and observations,
a quote out of context we
leave the incense burning
when we go to sleep even
though we know it's a fire
hazard and it puts our lives in
danger and the lives of all the
other people living above and
below us, and all of the people
we know and the people who
care about what happens to us
even though we never asked
them to. we wonder why it
should matter that something
happens to anyone, we wonder why
we care. and everything is
so quiet.

thirty.

fixed link mutable link
and then we begin to, to
laugh, and laugh, and laugh,
and laugh are so first place
when like every minute like
every or second, so much
question to how we to able
handwriting. bad handwriting. and
and, and we and we laugh.
might what if nothing ever
really changes ever changes.
we reject the if reject
nothing “who are you ?” then to
laugh and can't so aimless
place seems like every like
every minute or second a comes
, so why think of a begin
with at or, be might be
anything nothing anything if
actually changed over actually
over actually changed over
these years these years or if
nothing ever changes we reject
the we ask ourselves ask an
unexpected in: you. we don't and you
and we ?” are you and we
answer know and then begin to
laugh, we can't. we see why
these questions so aimless in
the first place when it
seems like question comes our
like the moment the at to bad
handwriting laugh,. we and be might
next, if changes. we changes
ourselves in: return in: answer
are you ?” and are unable are
unable to don't know we ?”. we
don't know we begin to to laugh
, and are aimless in the
question comes so much important
like important a good
question are laugh, laugh and.
these years ever really
changes nothing really
unexpected to then cry begin to cry.
cry begin to cry, and laugh,
and the first place to our
ears like why we, so we think
of more much more
important like can't think

twenty.

fixed link mutable link
while it the. sound how
sound. we notice how
everything is maybe we so pink we,
maybe we remember why, “can it
stay like this for once does
of. a everything is so now
we ?” and, sticks from

two.

fixed link mutable link
because the longer we
stare at the details, the less
we are sure they even
matter.

nineteen.

fixed link mutable link
the corner of the room
empty except for the little
grooves in the floorboard, we
smile. the moments going and
going in such a beautiful way
that we can't take our eyes
off it, noticing just how
inconsistent things are, how blurry
and arbitrary the
differences seem between things and
people and ideas, how musical a
painting can sound the ink never
seems to dry.

eleven.

fixed link mutable link
we keep asking
questions like “will this make me
happy?” when instead it might be
more interesting to ask what
it would sound like if the
leaves on every tree were poems
written on little sheets of
paper and everybody in the
world began to read them out
loud all at the same time and
then the wind began to blow
and the poems went flying in
the air all around and
everybody just watched it happen
in complete silence we
can't help but smile a little,
and then a lot. and someone
hugs the stranger to their
left and we all begin to
laugh. we ask ourselves
another question we can't hear
because of all the wind and
poems, and that's just fine we
realize we didn't want to know
the answers anyway when
there are so many confusing
and beautiful things all
around us anyway. we just keep
laughing and grabbing poems out
of the air, sometimes
deciding to read them and
othertimes using them as napkins.
the wind, the wind is
laughing too.

twenty nine.

fixed link mutable link
straight on to word
which our bounces just going
with still going with and
just suspect that things
just smile a little and then
smile a little and then laugh
how think about numbers of
what two things happening at
the to write . we write as. so
and books and thinking (not
) about be of intention
begin one with and going just
it and that just going with
it . we going with it .
suspect and we can't help but a
little

twenty four.

fixed link mutable link
, and sometimes it it
happens that we even trying. and
sometimes they are, and sometimes
from the other without even
trying .. okay, and sometimes
they are, and sometimes even
trying are are , and sometimes
we go one sometimes things
and are okay, not okay,
sometimes they are are okay,, and
from one one other even one
happens that from one to
sometimes things are not okay ,
they are sometimes it we
things and sometimes .. and and
sometimes the and sometimes it
happens sometimes happens the
other not okay sometimes they
it . and not that we

eighteen.

fixed link mutable link
systems all around us
and our lives fracturing
breaking apart piece by piece as
we keep trying to glue
things back together with
words and theories and poems
and cathedrals
architectures in the mind and and later
in concrete, we begin to
feel jittery as we realize we
haven't stood up in hours, this
chair and its arms a little too
narrow, pressing against the
sides of our skulls, plurals
and singulars not having so
much significance to us now
when the lights are
flickering so subtly. we pray but
don't know who we are praying
to who we are praying for,
what we want, what we should
want. fading. fading.

seven.

fixed link mutable link
tangling wires into
these bizarre shapes, rugs
with strange colors and
melodies waitingly, taking deep
breaths before the speech where
we finally speak our
minds: "won't everybody
please, please stop this
cruelty? can't we see how
unnecessary it is?" some glass
window creaking under winds,
some oil spilled in a parking
lot. how again the why's and
who's before and after or some
some behind throughingly, a
manual for writers of research
papers about electrical
engineering and game theory,
complex analysis and early
marxist painting; the
walls of this place have
shoulders that are
sagging, somewhere in these
pages an actual answer to a
question that matters. a new pair
of jeans, a holiday
decoration left up for months, a
lightbulb which doesn't fit even
though we could have sworn the
size was right at the store.
color combinations making us
feel sick and wonder why we
care about the dissonance,
why we should prefer one to
the other. we conclude that
we're all just bits of air
moving with the waves of some
song we can't hear: now
banging on the wooddrums, the
thoughts and the doubts, hopes or
imaginations throwing fists at the
organ keyboard, some body of
loud waters, some
electrical structure groaning in
rains particles trapped in
the breezings, the sine
waves, the eyeballs thrown
left and right or up and down
or is that a sign of
happiness, of
peacefulness? who's to tell what's
harmony and what's dissonance?
who's to tell the words of the
song when each moment's just
a few bits of data? hard to
see the picture from a
pixel, hard to find the poem
through a word a letter an inkdot
the arounds and behinds
lost somewhere in the mix,
the breath being exhaled
before we even noticed it was
inside our bodies, each note
rising just a little higher or
just a little more like dirty
wallpaper: we ask each other where
it happened. where the
music got faster. where the
blue became green, where the
light was switched on and the
newer waves began to
interfere with things and distort
the shapes, canceling out
or multiplying or
performing more complicated
operations until the noise is noise
and the signal is noise and
the noise is still noise yet
somehow wider, more sideways
and spinningly and
uppingly and backwardly, more
harsh and out of sync, now neon
colorlines and batteries, strange
gaps in the spiral not
patterns but something about
them which makes us feel the
walls are moving further away
and the room is becoming
smaller, that one moment is
another and the second hand is
somehow different this time
around. we cannot help but go to
sleep again, this time with a
strange smile and already
looking forward to coffee. this
time with socks and a thicker
blanket. this time with the
windows open: and in comes the
cooler air.

twenty five.

fixed link mutable link
getting a little more
accurate a little, a little
faster and little faster, a.
best to pretend we best to
pretend while we. little more
accurate, faster repetition
getting a little more accurate,
a repetition. every
repetition getting more accurate,
every repetition getting a
aren't listening. our best we
aren't listening pretend
outside becoming heated while
our outside becoming going
the becoming we . accurate,
faster and with faster. the
little faster little more a
little faster and the faster
and mistakes. the on
conversation going on we
conversation going on faster and with
fewer mistakes.

four.

fixed link mutable link
it's hard to speak
sometimes. we are frustrated with
ourselves for our
inconsistencies once at peace and
allowing things to be just the way
they are and want to be,
always taking action and never
taking action,
leftandrighting with the leftandright
once again wishing things
were a different way or that
the coin had landed on the
other face; we can't figure
out who we are, and we aren't
quite sure if that question
leads anywhere hard to find
the energy to say anything,
too many responses waiting
behind each option which never
seem to go anywhere
positive, anywhere that doesn't
hurt anybody or dissipate
into the grass as if nothing
had happened in the first
place and we begin to wonder if
anything actually did or does
happen or if we had somehow just
thought it all up out of some kind
of desperation and
confusion aimed at nothing in
particular, cycles going back and
forth but never quite the same
way, always surprising
somehow and adding to the
confusion and lack of any sense of
place, the feeling that we are
nowhere and the feeling that we
are getting nowhere.

thirteen.

fixed link mutable link
we wait for a few minutes
and wonder if it would be
okay for us to ask now: "is
this beautiful?" we wonder
if nobody noticed and we
watch the air just sort of move
around through the leaves. we
take another breath with the
sunlight and feel warmer.
throughs and arounds
behindingly the now nowing while
again the time continues and
stops and continues again.
circles of ink we close our eyes.

twenty two.

fixed link mutable link
but the grass . against
the against the pause and
just breathe for the
thisthat theringly, the again
the thisthat theringly , ,
the. where again the by
while these sniffling from
bird allergies don't
recognize . we smile at at the the
laughing and somehow voices make
this and make inside our.
quiet not ? every our closer
trying to to we we we this fuzzy
kind sound against the grass
just breathe a while and
crackling crackling, we, we
breathe these while and the the
sun keeps making that
making longer a bird from
seasonal we don't recognize and
somehow the harmony against and
making us feel warmer okay.
which thing work and work and
another not? the work and
another not to aware not try not
notice. the outside kind grass
just hand ticking by , the
second again crackling, we and
the sun keeps keep we
sniffling from seasonal
allergies. the at the sound the
voices make this against and
not warmer which
slantingway one or slantingway
which slantingway
combination which one another not? ?
the vibrations vibrations
quiet every to hear of our
actions but . making making this
fuzzy kind sun of sound the
again by making that sound we
keep sniffling from from
don't and somehow against the
all all inside our chests
and vibrations buzzing
combination ? the time we lean ears
hear inside ears hear inside
we are aware are aware of
our actions but not to
outside making this this fuzzy
kind where hand ticking by
ticking again and angles
crackling, these angles and we
that sound sniffling we
don't the sort of harmony and
and we hear all these more
okay more okay . lean our ears
our our ears our our actions
but actions aware of we . we
we are are sounds . are
aware this fuzzy kind

twenty three.

fixed link mutable link
screams, we keep doing
our going around muffled
from can't help changing
every moment all is on is
glowing and can somehow skin a.
we don't. about have made
us more human arm and
through our

seventeen.

fixed link mutable link
marbles in a glass bowl,
not going anywhere in
particular seeming to wonder where
the birds get their
melodies, their strange rhythms
tinkling or rubbing cardboard.
the dark bottle looking
right back, eyes glimmering
so loudly with the
sunlight or fluorescent
flickerings or uncharged
batteries. the lithium looking for
water. how's this different?
asking between colorshades
and subject matter like it
were important or something
or something or something
or anothersong
thismomentingly or an old box of cereal,
casting shadows longer than
expected somehow while the light
reflects in its own color onto the
walls and the nearby desk
surface, papers scattered from
months before piled over each
other, some important some not
so much, some with colors
and blindly drawn
paintings and some printed out
from an old black and white
laser jet printer, whatever
that means, whatever those
meaning.

twenty six.

fixed link mutable link
. goals sneaking into
spray paints and concrete,
all these colors smile .. of
squares other sort of making
relationships relationships other
relationships pushing pushing
pushing which always in always
pushing the seem to fall in in the
wrong seem to wrong direction
. not going seem to and
dominoes which always seem the or
wrong direction expected or
point. goals sneaking spray
ideas and colors and ideas all
all all all just trangles
other other each each other
themselves up buttons seem
geometries buttons seem to fall in

sixteen.

fixed link mutable link
but smile when help when
back right starts the the
coming coming back back smile
when the sun shades can't
remember we can't so lines.
remember that the we in our lungs
and and we breathe forget to
questions laughing ask funny
funny how the sun starts
coming right on cue whose these
lines and lines lines lines
and lines lines and that
that the stick of incense is
lungs we breathe breathe
somehow the stick somehow
becoming smoke somehow we
breathe and breathe and we
breathe we sun shades of these
and lines lines and so many
lines lines. we that that
lungs our lungs ask questions
. laughing! isn't
laughing! isn't back right on cue
back right cue shades of
these these colors of back
right colors whose names
remember lines and lines and so
many lines lines lines of
incense glowing and somehow
smoke lungs we breathe. and
breathe it funny how we can't
help when starts coming back
sun starts back starts
right on of colors names we
remember remember lines and we
remember remember still smoke
our lungs we breathe and we
forget to. laughing starts
coming coming on back right
right starts coming back help
but smile cue shades of
starts coming sun starts can't
remember lines. that glowing
glowing and becoming in somehow
becoming becoming. laughing but
smile can't help but but these
names can't remember lines
and lines lines. still
incense we remember that that
the the the stick that the
and and

five.

fixed link mutable link
quietingly, the
softmurmurs not trying to say
anything in particular or
convince anyone of anything,
prefering to let things just exist
the way they are and stay the
same when they need to stay
the same and change when
they need to change, or not
even need to stay the same or
need to change but maybe
instead want to stay the same or
want to change, or rather: it
just happens. it just
happens, and it keeps just
happening. the softmurmers not
even speaking about what's
going on or what's not going on
but instead just
mentioning about whatever is on
their mind at that moment,
letting it out and letting it go,
the sound waves not
disappearing but echoing off a
thousand surfaces and every
blade of grass, split and
muffled and distorted and
echoed until they sound like
dead trees, the sun pushing
the waves around a little
through the screen door, gnats
in the air just sort of
moving around.

twenty seven.

fixed link mutable link
sort sort of if these
things purpose own for a moment
and outside we is somehow in
our foreheads enough
outside to might be enough to
open enough and feel small
dents dents in the ourselves
each groove from where they
came and ourselves where
along freckle and scratch on
care a about someone we care
about
,